Your Place Or Mine A 21st Century Essay On Same Sex

In a fascinating and radical critique of identity and class, Your Place or Mine? examines the modern invention of homosexuality as a social construct that emerged in the 19th century. Examining "fairies" in Victorian England, transmen in early 20th century Manhattan, sexual politics in Soviet Russia as well as Stonewall's attempt to combine gay self-defence with revolutionary critique. Dauvé turns his keen eye on contemporary political correctness in the United States, and the rise of reactionary discourse. The utopian vision of Your Place or Mine? is vital to a just society: the invention of a world where one can be human without having to be classified by sexual practices or gender expressions. Where one need not find shelter in definition or assimilation. A refreshing reminder that we are not all the same, nor do we need to be.

Surviving the Future is a collection of the most current ideas in radical queer movement work and revolutionary queer theory. Beset by a new pandemic, fanning the flames of global uprising, these queers cast off progressive narratives of liberal hope while building mutual networks of rebellion and care. These essays propose a militant strategy of queer survival in an ever precarious future. Starting from a position of abolition—of prisons, police, the State, identity, and racist cisheteronormative society—this collection refuses the bribes of inclusion in a system built on our expendability. Though the mainstream media saturates us with the boring norms of queer representation (with a recent focus on trans visibility), the writers in this book ditch false hope to imagine collective visions of liberation that tell different stories, build alternate worlds, and refuse the legacies of racial capitalism, anti-Blackness, and settler colonialism. The work curated in this book spans Black queer life in the time of COVID-19 and uprising, assimilation and pinkwashing settler colonial projects, subversive and deviant forms of representation, building anarchist trans/queer infrastructures, and more. Contributors include Che Gossett, Yasmin Nair, Mattilda Bernstein Sycamore, Adrian Shanker, Kitty Stryker, Toshio Meronek, and more.

"Some girls fancy sailors, others fancy soldiers. But you, my dear, are a fag hag!" Lola Miesseroff's childhood certainly predisposed her to be a rebel. She was born in Marseilles in 1947 to immigrant parents, her mother a Russian-Jewish social worker, her father an Armenian-Russian with a sandpaper-making workshop in sheds left behind by the Americans. The family ran and lived in a nudist colony, a place where the men were allowed to be feminine, the women masculine. Hers was what she calls a "degendered" childhood: "I never suffered from identity problems. There were two genocides in my background, one Jewish, the other Armenian, and my education was Russophone, naturist and libertarian, not least with respect to love and sex. In other words, we were marginal in every possible way." Lola’s picaresque memoir Fag Hag tracks her peregrinations through what she calls the "Outer Left"—always deeply committed and involved in women's liberation, sexual liberation, gay, and LBGTQ liberation—yet always on the fringe of formal organizations (or driven there) because of her belief that anarcho-communist revolution (not her term) trumps all (inter)sectional struggles without reducing them. From Marseilles to Avignon and Paris, Lola's trajectory epitomizes a far left that opposed a spirit of provocation and raillery to the austerity of many militant groupuscules and experimented enthusiastically with communal and polysexual living. "I have dredged my memory," Lola writes, "in the hope that revisiting the past might help illuminate our present; if it doesn't, I shall have failed. I want to contribute in some small measure to the struggles of today by exposing the strengths and weaknesses of the struggles of the past, and to contest fragmented identity politics in favor of all-for-one-and-one-for-all. Which is my way of continuing to challenge the power structure."

"Sharp and dangerous and breathtaking.... A defiant story about a young woman choosing the life and motherhood that is best for her, without apology.” —Roxane Gay, bestselling author of Bad Feminist Marie is a waitress at an upscale Dallas steakhouse, attuned to the appetites of her patrons and gifted at hiding her private struggle as a young single mother behind an easy smile and a crisp white apron. It’s a world of long hours and late nights, and Marie often gives in to self-destructive impulses, losing herself in a tangle of bodies and urgent highs as her desire for obliteration competes with a stubborn will to survive. Pulsing with a fierce and feral energy, Love Me Back is an unapologetic portrait of a woman cutting a precarious path through early adulthood and the herald of a powerful new voice in American fiction.

