10 Improvisational Flute Etudes

10 Improvisational Flute Etudes written by Jeff Coffin over the changes to 10 jazz standards. Ideal for all flute players.

Originally written with flute players in mind, 10 IMPROVISATIONAL PIANO ETUDES actually works great for piano too! These etudes cover a wide variety of standard jazz material and are recommended for jazz as well as classical players.? These 10 Improvisational Piano Etudes are performed by some of my favorite piano players including Chris Walters, Howard Levy, Pat Coil, and others!Streaming MP3s and free downloads are included so you can listen to and emulate the style, articulation, and feel of the etudes. The free streaming (and downloadable) piano MP3's are available at www.jeffcoffin.com/pianoThese etudes were originally played and transcribed on flute by saxophonist/woodwinds virtuoso Jeff Coffin (Dave Matthews Band/Bela Fleck & the Flecktones) and demonstrate his experience, expertise, and passion for music, improvisation, and music education.

A complete book of jazz technique studies and exercises for all instrumentalists. This text deals with many technique issues jazz musicians encounter in the real world, including chord scale exercises, motif exercises, finger busters, extended motif exercises, and ideas for improvisation.

A comprehensive text teaching elements of jazz phrasing, articulation, vibrato, harmony, and technical studies leading to improvisation. for the flute student beginning the serious study of jazz and contemporary styles, this book will help in many ways. Phrasing and interpretation of rhythms are studied through exercises and original pieces. Scale and arpeggio studies will help the student learn both the music theory and technical skills needed to improvise.

To play the flute with a clear and convincing sound depends on the understanding of the physical concepts required to make the instrument sound without using undue force and applying just the right amount of physical help where needed. Edmund Raas has explored and taught these fine-points for over 60 years. Born in Switzerland, he has been influenced by the teachings of Emil Niosi (pupil of the great Georges Barrère), Hugo Haldemann, Jean-Pierre Rampal and Aurèle Nicolet. Besides teaching, he had the opportunity to play solo concerti and act in many chamber music groups including Renaissance and Baroque music on period instruments. From 1977 to 2005 he also acted as first flutist in the Municipal Symphony Orchestra of São Paulo, Brazil. Since his retirement from this orchestra he is pursuing a career as composer.

What would you play when you see the chord symbols A7b9-sharp9, F7+5, Csusb9, or D-flatMaj7+5? What would you "blow" over a D Locrian #2? The Melodic Minor Handbook provides musicians of all levels with these answers in presenting a concise, practical, easy-to-absorb method of exposure, study, and practice in the components of melodic minor harmony, and its use within the jazz vocabulary. Although the sound of melodic minor harmony has been a staple of jazz music over the last half century, familiarity among many aspiring musicians with its derivative modes and chord types still seems to remain a mystery; and even though touched upon to a greater or lesser degree by various books and methods, a comprehensive study stressing melodic minor harmony as a unique harmonic universe of its own has been absent---until now 176 pages, spiral bound.