2100 A Dystopian Utopia

The book is a hybrid of fiction and projection, comprehensively including predictions on the future world. Fictional parts of the novel used to vividly portray fictitious figures carrying out national policy to impact on the world order. The prevalent land grab in the Third World now will develop into putting a whole nation on sale if a fortune will be offered to the citizens of target country. Thus, China will use its immense foreign currency reserve to annex a small country like Solomon Islands in the beginning stage, and then expand further into Eurasia. Likewise, other world powers will expand territories by the will of incorporated citizens. In result, political map of the world will differ much from current world. And rivalry in Asia will ignite spread of nuclear arsenals to satisfy their national pride but deep economic integration within the continent will set aside Cold War mentality for mutual prosperity. The gloomy prospect of food & energy will exacerbate the anxiety of contemporaries until awakened leading countries devoting to reverse the nightmare. After the mid-21st century, the haunting effects of climate change and peak oil will capitulate to the ingenuity and will of people, thereby next generation will access closely to a utopian world.

The book is a hybrid of fiction and projection, comprehensively including predictions on the future world. Fictional parts of the novel used to vividly portray fictitious figures carrying out national policy to impact on the world order. The prevalent land grab in the Third World now will develop into putting a whole nation on sale if a fortune will be offered to the citizens of target country. Thus, China will use its immense foreign currency reserve to annex a small country like Solomon Islands in the beginning stage, and then expand further into Eurasia. Likewise, other world powers will expand territories by the will of incorporated citizens. In result, political map of the world will differ much from current world. And rivalry in Asia will ignite spread of nuclear arsenals to satisfy their national pride but deep economic integration within the continent will set aside Cold War mentality for mutual prosperity. The gloomy prospect of food & energy will exacerbate the anxiety of contemporaries until awakened leading countries devoting to reverse the nightmare. After the mid-21st century, the haunting effects of climate change and peak oil will capitulate to the ingenuity and will of people, thereby next generation will access closely to a utopian world.

New York Times bestselling author Kim Stanley Robinson returns with a bold and brilliant vision of New York City in the next century. As the sea levels rose, every street became a canal. Every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city. There is the market trader, who finds opportunities where others find trouble. There is the detective, whose work will never disappear -- along with the lawyers, of course. There is the internet star, beloved by millions for her airship adventures, and the building's manager, quietly respected for his attention to detail. Then there are two boys who don't live there, but have no other home -- and who are more important to its future than anyone might imagine. Lastly there are the coders, temporary residents on the roof, whose disappearance triggers a sequence of events that threatens the existence of all -- and even the long-hidden foundations on which the city rests.

Aquatopia documents Harmattan Theater’s ecological interventions and traces its engagements with water-bound landscapes, colonial histories, climate change, and public space across New York City, Venice, Amsterdam, Lisbon, and Cochin. The volume uses Harmattan’s site-specific performances as a point of departure to consider climate change and rising sea levels as geographical, ecological, and urban phenomena. Instead of a collection of flat, static surfaces, the Aquatopia atlas is animated by a disorienting, anti-mapping strategy, producing a deterritorialized, nomadic, fluid atlas unfolding in real time as an archive of climate change in multidimensional, active space. The book is designed for pedagogical access, with interludes that consolidate the learning outcomes of the experimental theory animating each site-specific performance. Accompanied by close descriptions of five performances and supplemented by digital documentation available online, this volume intervenes in discussions on climate change, urbanism, and postcolonization/decolonialization, and contributes to interdisciplinary studies of ecology and environmental politics, postcolonial/decolonial theories and practices, performance studies and aesthetics, in particular public art, and performance as research.

What if Atlantis wasn't a myth, but an early precursor to a new age of great flooding? Across the globe, scientists and civilians alike are noticing rapidly rising sea levels, and higher and higher tides pushing more water directly into the places we live, from our most vibrant, historic cities to our last remaining traditional coastal villages. With each crack in the great ice sheets of the Arctic and Antarctica, and each tick upwards of Earth's thermometer, we are moving closer to the brink of broad disaster. By century's end, hundreds of millions of people will be retreating from the world's shores as our coasts become inundated and our landscapes transformed. From island nations to the world's major cities, coastal regions will disappear. Engineering projects to hold back the water are bold and may buy some time. Yet despite international efforts and tireless research, there is no permanent solution-no barriers to erect or walls to build-that will protect us in the end from the drowning of the world as we know it. The Water Will Come is the definitive account of the coming water, why and how this will happen, and what it will all mean. As he travels across twelve countries and reports from the front lines, acclaimed journalist Jeff Goodell employs fact, science, and first-person, on-the-ground journalism to show vivid scenes from what already is becoming a water world. "An immersive, mildly gonzo and depressingly well-timed book about the drenching effects of global warming, and a powerful reminder that we can bury our heads in the sand about climate change for only so long before the sand itself disappears." (Jennifer Senior, New York Times)

This collection of essays offers global perspectives on feminist utopia and dystopia in speculative literature, film, and art, working from a range of intersectional approaches to examine key works and genres in both their specific cultural context and a wider, global, epistemological, critical background. The international, diverse contributions, including a Foreword by Gregory Claeys, draw upon posthumanism, speculative realism, speculative feminism, object-oriented ontology, new materialisms, and post-Anthropocene studies to propose alternative perspectives on gender, environment, as well as alternate futures and pasts rendered in fiction. Instead of binary divisions into utopia vs dystopia, the collection explores genres transcending this dichotomy, scrutinising the oeuvre of both established and emerging writers, directors, and critics. This is a rich and unique collection suitable for scholars and students studying feminist literature, media cultural studies, and women’s and gender studies.