Young Bess

NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE • FORBES • BOOKPAGE • NEW YORK POST • WIRED “I have not been as profoundly moved by a book in years.” —Jodi Picoult Even after she left home for Hollywood, Emmy-nominated TV writer Bess Kalb saved every voicemail her grandmother Bobby Bell ever left her. Bobby was a force—irrepressible, glamorous, unapologetically opinionated. Bobby doted on Bess; Bess adored Bobby. Then, at ninety, Bobby died. But in this debut memoir, Bobby is speaking to Bess once more, in a voice as passionate as it ever was in life. Recounting both family lore and family secrets, Bobby brings us four generations of indomitable women and the men who loved them. There’s Bobby’s mother, who traveled solo from Belarus to America in the 1880s to escape the pogroms, and Bess’s mother, a 1970s rebel who always fought against convention. But it was Bobby and Bess who always had the most powerful bond: Bobby her granddaughter’s fiercest supporter, giving Bess unequivocal love, even if sometimes of the toughest kind. Nobody Will Tell You This But Me marks the creation of a totally new, virtuosic form of memoir: a reconstruction of a beloved grandmother’s words and wisdom to tell her family’s story with equal parts poignancy and hilarity.

Beloved by readers for decades, Bess Streeter Aldrich earned a national reputation with a long list of best-selling novels and with stories appearing in major magazines such as Ladies' Home Journal, Harper's Weekly, Colliers, McCalls, and The Saturday Evening Post. Her most famous novel, A Lantern in Her Hand, has remained a favorite since first published in 1928. Carol Miles Petersen has thoroughly researched Aldrich, consulting Aldrich's family, neighbors, and friends, poring over letters and newspapers, and reading Aldrich's work again and again. In Bess Streeter Aldrich she reveals a woman as strong and substantial as Aldrich's fictional heroines. Born in Iowa in 1881, Bess Streeter grew up and attended college there. After becoming a teacher, she met and fell in love with Charles "Cap" Aldrich, formerly Captain in the U.S. Army. After their marriage in 1907, they moved to Elmwood, Nebraska, where Bess devoted herself to raising children while Cap became a banker. Bess began to write and sell short stories, winning a national award and enjoying the celebrity of a famous author. It appeared that the Aldriches would live happily ever after; however, in 1925, Captain Aldrich suddenly died. The responsibilities of raising the family and managing the bank as a partial owner fell upon Bess. With the stock market crash of 1929, the nation's banking system spun into chaos-more than ever, her family, her bank, and her town depended on Bess. Aldrich's heroism is of the old-fashioned kind, not a moment of glory but a lifetime of effort, not a battle with a foe but a creation of love, humor, and kindness. Her stories were written to remind her readers of the joy of life. Carol Miles Petersenformerly taught at the University of Nebraska-Lincoln. She is editor of the Collected Short Works of Bess Streeter Aldrich (Nebraska 1995).

This interdisciplinary collection by historians, cultural critics and literary scholars examines a variety of the political, social, and cultural forces at work during the English Renaissance and beyond, forces that contributed to creating a wealth of artistic, literary and historical impressions of Elizabeth, her court, and the time period named after her, the Elizabethan age. Articles in the collection discuss Elizabeths' relationships, investigate the advice given her, explore connections between her court and the arts, and consider the role of Elizabeth's court in the political life of the nation. Some of the ways Elizabeth was understood and represented demonstrate society's fears and ambivalence about early modern women in power, while others celebrate her successes as England's first and only unmarried queen regnant. This volume will be of interest to scholars and students in a wide range of disciplines, including literary, cultural, historical and women's studies, as well as those interested in the life and times of Elizabeth I.

Bess of Hardwick's Letters is the first book-length study of the c. 250 letters to and from the remarkable Elizabethan dynast, matriarch and builder of houses Bess of Hardwick (c. 1527–1608). By surveying the complete correspondence, author Alison Wiggins uncovers the wide range of uses to which Bess put letters: they were vital to her engagement in the overlapping realms of politics, patronage, business, legal negotiation, news-gathering and domestic life. Much more than a case study of Bess's letters, the discussions of language, handwriting and materiality found here have fundamental implications for the way we approach and read Renaissance letters. Wiggins offers readings which show how Renaissance letters communicated meaning through the interweaving linguistic, palaeographic and material forms, according to socio-historical context and function. The study goes beyond the letters themselves and incorporates a range of historical sources to situate circumstances of production and reception, which include Account Books, inventories, needlework and textile art and architecture. The study is therefore essential reading for scholars in historical linguistics, historical pragmatics, palaeography and manuscript studies, material culture, English literature and social history.