Writing For The Ear Preaching From The Heart

In Writing for the Ear, Preaching from the Heart, Donna Giver-Johnston teaches preachers how to communicate effectively--how to get away from their notes and make a more personal connection with their listeners. Grounded in a theology of the incarnation, she offers a step-by-step method for writing sermons with the fewest, most impactful and memorable words and delivered by heart to communicate a message that captures the ears and hearts of listeners.

Words bombard us every day. Words can be noisy and cheap. And yet, words are all preachers have. In Writing for the Ear, Preaching from the Heart, Donna Giver-Johnston addresses the question: How do you capture ears in an era of noise? Many preachers want to get away from their notes and make a more personal connection with their listeners, but they have not been mentored in methods that enable them to do that. Grounded in a theology of incarnation and articulation and coupled with an awareness of what listeners most need and want to hear, Giver-Johnston explains how preachers can communicate more effectively--how they can write sermons for the ear, with the fewest, most impactful words to craft a memorable message. She also provides guidance on how to preach sermons by heart, without notes, to communicate a message that captures the ears and hearts of listeners. In a time when attention spans are shortening and church participation is declining, this book provides a proven method for preachers to communicate in ways that are meaningful and memorable to aching ears today and that can change the world for good, and for God, one longing heart at a time.

It has been said that the day of the sermon is over. Kate Bruce argues that the day of the poorly conceived, ill prepared, dull, disconnected, boring, irrelevant, authoritarian, yawn-inducing, patronizing, pontificating, pointless and badly delivered sermon, is indeed over. Imagination can help to engage the hearer in a sermon which seeks to evoke rather than to inform. Imagination frames how we see the world and ourselves in it. As such it has a vital role in how preachers see the preaching task itself, which in turn affects how we go about the task. A theology of imagination is presented to demonstrate the central importance of imagination in the life of faith. Allied to this is an analysis of the sacramental nature of preaching and the role of imagination in enabling the ‘aha, now I get it’ moment of sacramental ‘seeing-as’. Connected to enabling new seeing, preaching in the lyrical voice is defined and discussed along with the importance of preachers shaping sermons for the ear.

"Over the years, I've heard some wonderful sermons," writes G. Robert Jacks. "I've also heard some duds. Some have been so extemporaneous they sounded as if the preacher hadn't prepared anything. Some have been such wondrously crafted literary pieces they sounded as if the preacher wanted to sound wondrously crafted and literary. Some have sounded as though the preacher were giving a lecture or reading a term paper. That's because the preacher had written a lecture or term paper. And some have captured the attention and the imagination and set the spark to ignite faith in the hearer. That's because they were written to be listened to, and to appeal to the sense-world of the hearers." Drawing on nearly thirty years of experience in critiquing sermon delivery, Jacks here offers a practical, hands-on approach to writing sermons that consider listeners first. Jacks gives samples and examples of writing that effectively captures and holds an audience's attention, and he offers practical tips and suggestions intended to help each of us find a preaching style and voice of our own. He also shows how to translate the jargon of theological textbooks into everyday language, suggests methods for rewriting sermons to avoid some of the pomposity of sermonic proclamation, and demonstrates ways to retell biblical narratives in fresh and imaginative ways. Just Say the Word! Writing for the Ear is a valuable resource that will help pastors and lay leaders communicate as effectively as possible the faith that is ours to share.

