Writing The City Into Being

Writing the City into Being is Bremner's long-awaited collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of an extraordinary city and a work of imagination - a bringing of the evasive city into being through writing. Johannesburg has become a touchstone in critical thinking on the development of the twenty-first-century city, attracting scholars from around the world who seek to understand how cities are changing in the face of urban migration in all its myriad forms and the inflow of foreign capital and interest. Bremner is at the forefront of this scholarship. Her intimate knowledge of the city makes this a deeply personal but authoritative collection of essays. Writing the City into Being is an important book for those seeking to understand cities in a rapidly changing and fragmenting world. Lindsay Bremner is an extraordinary guide to the city of Johannesburg, and one of its most incisive commentators.

WINNER - Prix du livre d’Ottawa 2016 WINNER - Prix Jean-Éthier-Blais 2015 WINNER - Prix Gabrielle-Roy 2014 FINALIST - Prix littéraire Trillium 2015 From the founding of New France to the present day, Quebec women have had to negotiate societal expectations placed on their gender. Tracing the evolution of life writing by Quebec women, Patricia Smart presents a feminist analysis of women’s struggles for autonomy and agency in a society that has continually emphasized the traditional roles of wife and mother. Writing Herself into Being examines published autobiographies and autobiographical fiction, as well as the annals of religious communities, letters, and a number of published and unpublished diaries by girls and women, to reveal a greater range of women’s experiences than proscribed, generalized roles. Through close readings of these texts Smart uncovers the authors’ perspectives on events such as the 1837 Rebellion, the Montreal cholera epidemic of 1848, convent school education, the struggle for women’s rights in the early twentieth century, and the Quiet Revolution. Drawing attention to the individuality of each writer while situating her within the social and ideological context of her era, this book further explores the ways women and girls reacted to, and often rebelled against, the constraints imposed on them by both Church and state. Written in a clear and compelling narrative style that brings women’s voices to life, Writing Herself into Being – the author’s own translation of her award-winning French-language book De Marie de l’Incarnation à Nelly Arcan: Se dire, se faire par l’écriture intime (Boréal, 2014) – offers a new and gendered view of various periods in Quebec history.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

This intriguing study frames a view of the rapidly transforming city of Johannesburg and explores the new identities, bonds, and intimacies forming in the midst of, or in between, the new rigidities and spatial enclosures of the emerging city.

With The Guilty Plea, a gripping sequel to the international bestseller Old City Hall, Robert Rotenberg delivers a sharp, suspenseful legal thriller with an explosive conclusion. Bestselling author Robert Rotenberg is back with another razor-sharp legal thriller. Rotenberg’s insider knowledge of the behind-the-scenes courtroom machinations and his mesmerizing trial scenes make this another scorching page-turner. On the morning that his headline-grabbing divorce trial is set to begin, Terrance Wyler, youngest son of the Wyler Food dynasty, is found stabbed to death in the kitchen of his million-dollar home. Detective Ari Greene arrives minutes before the press and finds Wyler’s four-year-old son asleep upstairs. When Wyler’s ex-wife, a strange beauty named Samantha, shows up at her lawyer’s office with a bloody knife, it looks as if the case is over. But Greene soon discovers the Wyler family has secrets they’d like to keep hidden, and they’re not the only ones. If there’s one thing Greene knows, it’s that the truth is never simple.

DID CANADA'S FAVORITE RADIO HOST COMMIT MURDER Kevin Brace, Canada's most famous radio personality, stands in the door of his luxury condominium, hands covered in blood, and announces to his newspaper delivery man: "I killed her." His wife lies dead in the bathtub, fatally stabbed. It would appear to be an open-and-shut case. The trouble is, Brace refuses to talk to anyone -- including his own lawyer -- after muttering those incriminating words. With the discovery that the victim was actually a self-destructive alcoholic, the appearance of strange fingerprints at the crime scene, and a revealing courtroom crossexamination, the seemingly simple case takes on all the complexities of a hotly contested murder trial. Meantime, much to everyone's surprise, the Leafs are making an unlikely run for the Stanley Cup.

Only one out of ten early modern Europeans lived in cities. Yet cities were crucial nodes, joining together producers and consumers, rulers and ruled, and believers in diverse faiths and futures. They also generated an enormous amount of writing, much of which focused on civic life itself. But despite its obvious importance, historians have paid surprisingly little attention to urban discourse; its forms, themes, emphases and silences all invite further study. This book explores three dimensions of early modern citizens’ writing about their cities: the diverse social backgrounds of the men and women who contributed to urban discourse; their notions of what made for a beautiful city; and their use of dialogue as a literary vehicle particularly apt for expressing city life and culture. Amelang concludes that early modern urban discourse increasingly moves from oral discussion to take the form of writing. And while the dominant tone of those who wrote about cities continued to be one of celebration and glorification, over time a more detached and less judgmental mode developed. More and more they came to see their fundamental task as presenting a description that was objective.

This work examines and challenges the traditional transatlantic axis, London-Paris-New York, that marks the intersection between western thinking about the City and the advent of literary modernism.