Zimbabwe Art

The book opens a window onto Africa's symbolism, confirming that the mind naturally computes according to two parallel codes: the outer code of sensory awareness, and the inner code of subjective awareness. More than two hundred images of Zimbabwe's historical art, taken during a window of time when it was still possible to find it, reveal how art is expressed across life as the language of spiritual and cultural meaning - a way of ensuring that such meaning was never far from individual awareness. The majority of the images were taken in the more remote "communal lands", regions "set aside" for Africans during the colonial era. It was here that an African sense of identity, culture, and history survived colonialism and the effects of a malign dictatorship. Most of the images date from the period 1998 to 2015, during which time Duncan Wylie, the artist who took the photographs, traveled back to the country of his birth to undertake what he describes as a "work of transmission and a valuable insight for the non-African world toward a deeper appreciation of African art forms, and a wider perception of the possibilities of art, a world few have experienced." Zimbabwe offered a unique opportunity to look back a thousand years into African symbolism via the Great Zimbabwe ruins. This medieval city, built in stone, reveals an architecture and style that is as unique to the culture as it is rich in symbols, from its enigmatic solid stone tower and massive walls, which had no defensive function, to the stone "Zimbabwe Birds" that are a symbol of the contemporary nation. A highly symbolic statement was to photograph the ancient stone birds (dating back to the height of Great Zimbabwe's power in the 1350s) outside a museum context and on the ruins where they once stood. The work represented by the images and text is the result of a partnership between the artist, who took the images over a period of 17 years, and the author, who began a life-long involvement with the arts of Zimbabwe and sub-Saharan Africa in the 1980s, as curator of the National Gallery of Zimbabwe. But accolades must go to the communities themselves, the subjects of these images, for without their dedication to the project of recording their culture in the face of its increasing disappearance, this book could never have come into being.

The material for the book is based on the four large caves at Musambura, Northeast of HARARE with a comparison material from the other large caves and boulders in Zimbabwe. It reassesses half a century of research on cave art in the country and presents a new approach for the interpretation of the old images. The high pic photographic material consists of 186 high pic images subjected to various imaging software. The approach is based on the Cosmology of the San as expressed in the large and majestic caves. It enables a more sophisticated analysis than earlier by stratification of the material into traditions and periods: - The Ancient San, from the last Ice Age to the Humid Period - The San, from the End of the Humid Period until the arrival of the Early BaNtu - The Late San from the arrival of the Early BaNtu until the Demise of the Late San and - The Demise of the Late San The analysis discusses and revises several assumptions and interpretations of earlier cave art contributions especially professor Peter Garlake as well as the contemporary contributions from New Animism (Descola, Harvey, Willerslev). The results of the book are used in the local conservation efforts by public authorities in Zimbabwe.

As political tension relaxes, wildlife enthusiasts and curious tourists are returning to Zimbabwe. With some of the finest national parks in Africa, the country is blessed with stunning landscapes and an abundance of wildlife. The mighty Zambezi River offers adventure holidays and Victoria Falls will leave visitors breathless, while the range of birdlife draws enthusiasts year-round. Game viewing in some of Africa's finest national parks is a rewarding experience and this guide offers in-depth information on the facilities, advice on itinerary planning as well as how to select a safari. Accommodation is covered with up-to-date information on everything from luxury safari camps to budget stays for younger travellers who arrive overland, heading for the fast flowing waters of the Zambezi gorge.

This timely book reflects on discourses of identity that pervade local talk and texts in Zimbabwe, a nation beset by political and economic crisis. As she explores questions of culture that play out in broadly accessible local and foreign film and television, Katrina Daly Thompson shows how viewers interpret these media and how they impact everyday life, language use, and thinking about community. She offers a unique understanding of how media reflect and contribute to Zimbabwean culture, language, and ethnicity.

Zimbabwe, formerly known as Rhodesia, won its independence from Great Britain in 1980 yet continues to feel the impact of Western lifestyles and prejudices. This rich, accessible overview freshly examines Zimbabwe, evoking the contemporary ways of life in a largely homogenous and agricultural country. Students and general readers will discover an engaging narrative that ranges from an explanation of the beer culture to a powerful discussion of marriage, family, and gender roles from the Zimbabwean perspective. Owomoyela also authoritatively conveys the coexistence of traditional and Western forces today in such areas as religion and music. A chronology and glossary accompany the text.

Zimbabwe is a landlocked country in southern Africa, bordered by South Africa to the south, Botswana to the west, Zambia to the north, and Mozambique to the east. The country has a population of approximately 14.4 million people, with the majority living in rural areas. Zimbabwe gained its independence from British colonial rule in 1980 and has been governed by the Zimbabwe African National Union - Patriotic Front (ZANU-PF) since then. Zimbabwe's economy has faced many challenges in recent years, including hyperinflation, a shortage of foreign currency, and political instability. Agriculture is the largest sector of the economy, with the majority of the population engaged in subsistence farming. The country is also rich in minerals such as gold, platinum, and diamonds. Despite its economic struggles, Zimbabwe remains a popular tourist destination, known for its wildlife, natural beauty, and historical landmarks such as Great Zimbabwe, a 15th-century stone city that is now a UNESCO World Heritage site.

People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.