While admitting particular parameters and priorities for Roman Catholic preachers, this volume was intentionally envisioned as a handbook for "catholic" preaching in the broadest and most universal sense of that term. Cosponsored by the Catholic Academy of Liturgy, the Catholic Association of Teachers of Homiletics, and the Federation of Diocesan Liturgical Commissions, it covers the role of the Scriptures in preaching, the challenges of preaching in a digital age, sermonizing in an interfaith context, and the need for a liberative and prophetic word that cuts across denominations and even faith traditions. Intended to aid those who teach or direct the preaching arts, the design and writing style of this book are particularly calibrated to graduate students in ministerial studies. Every article is a self-contained overview of a particular historical period, genre of preaching, homiletic theory, or contemporary issue. This more encyclopedic approach--devoid of footnotes, yet supported by pertinent bibliography and an extensive index--provides a sufficiently rich yet thoroughly accessible gateway to major facets of the preaching arts at this stage of the twenty-first century. General Editor: Edward Foley Associate Editors: Catherine Vincie, Richard N. Fragomeni Contributors: Herbert Anderson, John F. Baldovin, Alden Lee Bass, Dianne Bergant, Stephen Bevans, Robert Bireley, John Carr, Anthony Collamati, Michael E. Connors, Guerric DeBona, Frank DeSiano, William T. Ditewig, Con Foley, Edward Foley, Richard N. Fragomeni, Ann M. Garrido, Gregory Heille, Lucy Lind Hogan, Patrick R. Lagges, David J. Lose, Barbara K. Lundblad, Ricky Manalo, Robert F. Morneau, Carolyn Muessig, vanThanh Nguyen, Mary Margaret Pazdan, Patricia Parachini, Jorge Presmanes, Craig Alan Satterlee, Catherine Vincie, Richard Vosko, James A. Wallace, Margaret Moers Wenig, Alex Zenthoefer

"For everything there is a season," as the writer of Ecclesiastes reminds us, and that includes preaching. Beyond ordinary Sunday morning worship, many other "seasons"--special occasions--arise for preaching in the life of the church, whether by virtue of the secular calendar or celebrations or circumstances in the congregation or community. For Every Matter under Heaven: Preaching on Special Occasions offers preachers a process for creating sermons that are biblically grounded and relevant to the occasion. Two obvious occasions of this sort are weddings and funerals; however, church anniversaries, dedications of new buildings or furnishings, commitment of pledges in stewardship season, and ordination and installation services also call for preaching on a special theme or topic. In addition, some congregations acknowledge secular holidays, such as the Fourth of July and Thanksgiving Day, in worship. Pastors are often called on to preach at events outside the church. And all congregations face local or national tragedies and crises that call for a word from the Lord. These occasions require a different kind of sermon--or at least a different process of preparation. Most preachers have been taught that sermons begin with a biblical text, usually a text prescribed by a standard lectionary. Beverly Zink-Sawyer and Donna Giver-Johnston offer preachers a process for finding appropriate sermon texts for special occasions by considering the occasion itself, the listeners who might be gathered, and the ways God is at work in that time and place. Through this process, preachers can offer a word for every matter under heaven.

Preachers have long been faced with two options. On the one hand they can appeal to their congregations’ intellects, teaching them the substance of the faith from the pulpit. On the other they can seek to stir their hearers’ emotions, wooing or warning them with the gospel. Usually we reserve these two forms of preaching for different tasks or audiences. If you are preaching an evangelistic message to the unchurned, then your preaching style will draw more heavily on the emotional aspects. If you are leading the faithful into a deeper grasp of the Christian message, then you will more likely draw on the intellectual components of preaching. While most preachers know that the choice between the head and the heart is a false one, they often don’t know how to bring the two together effectively. In this book Thomas Swears offers detailed, practical advice on how to preach to both head and heart. He shows how both emotions and intellect function any time one tried to convey meaning from the pulpit, regardless of the kind of message one is preaching. Without abandoning the conventional wisdom on evangelistic vs. teaching sermons, he nonetheless insists that preaching with integrity—in which the Word is truly embodied—will always involve the whole person and personality of both the preacher and the congregation.

The New Interpreter’s Handbook of Preaching is a major reference tool for preaching, with articles on every facet of Christian sermon preparation and delivery. This resource is both scholarly and practical. It focuses on the most distinctive feature and greatest strength of homiletics as a discipline: It is rooted in interdisciplinary scholarship and it develops theory geared to practice. Its theory arises out of the study of both excellent preaching past and present and actual sermon preparation and composition. When theory and practice critique each other, it is possible to produce guidelines that assist greater excellence and economy in preaching the gospel. Excellence in standards is an area in which homiletics needs to grow, and this project will be both a means to encourage and develop it. A guiding question throughout will be, Will it preach? The answers will be offered in the sense that “here is something that works well,” rather than “here is something to try.” Preachers will turn to this resource with the expectation that they will find scholarly treatment of topics, brief bibliographies of relevant key books and articles, along with practical methodological suggestions for preachers to employ. The contributors are homileticians, preachers, and writers in various disciplines who are committed to the pulpit through practice.