Young Goodman Brown And Other Short Stories

Choice collection of masterly short fiction. In addition to title story: "The Birthmark," "Rappaccini's Daughter," "Roger Malvin's Burial," "The Artist of the Beautiful," "Dr. Heidegger's Experiment," and "My Kinsman, Major Molineux."

The first paperback edition to include full annotations of these twenty Hawthorne tales written between the 1830s and 50s, this volume contains the classic pieces "Young Goodman Brown," "The Maypole of Merry Mount," "The Birthmark," "The Celestial Railroad," and "Earth's Holocaust," as well as tales, such as "My Kinsman, Major Molineux," which represent Hawthorne's interest in the spiritual history of New England.

Nathaniel Hawthorne was one of the greatest American writers of the nineteenth century, and some of his most powerful work was in the form of fable-like tales that make rich use of allegory and symbolism. The dark beauty and moral force of his imagination are evident in this short story by one of the early masters of the form, in which a young man who believes he has witnessed a satanic initiation can never see his pious neighbors the same way again. A Vintage Short.

Twenty-four of the best short stories by one of the early masters of the form, in the definitive collection edited by acclaimed scholar Newton Arvin. Nathaniel Hawthorne was one of the greatest American writers of the nineteenth century, and some of his most powerful work was in the form of fable-like tales that make rich use of allegory and symbolism. The dark beauty and moral force of his imagination are evident in such enduring masterpieces as "Young Goodman Brown," in which a young man who believes he has witnessed a satanic initiation can never see his pious neighbors the same way again; “Rappaccini's Daughter," about a lovely young girl who has been raised in isolation among dangerous poisons; and "The Birthmark," in which a scientist obsessed with perfection destroys the flaw that makes his otherwise flawless wife both beautiful and human.

"The Great Carbuncle" is a short story by Nathaniel Hawthorne published in 1835. The Great Carbuncle points out that earthly possessions are not necessary for success and that people should be satisfied with what they have instead of wanting things that are not essential in life.

Choice collection of short fiction by one of the masters of the genre. Tales deal with scientific experiment, witchcraft, revenge, more.

Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earliest works; it was she who prodded these newly minted Transcendentalists away from Emerson’s individualism and toward a greater connection to others. Middle sister Mary Peabody was a passionate reformer who finally found her soul mate in the great educator Horace Mann. And the frail Sophia, an admired painter among the preeminent society artists of the day, married Nathaniel Hawthorne—but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Casting new light on a legendary American era, and on three sisters who made an indelible mark on history, Marshall’s unprecedented research uncovers thousands of never-before-seen letters as well as other previously unmined original sources. “A massive enterprise,” The Peabody Sisters is an event in American biography (The New York Times Book Review). “Marshall’s book is a grand story . . . where male and female minds and sensibilities were in free, fruitful communion, even if men could exploit this cultural richness far more easily than women.” —The Washington Post “Marshall has greatly increased our understanding of these women and their times in one of the best literary biographies to come along in years.” —New England Quarterly