24 Behind The Scenes

Go behind the scenes of the show that redefined action adventure for an insider's look at cast, crew, unscripted moments, and amazing stunts and effects captures by Director/Co-Executive Producer Jon Cassar, Cinematographer Rodney Charters and their 24 filmmaking colleagues. With a fine cast of recurring actors, a growing slate of guest stars and the show's unforgettable star, Kiefer Sutherland, who portrays the tenacious Jack Bauer, 24 is one of television's best-loved programs broadcast today. Featuring many behind-the-scenes photos by photographer/director Cassar, this compelling archive of candid shots and stories is a must-have item for 24 fans the world over. Included in this first-time photo book are over 200 color and black-and-white photographs, most never-before-published, capturing the work, adrenaline, and good times from behind the scenes. From an insider's view relive some of Michells Dessler's death sequence; read about the controversial in-house debate over Teri Bauer's season one murder; get inside the set design for Air Force One, the White House, and the anti-bioweapon Bubble unit; take the director's view of the assassination attempt location; discover tales behind the season five finale, and more.

Go behind the scenes of the show that redefined action adventure for an insider's look at cast, crew, unscripted moments, and amazing stunts and effects captures by Director/Co-Executive Producer Jon Cassar, Cinematographer Rodney Charters and their 24 filmmaking colleagues. With a fine cast of recurring actors, a growing slate of guest stars and the show's unforgettable star, Kiefer Sutherland, who portrays the tenacious Jack Bauer, 24 is one of television's best-loved programs broadcast today. Featuring many behind-the-scenes photos by photographer/director Cassar, this compelling archive of candid shots and stories is a must-have item for 24 fans the world over. Included in this first-time photo book are over 200 color and black-and-white photographs, most never-before-published, capturing the work, adrenaline, and good times from behind the scenes. From an insider's view relive some of Michells Dessler's death sequence; read about the controversial in-house debate over Teri Bauer's season one murder; get inside the set design for Air Force One, the White House, and the anti-bioweapon Bubble unit; take the director's view of the assassination attempt location; discover tales behind the season five finale, and more.

Behind the Scenes examines planning in the City of Adelaide from 1972 until 1993 within the historical framework of City/State relations from 1836 when the Province of South Australia was founded. During this 21-year period, the City had its own planning and development control legislation separate from the rest of the State. Dr Llewellyn-Smith examines why this situation came about, why it continued for this particular period and why it ceased in 1993 when the separate legislation was repealed and the City became part of the State system under the new Development Act 1993. Behind the Scenes includes original interviews with many of the key individuals in the City and State who played influential roles during this period. Dr Llewellyn-Smith himself was the City Planner from 1974 until 1981 and then the Town Clerk/Chief Executive Officer of the Adelaide City Council from 1982 until 1993: this book, then, is both a work of scholarship and an insider's account. With a joint foreword by The Hon. Jay Weatherill MP, Premier of South Australia, and The Rt Hon. the Lord Mayor of Adelaide, Mr Stephen Yarwood.

"Scenes from Canadian plays for two to six actors. Thirty-two excellent opportunities for young thespians ... these are texts which I would certainly use with my own senior students of dramatic arts." -Reviewing Librarian

Take an in-depth tour of what happens at a newscast.

What goes on behind closed doors at museums? How are decisions about exhibitions made and who, or what, really makes them? Why are certain objects and styles of display chosen whilst others are rejected, and what factors influence how museum exhibitions are produced and experienced? This book answers these searching questions by giving a privileged look behind the scenes at the Science Museum in London. By tracking the history of a particular exhibition, Macdonald takes the reader into the world of the museum curator and shows in vivid detail how exhibitions are created and how public culture is produced. She reveals why exhibitions do not always reflect their makers original intentions and why visitors take home particular interpretations. Beyond this local context, however, the book also provides broad and far-reaching insights into how national and global political shifts influence the creation of public knowledge through exhibitions.

Take an in-depth look at how music videos are made.

I HAVE often been asked to write my life, as those who know me know that it has been an eventful one. At last I have acceded to the importunities of my friends, and have hastily sketched some of the striking incidents that go to make up my history. My life, so full of romance, may sound like a dream to the matter-of-fact reader, nevertheless everything I have written is strictly true; much has been omitted, but nothing has been exaggerated. In writing as I have done, I am well aware that I have invited criticism; but before the critic judges harshly, let my explanation be carefully read and weighed. If I have portrayed the dark side of slavery, I also have painted the bright side. The good that I have said of human servitude should be thrown into the scales with the evil that I have said of it. I have kind, true-hearted friends in the South as well as in the North, and I would not wound those Southern friends by sweeping condemnation, simply because I was once a slave. They were not so much responsible for the curse under which I was born, as the God of nature and the fathers who framed the Constitution for the United States. The law descended to them, and it was but natural that they should recognize it, since it manifestly was their interest to do so. And yet a wrong was inflicted upon me; a cruel custom deprived me of my liberty, and since I was robbed of my dearest right, I would not have been human had I not rebelled against the robbery. God rules the Universe. I was a feeble instrument in His hands, and through me and the enslaved millions of my race, one of the problems was solved that belongs to the great problem of human destiny; and the solution was developed so gradually that there was no great convulsion of the harmonies of natural laws. A solemn truth was thrown to the surface, and what is better still, it was recognized as a truth by those who give force to moral laws. An act may be wrong, but unless the ruling power recognizes the wrong, it is useless to hope for a correction of it. Principles may be right, but they are not established within an hour. The masses are slow to reason, and each principle, to acquire moral force, must come to us from the fire of the crucible; the fire may inflict unjust punishment, but then it purifies and renders stronger the principle, not in itself, but in the eyes of those who arrogate judgment to themselves. When the war of the Revolution established the independence of the American colonies, an evil was perpetuated, slavery was more firmly established; and since the evil had been planted, it must pass through certain stages before it could be eradicated. In fact, we give but little thought to the plant of evil until it grows to such monstrous proportions that it overshadows important interests; then the efforts to destroy it become earnest. As one of the victims of slavery I drank of the bitter water; but then, since destiny willed it so, and since I aided in bringing a solemn truth to the surface as a truth, perhaps I have no right to complain. Here, as in all things pertaining to life, I can afford to be charitable.