Writing Under The Raj

Examining the rhetoric of rape in British and Anglo-Indian fiction of the 19th and early 20th centuries, Paxton shows how it reflects basic concepts in the social and sexual contracts defining the women's relationship to the nation state.

This is the brilliantly told story of one of the wonders of the modern world - how in less than a hundred years the British made themselves masters of India. They ruled it for another hundred, departing in 1947, leaving behind the independent states of India and Pakistan. British rule taught Indians to see themselves as Indians and its benefits included railways, hospitals, law and a universal language. But the Raj, outwardly so monolithic and magnificent, was always precarious. Its masters knew that it rested ultimately on the goodwill of Indians. This is a new look at a subject rich in incident and character; the India of the Raj was that of Clive, Kipling, Curzon and Gandhi and a host of lesser known others. RAJ will provoke debate, for it sheds new light on Mountbatten and the events of 1946-47 which ended an exercise in benign autocracy and an experiment in altruism.

Historians of British colonial rule in India have noted both the place of military might and the imposition of new cultural categories in the making of Empire, but Bhavani Raman, in Document Raj, uncovers a lesser-known story of power: the power of bureaucracy. Drawing on extensive archival research in the files of the East India Company’s administrative offices in Madras, she tells the story of a bureaucracy gone awry in a fever of documentation practices that grew ever more abstract—and the power, both economic and cultural, this created. In order to assert its legitimacy and value within the British Empire, the East India Company was diligent about record keeping. Raman shows, however, that the sheer volume of their document production allowed colonial managers to subtly but substantively manipulate records for their own ends, increasingly drawing the real and the recorded further apart. While this administrative sleight of hand increased the company’s reach and power within the Empire, it also bolstered profoundly new orientations to language, writing, memory, and pedagogy for the officers and Indian subordinates involved. Immersed in a subterranean world of delinquent scribes, translators, village accountants, and entrepreneurial fixers, Document Raj maps the shifting boundaries of the legible and illegible, the legal and illegitimate, that would usher India into the modern world.

As rich and varied as India itself, these accounts bring to the reader the Indian perspective on the British Raj. Included are the memories and experiences of more than fifty Indian men and women who worked under the British, made friends with them, and then fought to throw them out. They describe the role of apprentice under the sahibs, the complex racial barriers that divided the rulers from the ruled, the Western education which eventually encouraged rebellion, and the ways in which liberal British political arguments were turned against the Raj by nationalist campaigns to force the British to quit India.

Collection of articles and papers presented at a seminar on Anglo-India literature, post-colonial perspectives, held on 8th October 1992.

Inglorious Empire' tells the real story of the British in India from the arrival of the East India Company to the end of the Raj, revealing how Britain's rise was built upon its plunder of India. In the eighteenth century, India's share of the world economy was as large as Europe's. By 1947, after two centuries of British rule, it had decreased six-fold. Beyond conquest and deception, the Empire blew rebels from cannon, massacred unarmed protesters, entrenched institutionalised racism, and caused millions to die from starvation. British imperialism justified itself as enlightened despotism for the benefit of the governed, but Shashi Tharoor takes on and demolishes this position, demonstrating how every supposed imperial "gift" - from the railways to the rule of law -was designed in Britain's interests alone. He goes on to show how Britain's Industrial Revolution was founded on India's deindustrialisation, and the destruction of its textile industry.

This book is about a brief resum of the major critical responses received by Scott and proves the fact that he still needs a wider critical attention to have a deeper insight of his novels. At the moment, his Raj quartet is the only work that has received extensive critical attention. The generally accepted verdict that the Raj quartet is Scotts greatest achievement is confirmed by the fact that it has aroused considerable interest among critics since its publication. Its position of acknowledged greatness, therefore, certainly demands a reference to various critical responses to it. John Mellors, for instance, considers it important because by evoking the final episode in the long and passionate affaire between British and India, it contains something of all the issues Scott wants to raise: justice, responsibility, political expediency, law and order, sex and race, pride and prejudice, love and loyalty.

A colorful and revealing portrait of the rise of India’s new billionaire class in a radically unequal society India is the world’s largest democracy, with more than one billion people and an economy expanding faster than China’s. But the rewards of this growth have been far from evenly shared, and the country’s top 1% now own nearly 60% of its wealth. In megacities like Mumbai, where half the population live in slums, the extraordinary riches of India’s new dynasties echo the Vanderbilts and Rockefellers of America's Gilded Age, funneling profits from huge conglomerates into lifestyles of conspicuous consumption. James Crabtree’s The Billionaire Raj takes readers on a personal journey to meet these reclusive billionaires, fugitive tycoons, and shadowy political power brokers. From the sky terrace of the world’s most expensive home to impoverished villages and mass political rallies, Crabtree dramatizes the battle between crony capitalists and economic reformers, revealing a tense struggle between equality and privilege playing out against a combustible backdrop of aspiration, class, and caste. The Billionaire Raj is a vivid account of a divided society on the cusp of transformation—and a struggle that will shape not just India’s future, but the world’s.