Zeitschrift F R Gyptische Sprache Und Altertumskunde Band 98 Heft 2

A selection of 24 papers by Kate Bosse-Griffiths (1910-1998), curator of the large Egyptian collection in Swansea University's Wellcome Museum. First published between 1955 and 1996, the papers are divided into two sections: material relating to Amarna and material from other eras. The varied contents include discussions of objects and artworks in the Wellcome Museum, including the Shrine of Tiye', beads, stelae, amulets, and a prehistoric stone figure, as well as reviews and more general discussions of Egyptian artwork.

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

This is the third and final volume of the Etymological Dictionary of Egyptian. It comprises the Egyptian words with initial m-. The amount of material offered, the extensive treatment of scholarly discussions on each item, and the insights into the connections of Egyptian and the related Afro-Asiatic (Semito-Hamitic) languages, including many new lexical parallels, will make it an indispensable tool for comparative purposes and an unchallenged starting point for every linguist in the field.The reader will find the etymological entries even more detailed than those of the introductory volume, due to the full retrospective presentation of all etymologies proposed since A. Erman's time, and thanks to an extremely detailed discussion of all possible relevant data even on the less known Afro-Asiatic cognates to the Egyptian roots.

In The Craft of a Good Scribe, Steve Vinson offers a comprehensive study of the Demotic Egyptian First Tale of Setne Khaemwas (Third Century BCE), the first to appear since 1900. "First Setne" is the most important extant Demotic literary text, and among the most important fictional compositions from any period of ancient Egypt. The tale, which is by turns lurid, tragic and ultimately comic, deals with Setne's theft of a magic book written by the god Thoth himself, and subsequently Setne's punishment through a hallucinatory encounter with the ghostly femme fatale Tabubue. Vinson provides a new textual edition and commentary, and explores the tale's cultural background, its modern reception, and approaches to its interpretation as a work of literature.