Zimbabwe

There is more to Zimbabwe than Robert Mugabe, as this book demonstrates by analysing alternative histories of the nation's politics from independence to the present

The ongoing crisis in Zimbabwe has led to an unprecedented exodus of over a million desperate people from all strata of Zimbabwean society. The Zimbabwean diaspora is now truly global in extent. Yet rather than turning their backs on Zimbabwe, most maintain very close links with the country, returning often and remitting billions of dollars each year. Zimbabwe's Exodus. Crisis, Migration, Survival is written by leading migration scholars many from the Zimbabwean diaspora. The book explores the relationship between Zimbabwe's economic and political crisis and migration as a survival strategy. The book includes personal stories of ordinary Zimbabweans living and working in other countries, who describe the hotility and xenophobia they often experience.

Examines Zimbabwe's pre-colonial, colonial and postcolonial social, economic and political history and relates historical factors and trends to more recent developments in the country.

The news from Zimbabwe is usually unremittingly bleak owing to the success of the Mugabe regime’s control of information and sequestration/elimination of political opponents. Perhaps no issue has aroused such ire as the land reforms Mugabe has implemented, which, according to what journalist reports are available, have largely benefited Mugabe’s cronies. ZimbabweTakes Back it Land, however, offers a much more positive and nuanced assessment of land reform in Zimbabwe, one that counters the dominant narratives of oppression and economic stagnation. While not minimizing the depredations of the Mugabe regime, and admitting that many of Mugabe’s supporters benefited from the dictators largesse, the authors show how ordinary Zimbabweans have taken charge of their destinies in creative and unacknowledged ways through their use of land holdings obtained through Mugabe’s land reform programs. This is an inspiring story of collective agency by the exploited, and how development can take place in even the most hostile of circumstances.

Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.

"What really went wrong in Zimbabwe? The promise of liberation, human rights, democracy, development, and prosperity have been shattered by greed, state-sponsored violence, and tyranny. Yet the discourse on Zimbabwe has been polarized along racial and poli"

In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.

No one in 1980 could have guessed that Zimbabwe would become a failed state on such a monumental and tragic scale. In this incisive and revealing book, Richard Bourne shows how a country which had every prospect of success when it achieved a delayed independence in 1980 became a brutal police state with hyperinflation, collapsing life expectancy and abandonment by a third of its citizens less than thirty years later. Beginning with the British conquest of Zimbabwe and covering events up to the present precarious political situation, this is the most comprehensive, up-to-date and readable account of the ongoing crisis. Bourne shows that Zimbabwe's tragedy is not just about Mugabe's 'evil' but about history, Africa today and the world's attitudes towards them.