When children start to go missing in the local woods, a teen girl must face her fears and a past she can't remember to rescue them in this atmospheric YA novel, Lost in the Never Woods from the author of Cemetery Boys. It’s been five years since Wendy and her two brothers went missing in the woods, but when the town’s children start to disappear, the questions surrounding her brothers’ mysterious circumstances are brought back into the light. Attempting to flee her past, Wendy almost runs over an unconscious boy lying in the middle of the road... Peter, a boy she thought lived only in her stories, asks for Wendy’s help to rescue the missing kids. But, in order to find them, Wendy must confront what’s waiting for her in the woods. Praise for Aiden Thomas and Cemetery Boys: “This stunning debut novel from Thomas is detailed, heart-rending, and immensely romantic.” —Mark Oshiro, author of Anger is a Gift “Aiden Thomas masterfully weaves a tale of family, friendships, and love in a heartwarming adventure full of affirmation and being your best self." — C.B. Lee, author of Not Your Sidekick

Television has historically been largely ineffective at representing queerness in its various forms. In the 21st century, however, as same-sex couples have seen increasing mainstream acceptance, and a broader range of queer characters has appeared in the media, it seems natural to assume TV portrayals of queerness have become more enlightened. But have they? This collection of fresh essays analyzes queerness as depicted on TV from 2000 to the present. Examining Buffy the Vampire Slayer, The Ellen DeGeneres Show, The L Word, Modern Family, The New Normal, Queer as Folk, Queer Eye for the Straight Guy, RuPaul's Drag Race, Spartacus and Will & Grace, among other series, the contributors demonstrate that queer characters in general have achieved visibility at the expense of minimizing much of their queerness--with a few eye-opening exceptions.

This is a personal reflection essay. An essay like a book may be on the same topic, but in breadth and details, it tries to embrace the subject without expounding on details as may be treated in a book; and being a personal reflection, the authors mind is the readers road map. The essays focal point is, if same-sex marriage has been given constitutional recognition in the United States, should this not logically lead to recognizing prostitution and the next complexity of pair bondingpolygamy? The essay examines the human rights and freedom of choice factors behind this and uses internationally recognized scenarios to illustrate the harmlessness of the latter two. To illustrate these points, practices of countries seen as the doctrinal peers of the United States are referenced and compared to the United States. Personal names are mentioned not as an attempt to denigrate any individual but rather as need for illustrative examples.

This book is the first full-length critical study to explore the rapidly growing cadre of amateur-authored, independently-published, and niche-market picture books that have been released during the opening decades of the twenty-first century. Emerging from a powerful combination of the ease and affordability of desktop publishing software; the promotional, marketing, and distribution possibilities allowed by the Internet; and the tremendous national divisiveness over contentious socio-political issues, these texts embody a shift in how narratives for young people are being creatively conceived, materially constructed, and socially consumed in the United States. Abate explores how titles such as My Parents Open Carry (about gun laws), It’s Just a Plant (about marijuana policy), and My Beautiful Mommy (about the plastic surgery industry) occupy important battle stations in ongoing partisan conflicts, while they are simultaneously changing the landscape of American children’s literature. The book demonstrates how texts like Little Zizi and Me Tarzan, You Jane mark the advent of not simply a new commercial strategy in texts for young readers; they embody a paradigm shift in the way that narratives are being conceived, constructed, and consumed. Niche market picture books can be seen as a telling barometer about public perceptions concerning children and the social construction of childhood, as well as the function of narratives for young readers in the twenty-first century. At the same time, these texts reveal compelling new insights about the complex interaction among American print culture, children’s reading practices, and consumer capitalism. Amateur-authored, self-published, and specialty-subject titles reveal the way in which children, childhood, and children’s literature are both highly political and heavily politicized in the United States. The book will be of interest to scholars and students in the fields of American Studies, children’s literature, childhood studies, popular culture, political science, microeconomics, psychology, advertising, book history, education, and gender studies.