You Weren T Here

A portrait of the dedicated actor, writer, and director moving forward in the face of setbacks.

The Rook family run a little business: ghost hunting. And things has picked up recently. Something’s wrong. It’s been getting noticeably worse since, ooh, 2016? Bad spirits are abroad, and right now they're particularly around Coldbay Island, which isn’t even abroad, it’s only 20 miles from Skegness. The Rooks’ ‘quick call out’ to the island picks loose a thread that begins to unravel the whole place, and the world beyond. Is this the apocalypse? This might be the apocalypse. Who knew it would kick off in an off-season seaside resort off the Lincolnshire coast? I’ll tell you who knew - Linda. She’s been feeling increasingly uneasy about the whole of the East Midlands since the 90s.

Contemporary Christian theology continues to struggle with the tragedy of inexplicable human suffering and the endurance of evil. The pressing issue of "Where is God?" in seemingly godless situations provides the focus of Were You There? Godforsakenness in Slave Religion. In this book, David Emmanuel Goatley investigates the doctrine of God in relation to the experience of those living under conditions of extreme oppression. In this experience of "Godforsakenness" Goatley finds an echo of Jesus' poignant cry from the cross, "My God, why have you forsaken me?" Were You There? approaches this question through a narrative methodology, particularly by examining the slave narratives as well as the spirituals that were products of the same era. Both these sources provide important ways of viewing the experience of "Godforsakenness" and the problem of God's presence or absence in the extremities and absurdities of human suffering. Using these insights as a hermeneutic, Were You There? then proceeds to an interpretation of Jesus' cry of dereliction in Mark.

This is the book of wisdom and advice for people who: Are looking for a book to give as a host or hostess gift to someone they don’t really like Are tired of hearing convention wisdom over and over again Are looking for a mental high without having to take drugs or drink heavily Are not looking for wisdom, but ARE looking to laugh and/or stay awake at night thinking about what they have just read

The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war. ‘A riveting read with much to say about the nature of war and the different ways men and women correspondents cover it. Frank, fast-paced, often enraging, You Don’t Belong Here speaks to the distance travelled and the journey still ahead.’ —Geraldine Brooks, Pulitzer Prize–winning author of March, former Wall Street Journal foreign correspondent ‘Riveting, powerful and transformative, Elizabeth Becker’s You Don’t Belong Here tells the stories of three astonishing women. This is a timely and brilliant work from one of our most extraordinary war correspondents.’ —Madeleine Thien, Booker Prize finalist and author of Do Not Say We Have Nothing

“A page-turner of a thriller with a smart, compelling heroine.” —Kirkus “This novel is more than a murder mystery. It's about self-empowerment, acceptance, and the strength to be found in female friendships.” —School Library Journal “A crafty, well-paced thriller. The novel’s finale is appropriately fiendish—and also unexpectedly uplifting.” —Publishers Weekly Cat hasn’t been to Montgomery Falls, the town her family founded, since she was twelve years old. Since the summer she discovered she could do things that no normal twelve-year-old could do. Since she had her first kiss with Riley Fraser. Since she destroyed their friendship. Now, five years later, she’s back and Riley has disappeared. When Noah, Riley's brother, asks for help in discovering what happened, Cat is torn between wanting to learn the truth and protecting the secret that she’s been guarding ever since that summer she and Riley stopped speaking. Only one choice will put her in a killer’s sights… This engrossing mystery with a hint of the supernatural is perfect for fans of The Darkest Corners by Kara Thomas and Bone Gap by Laura Ruby.

What are the origins of the hostile environment for immigrants in Britain? Chosen as a BBC History Magazine Book of the Year 2021 and shortlisted for the PEN Hessell-Tiltman Prize 2022 In the wedded stories of migration and the end of empire, Ian Sanjay Patel uncovers a forgotten history of post-war Britain. After the Second World War, what did it mean to be a citizen of the British empire and the post-war Commonwealth of Nations? Post-war migrants coming to Britain were soon renamed immigrants in laws that prevented their entry despite their British nationality. The experiences of migrants and the archival testimony of officials and politicians at home and abroad, retold here, define Britain’s role in the global age of decolonization.