Writing Women And Space

Drawing lessons from the complex and often contradictory position of white women writing in the colonial period, This unique book explores how feminism and poststructuralism can bring new types of understanding to the production of geographical knowledge. Through a series of colonial and postcolonial case studies, essays address the ways in which white women have written and mapped different geographies, in both the late nineteenth century and today, illustrating the diverse objects (landscapes, spaces, views), the variety of media (letters, travel writing, paintings, sculpture, cartographic maps, political discourse), and the different understandings and representations of people and place.

From small steps to giant leaps, A Galaxy of Her Own tells fifty stories of inspirational women who have been fundamental to the story of humans in space, from scientists to astronauts to some surprising roles in between. From Ada Lovelace in the nineteenth century, to the women behind the Apollo missions, from the astronauts breaking records on the International Space Station to those blazing the way in the race to get to Mars, A Galaxy of Her Own reveals extraordinary stories, champions unsung heroes and celebrates remarkable achievements from around the world. Written by Libby Jackson, a leading UK expert in human space flight, and illustrated with bold and beautiful artwork from the students of London College of Communication, this is a book to delight and inspire trailblazers of all ages. Packed full of both amazing female role models and mind-blowing secrets of space travel, A Galaxy of Her Own is guaranteed to make any reader reach for the stars.

In this anthology the award-winning author Yvonne Vera brings together the stories of many talented writers from different parts of Africa.

This book sets out to investigate how contemporary African diasporic women writers respond to the imbalances, pressures and crises of twenty-first-century globalization by querying the boundaries between two separate conceptual domains: love and space. The study breaks new ground by systematically bringing together critical love studies with research into the cultures of migration, diaspora and refuge. Examining a notable tendency among current black feminist writers, poets and performers to insist on the affective dimension of world-making, the book ponders strategies of reconfiguring postcolonial discourses. Indeed, the analyses of literary works and intermedia performances by Chimamanda Adichie, Zadie Smith, Helen Oyeyemi, Shailja Patel and Warsan Shire reveal an urge of moving beyond a familiar insistence on processes of alienation or rupture and towards a new, reparative emphasis on connection and intimacy – to imagine possible inhabitable worlds.

In Impact, 21 women writers consider the effects of concussion on their personal and professional lives. The anthology bears witness to the painstaking work that goes into redefining identity and regaining creative practice after a traumatic event. By sharing their complex and sometimes incomplete healing journeys, these women convey the magnitude of a disability which is often doubted, overlooked, and trivialized, in part because of its invisibility. Impact offers compassion and empathy to all readers and families healing from concussion and other types of trauma. Contributors: Adèle Barclay, Jane Cawthorne, Tracy Wai de Boer, Stephanie Everett, Mary-Jo Fetterly, Rayanne Haines, Jane Harris, Kyla Jamieson, Alexis Kienlen, Claire Lacey, E. D. Morin, Julia Nunes, Shelley Pacholok, Chiedza Pasipanodya, Judy Rebick, Julie Sedivy, Dianah Smith, Carrie Snyder, Kinnie Starr, Amy Stuart, Anna Swanson

David Plante's dazzling portraits of three influential women in the literary world, now back in print for the first time in decades. Difficult Women presents portraits of three extraordinary, complicated, and, yes, difficult women, while also raising intriguing and, in their own way, difficult questions about the character and motivations of the keenly and often cruelly observant portraitist himself. The book begins with David Plante’s portrait of Jean Rhys in her old age, when the publication of The Wide Sargasso Sea, after years of silence that had made Rhys’s great novels of the 1920s and ’30s as good as unknown, had at last gained genuine recognition for her. Rhys, however, can hardly be said to be enjoying her new fame. A terminal alcoholic, she curses and staggers and rants like King Lear on the heath in the hotel room that she has made her home, while Plante looks impassively on. Sonia Orwell is his second subject, a suave exploiter and hapless victim of her beauty and social prowess, while the unflappable, brilliant, and impossibly opinionated Germaine Greer sails through the final pages, ever ready to set the world, and any erring companion, right.

Postcolonialism and geography are intimately linked through the spatiality of colonial discourse as well as the material effects of colonialism and decolonization.Geographical ideas about space, place, landscape, and location have helped to articulate different experiences of colonialism both in the past and present and the "here" and "there". At the same time, while spatial images such as mobility, margins and exile abound in postcolonial writings, more material geographies have often been overlooked.Postcolonial Geographies presents the first sustained geographical analysis of postcolonialism. Exploring and developing the connections between postcolonialism and geography, the essays in this book--ranging across Europe, Australia, Asia, Africa, and North America--investigate the geographies of postcolonialism and chart the contours of a postcolonial geography. Contributors:Morag Bell, Claire Dwyer, Haydie Gooder, Jane M. Jacobs, M. Satish Kumar, Alan Lester, Mark McGuinness, Karen M. Morin, Richard Phillips, Marcus Power, Jenny Robinson, James D. Sidaway, John Wylie

An anthology of literary essays focusing on the ways in which sexual, emotional, physical, racial, and other forms of violence have affected women artists' imaginations.