You Can T Get Lost In Cape Town

The South African novel of identity that "deserves a wide audience on a par with Nadine Gordimer."

The volume closes with an essay by Gerald Monsman that takes the reader back to an earlier South Africa, examining Olive Schreiner's writing in the broader context of other stories from an imperialist past. Two poems by Dennis Brutus open the volume. They speak eloquently of human suffering and the desire for peace.

A New York Times Top Historical Fiction Pick of 2020 A stunningly original new novel exploring race, truth in authorship, and the legacy of past exploitation, from the Windham-Campbell lifetime achievement award winner When Zoëml; Wicomb burst onto the literary scene in 1987 with You Can't Get Lost in Cape Town, she was hailed by her literary contemporaries and reviewers alike. Since then, her carefully textured writing has cemented her reputation as being among the most distinguished writers working today and earned her one of the inaugural Windham Campbell Prizes for Lifetime Achievement in Fiction Writing. Wicomb's majestic new novel Still Life juggles with our perception of time and reality as Wicomb tells the story of an author struggling to write a biography of long-forgotten Scottish poet Thomas Pringle, whose only legacy is in South Africa where he is dubbed the "Father of South African Poetry." In her efforts to resurrect Pringle, the writer summons the specter of Mary Prince, the West Indian slave whose History Pringle had once published, along with Hinza, his adopted black South African son. At their side is Sir Nicholas Green, a seasoned time traveler (and a character from Virginia Woolf's Orlando). Their adventures, as they travel across space and time to unlock the mysteries of Pringle's life, offer a poignant exploration of colonial history and racial oppression.

A powerful post-apartheid novel and winner of South Africa’s M-Net Literary Award, hailed by J.M. Coetzee as “a tremendous achievement.” South Africa, 1991: Nelson Mandela is freed from prison, the African National Congress is now legal, and a new day dawns in Cape Town. David Dirkse, part of the underground world of activists, spies, and saboteurs in the liberation movement, suddenly finds himself above ground. With “time to think” after the unbanning of the movement, David searches his family tree, tracing his bloodline to the mixed-race “Coloured” people of South Africa and their antecedents among the indigenous people and early colonial settlers. But as David studies his roots, he soon learns that he’s on a hit list. Now caught in a web of surveillance and betrayal, he’s forced to rethink his role in the struggle for “nonracial democracy,” the loyalty of his “comrades,” and his own conceptions of freedom. Mesmerizing and multilayered, Wicomb’s award-winning novel delivers a moving examination of the nature of political vision, memory, and truth. “A delicate, powerful novel, guided by the paradoxes of witnessing the certainties of national liberation and the uncertainties of ground-level hybrid identity, the mysteries of sexual exchange, the austerity of political fiction. Wicomb’s book belongs on a shelf with books by Maryse Condé and Yvette Christiansë.” —Gayatri Chakravorty Spivak, author of A Critique of Postcolonial Reason

“In her ambitious third novel, Wicomb explores South Africa’s history through a woman’s attempt to answer questions surrounding her past” (The New Yorker). Set in a beautifully rendered 1990s Cape Town, Windham Campbell Prize winner Zoë Wicomb’s celebrated novel revolves around Marion Campbell, who runs a travel agency but hates traveling, and who, in post-apartheid society, must negotiate the complexities of a knotty relationship with Brenda, her first black employee. As Alison McCulloch noted in the New York Times, “Wicomb deftly explores the ghastly soup of racism in all its unglory—denial, tradition, habit, stupidity, fear—and manages to do so without moralizing or becoming formulaic.” Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family’s past but her identity and her rightful place in contemporary South African society. “Stylistically nuanced and psychologically astute,” Playing in the Light is as powerful in its depiction of Marion’s personal journey as it is in its depiction of South Africa’s bizarre, brutal history (Kirkus Reviews, starred review). “Post-apartheid South Africa is indeed a new world . . . With this novel, Wicomb proves a keen guide.” —The New York Times “Delectable . . . Wicomb’s prose is as delightful and satisfying in its culmination as watching the sun set over the Atlantic Ocean.” —The Christian Science Monitor “[A] thoughtful, poetic novel.” —The Times (London)

Zelda la Grange grew up in South Africa as a white Afrikaner who supported the rules of segregation. Yet just a few years after the end of Apartheid she would become a most trusted assistant to Nelson Mandela, growing to respect and cherish the man she had been taught was the enemy. Good Morning, Mr Mandela tells the extraordinary story of how a young woman had her life, beliefs, prejudices and everything she once believed in utterly transformed by the greatest man of her time. It is the incredible journey of an awkward, terrified young typist in her twenties later chosen to become the President's most loyal and devoted servants, spending most of her adult working life travelling with, supporting and caring for the man she would come to call 'Khulu', or 'grandfather'. Here Zelda pays tribute to Nelson Mandela as she knew him - a teacher who gave her the most valuable lessons of her life. A man who refused to be defined by his past, who forgave and respected all, but who was also frank, teasing and direct. As he renewed his country, he also freed Zelda from a closed world of fear and mistrust, giving her life true meaning. Now she shares his lasting and inspiring gifts with the world. This is a book about love and second chances. It will touch your life and make you believe that every one of us, no matter who we are or what we have done, has the power to change.

A South African academic returns to her homeland in this novel by the award-winning author of You Can’t Get Lost in Cape Town—“an extraordinary writer” (Toni Morrison). Winner of the Windham-Campbell Literature Prize, Zoë Wicomb is an essential voice of the South African diaspora, hailed by fellow writers—such as Toni Morrison and J. M. Coetzee, among others—and by reviewers as “a writer of rare brilliance” (The Scotsman). In October, Wicomb tells the story of Mercia Murray, a South African woman of color in the midst of a difficult homecoming. Abandoned by her partner in Scotland, where she has been living for twenty-six years, Mercia returns to South Africa to find her family overwhelmed by alcoholism and buried secrets. Poised between her new life in Scotland and her South African roots, Mercia recollects the past and assesses the present with a keen sense of irony. October is a stark and utterly compelling novel about the contemporary experience of a woman caught between cultures, adrift in middle age with her memories and an uncertain future.