Yellow Earth Green Jade

Is the lion the symbol of China? Or should it be the dragon or the phoenix? This book makes a provocative interpretation of the Chinese ancient totems such as the bear and the owl. Taking a mythological approach, it explores the origin of Chinese civilization using the quadruple evidence method, which integrates ancient and unearthed literature, oral transmission, and archeological objects and graphs. It testifies to the authenticity of unresolved ancient myths and legends from the origins of Chinese Jade Ware (6200BC-5400 BC) to the names of the Yellow Emperor (2698–2598 BC) and the legends from the Xia (2010BC-1600BC), Shang (1600BC-046BC), Zhou (1046BC-771BC), and Qin (221BC-206BC) Dynasties. The book lays the foundation for a reconstruction of Chinese Mythistory. With well over 200 photographs of historic artifacts, the book appeals to both researchers and general readers.

Dictatorship by Degrees: Xi Jinping in China traces the totalitarian elements that linger in China’s governing policies and practices, such as extra-legal Anti-Corruption Campaign, great concentration of power in one man, increasing intolerance, increasing propaganda, increasing indoctrination, increasing self-criticism inside the Party, expansion of Party cells across society, increasing censorship, cult of personality, and mass incarceration in Xinjiang. Steven P. Feldman develops a concept of pre-totalitarianism to explore these developments through extensive field data, including interviews with business executives, professors, lawyers, and non-profit executives, and observations of daily life. Feldman argues that Chinese political culture, based on the core principle of small group loyalties is inherently unstable, resulting in an ongoing tendency for leaders to concentrate power to survive and accomplish their goals. Under communist dictatorial political organization, totalitarian domination is always a temptation and risk.

The autobiography of a China scholar, who suffered the tragic loss of family members in an airplane accident at the end of the Sino-Japanese war in 1946. Chu Djang narrates the story of organizing an expedition to explore wreckage site in a remote area of China, his return to the United States and subsequent career in the United Nations and academia, where he retired as Associate Dean and Coordinator of Academic Affairs of the St. Johns University Center for Asian Affairs. The book also includes geneological highlights of the Djang family in China, and personal insights into the academic world of Chinese-American studies.

Everyone who came in close contact with Mao was taken aback at the anarchy of his personal ways. He ate idiosyncratically. He became increasingly sexually promiscuous as he aged. He would stay up much of the night, sleep during much of the day, and at times he would postpone sleep, remaining awake for thirty-six hours or more, until tension and exhaustion overcame him. Yet many people who met Mao came away deeply impressed by his intellectual reach, originality, style of power-within-simplicity, kindness toward low-level staff members, and the aura of respect that surrounded him at the top of Chinese politics. It would seem difficult to reconcile these two disparate views of Mao. But in a fundamental sense there was no brick wall between Mao the person and Mao the leader. This biography attempts to provide a comprehensive account of this powerful and polarizing historical figure.

Brightly coloured prints, portraying model behaviour or a better future, have been a ubiquitous element of Chinese political culture from Imperial times until present. As economic reform swept the People's Republic in the 1980s, visual propaganda ceased to depict the tanned and muscular labourers in a proletarian utopia, so typical of preceding decades. Instead, Western icons of progress and development were employed: high-speed bullet trains, spacecraft, high-rise buildings, gridlocked free-ways and projections of general affluence. Socialist Realism was phased out by design and mixed- media techniques that were influenced by Western advertising. This lavishly illustrated study traces the development of the style and content of the Chinese propaganda poster in the decade of reform, from its traditional origins to its use as a tool for political and economic purposes.