1001 Midnights

"1001 Midnights is the essential reference -- and reading -- book for all aficionados of mystery, detective, and suspense fiction. It is comprised of 1001 plot summaries, author biographies, and critical evaluations of classic and important crime and espionage novels, as well as short story collections seminal to the genre. It is an indispensible volume of information and criticisim." --

In The Thousand and One Nights and Twentieth-Century Fiction, Richard van Leeuwen challenges conventional perceptions of the development of 20th-century prose by arguing that Thousand and One Nights, as an intertextual model, has been a crucial influence on authors who have contributed to shaping the main literary currents in 20th-century world literature, inspiring new forms and concepts of literature and texts.

Rushdie Has Put Behind Him The Political And Religious Controversy That Surrounded Him In The Aftermath Of The Appearance Of The Satanic Verses. These Two Volumes Endeavour To Continue The Literary-Critical Study Of His Works By Bringing Together Some Of The Best Critical Essays Written In The Post- Verses Controversy Period. The Essays Present An Honest Assessment Of Rushdie S Works By Creatively Engaging With The Issues Each Of Them Raises.

1. Salman Rushdie Life, Works and Achievements 2. A Detailed Chapterwise Critical Analysis 3. Major Themes and Issues 4. Art of Characterization 5. Major Characters 6. Minor Characters 7. Narrative Techniques 8. Style, Trope and Symbol 9. Critical Reception of Midnight s Children 10. Some Model Questions Select Bibliography Index

This book is an appreciation of selected authors who make extensive use of humor in English detective/crime fiction. Works using humor as an amelioration of the serious have their heyday in the Golden Age of crime writing but they belong also to a long tradition. There is an identifiable lineage of humorous writing in crime fiction that ranges from mild wit to outright farce, burlesque, even slapstick. A mix of entertainment with instruction is a tradition in English letters. English crime fiction writers of the era circa 1913 to 1940 were raised in the mainstream literary tradition but turned their skills to detective fiction. And they are the humorists of the genre. This book is not an exhaustive study but an introduction into the best produced by the most capable and enjoyable authors. What the humorists seek is to surprise the reader by overturning their expectations using a repertoire of stylistic conceits and motifs (recurring incidents, devices, references). Humor has a liberating effect but is concerned too with "comic contrast" through ugliness and caricature. In crime fiction one effect is intellectual pleasure at solving (or attempting to solve) a puzzle. Another is entertainment but with serious undertones.

John Crace's 'Digested Read' column in the Guardian has rightly acquired a cult following. Each week fans avidly devour his latest razor-sharp literary assassination, while authors turn tremblingly to the appropriate page of the review section, fearful that it may be their turn to be mercilessly sent up. Now he turns his critical eye on the classics of the last century, offering bite-sized pastiches of everything from Mrs Dalloway to Trainspotting via Lolita and The Great Gatsby. Those who have never quite got around to reading A Portrait of the Artist as a Young Man will be delighted to find its essence distilled into a handful of paragraphs. Those who have never really enjoyed Lord of the Flies will be pleased to find it hilariously parodied in an easily swallowable 982 words. And those who find all such works a little highbrow will be relieved to discover, between the covers of this book, John Crace's take on the likes of Ian Fleming, P. G. Wodehouse and the Highway Code. Witty and sharp, this is essential reading both for those who genuinely love literature and for those who merely want to appear ridiculously well read.

Superheroes captivate our cultural imagination. From reading comic books in our childhood bedrooms to watching the latest blockbuster on the silver screen, we long to see the champion defeat the villain and ultimately rescue the world from certain destruction. Though the stories may be fantastical, our desires are not. Our hearts are drawn to superheroes because we want someone to triumph over evil and save the world. This issue of An Unexpected Journal proposes that just maybe our desires have already been fulfilled. Contributors Jesse W. Baker: "The Power of Weakness" on Questions of Violence Donald W Catchings, Jr.: "He Will Rise" on Nolan's Salvific Themes Annie Crawford: "Super-Women and the Price of Power" on Gendered Superheroes Joseph Holmes: "Superheroes and Worship" on the Attraction of Superhero Movies Christy Luis: "Ex-Cult Member Saved by Grace" on the Dangers Of False Heroes Jason Monroe: "Answering Joker’s Dark-Knight-Defying Anarchy" on Competing Worldviews Seth Myers: "Global Superheroes from the Disneyverse and Studio Ghibli" on Heroism Manifested around the World; "Once a Prince or Princess: MacDonald’s Moral Superheroines and Heroes in the Princess Tales" on Ordinary Heroic Actions; and "Planets, Poetry, and the Power of Myth in Halo and Destiny" on the Apologetic Power of Video Games Annie Nardone: "Just a Sidekick?" on the Importance of Support Cherish Nelson: "Person or Persona: What's Inside the Spider-Verse?" on Plantinga's Conception of the Multiverse Megan Joy Rials: "Diana Prince, Apologist? Salvation and the Great Commission in Wonder Woman" on an Unlikely Apologist Jason M. Smith: "Worth Reading" on Some Good Starting Points James M. Swayze: "Superheroes, Saviors, and C.S. Lewis" on Epic, Myth, and Human Longings John P. Tuttle: "Humility Contra Pride as Represented in Thor (2011)" on the Superiority of Virtue Clark Weidner: "Faith on Trial in Frank Miller’s Daredevil Comics" on Questions of the Greater Good About the Cover We are all looking for a hero, someone to battle monsters that threaten. A hero can battle the monsters without, but only the Superhero can conquer the monster within. An Unexpected Journal Summer 2021 Volume 4, Issue 2 300 pages

Document from the year 2014 in the subject English Language and Literature Studies - Literature, , language: English, abstract: Famous for multifarious writing, Salman Rushdie himself is a multifaceted personality, often emerges as an unpredictable figure with an unfathomable depth of creativity and criticism. Being an iconoclast, Rushdie never chooses the trodden road: he rather plunges headstrong into the unexplored territories of literature, not yet attempted. The present volume strives to find how Rushdie is germane in the twenty first century politics of globalization, literary schema, and cosmopolitanism. The book has been divided into two broad heads—the first section intrinsically deals with the most popular book of Rushdie, Midnight’s Children while the second section contains Rushdie’s latter fictions which have been researched and presented in the light of intertextuality, hybridity, diaspora and, of late, autobiography. The essays are written by Suhaina Bi, Sutanuka Ghosh Roy, Ram Bahawan Yadav, T. Sasikanth Reddy, Asis De, Vikrant Sehgal, Indah Lestari, Ajit Kumar, Hetal K. Kachhia, Hetal M. Doshi, Nesha Sabar/Pramod Kumar Das, Ramesh Tibile, Bini B. S., Manjeet Kumar Kashyap and Valiur Rahaman.