You Re Saying It Wrong

For word nerds and grammar geeks, a witty guide to the most commonly mispronounced words, along with their correct pronunciations and pithy forays into their fascinating etymologies and histories of use and misuse. With wit and good humor, this handy little book not only saves us from sticky linguistic situations but also provides fascinating cocktail-party-ready anecdotes. Entries reveal how to pronounce boatswain like an old salt on the deck of a ship, trompe l'oeil like a bona fide art expert, and haricot vert like a foodie, while arming us with the knowledge of why certain words are correctly pronounced the "slangy" way (they came about before dictionaries), what stalks of grain have to do with pronunciation, and more. With bonus sidebars like "How to Sound like a Seasoned Traveler" and "How to Sound Cultured," readers will be able to speak about foreign foods and places, fashion, philosophy, and literature with authority.

For word nerds and grammar geeks, a witty guide to the most commonly mispronounced words, along with their correct pronunciations and pithy forays into their fascinating etymologies and histories of use and misuse. With wit and good humor, this handy little book not only saves us from sticky linguistic situations but also provides fascinating cocktail-party-ready anecdotes. Entries reveal how to pronounce boatswain like an old salt on the deck of a ship, trompe l'oeil like a bona fide art expert, and haricot vert like a foodie, while arming us with the knowledge of why certain words are correctly pronounced the "slangy" way (they came about before dictionaries), what stalks of grain have to do with pronunciation, and more. With bonus sidebars like "How to Sound like a Seasoned Traveler" and "How to Sound Cultured," readers will be able to speak about foreign foods and places, fashion, philosophy, and literature with authority.

A compendium of 100 words and phrases smart people use--even if they only kinda sorta (secretly don't) know what they mean--with pithy definitions and fascinating etymologies to solidify their meanings. Your boss makes a joke about Schrodinger's cat--which is something you've heard of but you're a little vague about what exactly happened (or didn't happen) with that cat. Or you're reading a New Yorker article that explains that "Solecism slipped into solipsism into full-blown narcissistic project." An excellent point . . . if you're sure what "solecism" means . . . or, for that matter, "solipsism." Language gurus Ross Petras and Kathryn Petras to the rescue! In the breezy and entertaining yet informative style of their New York Times bestseller You're Saying It Wrong, they give you a brief rundown on words smart people should know--from the worlds of science and the arts to philosophy, and from broader topics like quantum physics and ontology to more specific ones like Plato's cave and trompe l'oeil. They cover the Latin phrases we hear and read (prima facie, sui generis, and the like) as well as those that have entered our vocabularies from other languages (bildungsroman, sturm und drang). These are the words that, if you were asked directly, "What does this mean?" you might hem and haw and try to change the subject. After reading this book, you won't have to.

The 1, 2, 3s of adulthood differ ever so slightly from the popular grade-school primers of yesteryear inside Ross and Kathryn Petras's 1, 2, Can't Reach My Shoe. This clever counting book for the middle-aged (which the United States Census Bureau defines as age 35 and above) is perfect for readers of a certain vintage who intend to grow old gracefully--and with a sense of humor. Featuring full-color, retro illustrations in a playful board book format, 1, 2, Can't Reach My Shoe makes an excellent, humorous gift for the more than 78.2 million baby boomers in the United States. Consider: * 3: When they were first going out in their twenties, Thaddeus and Theresa used to have sex THREE times each day. Now that they are middle-aged, they still have sex THREE times. A year. *: Hey, those don't look like numbers! And you're right. They are not numbers. They are symbols that are used with numbers . . . and they are all over middle-aged Milton's doctor's report. "It says I should have a total cholesterol 60. I should have LDL * 59 1/2: Today is a great day! It is Carl's FIFTY-NINTH-AND-A-HALF birthday! Carl usually wouldn't celebrate a half birthday, but this one is different. Since he has turned FIFTY-NINE-AND-A-HALF, he is getting a nice present from his Uncle Sam: his very first penalty-free IRA distribution!

Dissolving and dismantling your belief that something is wrong with you and replacing that with what is. Redefining a new interpretation of right and wrong

'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD

Writing very bad poetry requires talent. It helps to have a wooden ear for words, a penchant for sinking into a mire of sentimentality, and an enviable confidence that allows one to write despite absolutely appalling incompetence. The 131 poems collected in this first-of-its-kind anthology are so glaringly awful that they embody a kind of genius. From Fred Emerson Brooks' "The Stuttering Lover" to Matthew Green's "The Spleen" to Georgia Bailey Parrington's misguided "An Elegy to a Dissected Puppy", they mangle meter, run rampant over rhyme, and bludgeon us into insensibility with their grandiosity, anticlimax, and malapropism. Guaranteed to move even the most stoic reader to tears (of laughter), Very Bad Poetry is sure to become a favorite of the poetically inclined (and disinclined).