Yours

THE BLOCKBUSTER HIT—Over two million copies sold! A New York Times, USA Today, Wall Street Journal, and Publishers Weekly Bestseller “Poignant, engrossing.”—People • “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.”—Paula McLain Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage, the Foss children are assured that they will soon be returned to their parents—but they quickly realize the dark truth. At the mercy of the facility’s cruel director, Rill fights to keep her sisters and brother together in a world of danger and uncertainty. Aiken, South Carolina, present day. Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption. Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong. Publishers Weekly’s #3 Longest-Running Bestseller of 2017 • Winner of the Southern Book Prize • If All Arkansas Read the Same Book Selection This edition includes a new essay by the author about shantyboat life.

Just friends. We're just friends. No, really. She's just my best friend... Arizona Turner has been my best friend since fourth grade, even when we "hated" each other. We've been there for one another through first kisses, first "times," and we've been each other's constant when good relationships turned bad. (We even went to colleges that were minutes away from each other...) Throughout the years, and despite what anyone says, we've never crossed the line. Never thought about it. Never wanted to. Until one night changed everything. At least, it should've ... Just friends. We're just friends. I'm only saying this until I figure out if she's still "just" my best friend...

We say, you belong to me, or I belong to you. But is it possible to be possessed by others? And can we ever possess ourselves? In this raw and intimate account, Eva-Lynn Jagoe merges memoir with critical theory as she recounts the unraveling of everything she thought she knew about selfhood, relationships, and desire. Through the story of an upbringing in a patriarchal Spanish and American household, a dissociative and painful relationship towards men and power, and a chaotic marriage and divorce, she interrogates the destructive fantasy of possessive individualism that permeates our psyches and our cultural expectations. Woven through this narrative is an account of the unique relationship that Jagoe has with her psychoanalyst, in which she works through her tendency to give herself away to others, and learns to navigate the many contradictory selves that we all hold within us. This journey leads her to an enriched understanding of self-possession. Jagoe's account of an examined life is inseparable from her commitment to the psychoanalytic, feminist, and queer theories that sustain and nourish her in her search for an expanded definition of self.Jagoe's unique blend of musings and reflections on literature, fairy tale, and culture; her willingness to delve into abjection and contradictory desires; and her honest portrayal of the realities of psychoanalysis allow for a timely exploration of gender, sex, and power. Take Her, She's Yours belongs in the company of Eve Kosofsky Sedgwick's A Dialogue on Love and the memoirs of Maggie Nelson, Rachel Cusk, and Lidia Yuknavitch. It engrossingly conveys the lived urgency of critical thinking and the pleasures and perils of embodied selfhood. Take Her, She's Yours is a story about loss and letting go, but also about the intimacy that emerges through an expanded definition of selfhood. Eva-Lynn Jagoe is the author of The End of the World as They Knew It: Writing Experiences of the Argentine South. Her essays, articles, and stories have appeared in Bluestem Literary Magazine, Discourse, Fables for the 21st Century, Guts Canadian Feminist Magazine, Public, and Writing From Below, as well as numerous academic journals. She is a professor at University of Toronto, where she teaches critical and cultural theory, environmental humanities, Latin American studies, film, and literature. She is the co-organizer of Banff Research in Culture, and The Toronto Writing Workshop. She is also a certified Iyengar yoga teacher.

Where women are created for the pleasure of men, beauty is the first duty of every girl. In Louise O'Neill's world of Only Every Yours women are no longer born naturally, girls (called "eves") are raised in Schools and trained in the arts of pleasing men until they come of age. Freida and Isabel are best friends. Now, aged sixteen and in their final year, they expect to be selected as companions--wives to powerful men. All they have to do is ensure they stay in the top ten beautiful girls in their year. The alternatives--life as a concubine, or a chastity (teaching endless generations of girls)--are too horrible to contemplate. But as the intensity of final year takes hold, the pressure to be perfect mounts. Isabel starts to self-destruct, putting her beauty--her only asset--in peril. And then into this sealed female environment, the boys arrive, eager to choose a bride. Freida must fight for her future--even if it means betraying the only friend, the only love, she has ever known.

When two sworn enemies go head-to-head in this charming LGBTQIA romance, love isn't the only thing at stake. Charming, charismatic, and effortlessly popular, Conrad Stewart seems to have it all...but in reality, he's scrambling to keep his life from tumbling out of control. Brilliant, guarded, and endlessly driven, Alden Roth may as well be the poster boy for perfection...but even he can't help but feel a little broken inside. When these mortal enemies are stuck together on a cross-country road trip to the biggest fan convention of their lives, their infamous rivalry takes a back seat as an unexpected connection is forged. Yet each has a reason why they have to win the upcoming gaming tournament and neither is willing to let emotion get in the way—even if it means giving up their one chance at something truly magical. Praise for Conventionally Yours: "Sweet, emotional, and uniquely quirky." —Carrie Ryan, New York Times and USA Today bestelling author "You will ship this couple well before they figure out how much they need each other." —Sarina Bowen, USA Today bestselling author "Fast, funny, and fantastic. A quest for the new decade—gamers will love this." —Eoin Colfer, New York Times bestselling author

"Every page bursts with humor, squee-inducing romance, and an abiding sense of the deep love and joy of its two writers . . . Always Never Yours is a necessary, feel-good addition to the YA canon.”—Entertainment Weekly Megan Harper is the girl before. All her exes find their one true love right after dating her. It's not a curse or anything, it's just the way things are. and Megan refuses to waste time feeling sorry for herself. Instead, she focuses on pursuing her next fling, directing theater, and fulfilling her dream school's acting requirement in the smallest role possible. But her plans quickly crumble when she's cast as none other than Juliet--yes, that Juliet--in her high school's production. It's a nightmare. Megan's not an actress and she's certainly not a Juliet. Then she meets Owen Okita, an aspiring playwright who agrees to help Megan catch the eye of a sexy stagehand in exchange for help writing his new script. Between rehearsals and contending with her divided family, Megan begins to notice Owen--thoughtful, unconventional, and utterly unlike her exes, and wonders: shouldn't a girl get to star in her own love story?

From the New York Times bestselling illustrator of I Am Enough, this glowing, empowering picture book about a nighttime hide-and-seek game celebrates blackness and self-confidence. Little one, so calm and so happy, the darkness of the night is yours like the darkness of your skin. This lyrical text, narrated to a young girl named Amani by her father, follows her as she plays an evening game of hide-and-seek with friends at her apartment complex. The moon's glow helps Amani find the last hidden child, and seems almost like a partner to her in her game, as well as a spotlight pointing out her beauty and strength. This is a gorgeous bedtime read-aloud about joy and family love and community, and most of all about feeling great in your own skin.

Man’s best...matchmaker? Montana Hendrix has found her calling—working with therapy dogs. With a career she loves in a hometown she adores, she’s finally ready to look for her own happily ever after. Could one of her dogs help her find Mr. Right... or maybe Dr. Right?