10th Muse Crossovers 2

In the last 10 years, 10th Muse has teamed up with some blockbuster characters in the independent comic book world. The sequel to the 1st crossover trade paperback finds Victoria's Secret Service, Gearz, Legend of Isis, Judo Girl, and more! Check out the greatest team-ups in TidalWave's history. Also included is a Teen Titan #1 homage cover by Roger Cruz.

In the last 10 years, 10th Muse has teamed up with some blockbuster characters in the independent comic book world. The sequel to the 1st crossover trade paperback finds Victoria's Secret Service, Gearz, Legend of Isis, Judo Girl, and more! Check out the greatest team-ups in StormFront's history._Also included is a Teen Titan #1 homage cover by Roger Cruz._

GOD WAR CROSSOVER: Part 5. In the smoldering remains of the aftermath for control of Olympus. The Muse fights to regain her power and her place in the Pantheon but the Olympic world is still balancing on a razors edge. Revelations can easily throw this uneasy piece back into full out war.

Throughout the years the 10th Muse has teamed up with some of the top comics such as Shi, Savage Dragon, Tellos, Legend of Isis, and Judo Girl. All these amazing stories brought to you by top comic talent as Billy Tucci, Erik Larsen, Marv Wolfman, Roger Cruz, and Mike Wieringo are now gathered together in this single graphic novel. Also included is a never-before-seen crossover with Indie favorite Koni Wave!

GOD WAR CROSSOVER: Part 5. In the smoldering remains of the aftermath for control of Olympus. The Muse fights to regain her power and her place in the Pantheon but the Olympic world is still balancing on a razors edge. Revelations can easily throw this uneasy piece back into full out war.

Jaclyn and Michael Hayes are a real-life Romeo and Juliet. Star-crossed since the moment they met - until one fateful day in the Tibetan mountains when their lives are torn asunder! Jaclyn's apparent death begins a maddening spiral which leads to a deal with the Devil himself for Michael... and he undergoes the unholiest of transformations in an effort to reunite with his lost true love. But Jaclyn's newfound destiny as a "Demonslayer" makes them mortal enemies - can true love survive?

The highly anticipated, thrilling sequel to the New York Times bestseller, Strange the Dreamer, from National Book Award finalist Laini Taylor, author of the bestselling Daughter of Smoke & Bone trilogy. Sarai has lived and breathed nightmares since she was six years old. She believed she knew every horror, and was beyond surprise. She was wrong. In the wake of tragedy, neither Lazlo nor Sarai are who they were before. One a god, the other a ghost, they struggle to grasp the new boundaries of their selves as dark-minded Minya holds them hostage, intent on vengeance against Weep. Lazlo faces an unthinkable choice--save the woman he loves, or everyone else?--while Sarai feels more helpless than ever. But is she? Sometimes, only the direst need can teach us our own depths, and Sarai, the muse of nightmares, has not yet discovered what she's capable of. As humans and godspawn reel in the aftermath of the citadel's near fall, a new foe shatters their fragile hopes, and the mysteries of the Mesarthim are resurrected: Where did the gods come from, and why? What was done with thousands of children born in the citadel nursery? And most important of all, as forgotten doors are opened and new worlds revealed: Must heroes always slay monsters, or is it possible to save them instead? Love and hate, revenge and redemption, destruction and salvation all clash in this gorgeous sequel to the New York Times bestseller, Strange the Dreamer./DIV

Winner, 2021 NCTE David H. Russell Award In music, crossover means that a song has moved beyond its original genre and audience into the general social consciousness. Rhetorical Crossover uses the same concept to theorize how the black rhetorical presence has moved in mainstream spaces in an era where African Americans were becoming more visible in white culture. Cedric Burrows argues that when black rhetoric moves into the dominant culture, white audiences appear welcoming to African Americans as long as they present an acceptable form of blackness for white tastes. The predominant culture has always constructed coded narratives on how the black rhetorical presence should appear and behave when in majority spaces. In response, African Americans developed their own narratives that revise and reinvent mainstream narratives while also reaffirming their humanity. Using an interdisciplinary model built from music, education, film, and social movement studies, Rhetorical Crossover details the dueling narratives about African Americans that percolate throughout the United States.