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This beginning level DVD/book package teaches you to play single-note melodies using all six strings of your guitar. The skills in this course apply to both acoustic and electric guitarists in all musical styles. Whether you are into folk, blues or rock 'n' roll, learning to read and play melodies is not only very useful, but fun as well. You'll learn notes on all six strings, the definition of "pitch" and how it's notated, how to read standard music notation and tablature (TAB), the measures, bar lines and time signatures used to organize musical beats, whole-note, half-note and quarter-note rhythms and rests, the proper technique for playing single-note melodies, and much, much more!

(Guitar Educational). This innovative new product created by 11-year-old Nicholas Ravagni and featured on ABC's World News Tonight makes it easier to learn to play electric or acoustic guitar! Whether you're a beginner just starting out or an experienced player who wants to learn to read music, it will give you the tools you need to learn to locate notes on your guitar. The Don't Fret Note Map is made of cling vinyl no fasteners or glues required and is easy to install. Simply peel the note map off the backing paper and guide one edge between the strings and fretboard, positioning the fret holes in the vinyl over the corresponding frets on the instrument and stretching the device tight across the fretboard as you position the notes under the proper strings. Press one side against the back of the neck, then fold the other side smoothly over the first, and you're ready to play! The note map does not affect tone or playability, and is removable after each use! Shows note names and locations across the fretboard over all 12 frets * Unique color-coded method makes music reading easy * Accurately accelerates "finger memory" * Includes music instruction and three simple songs to play * No previous musical experience needed!

Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.

World music cultures: an introduction -- Pitch and melody -- Rhythm and loudness -- Texture -- Timbre and musical instruments -- Sub-Saharan Africa -- The Middle East and North Africa -- Central Asia -- India -- China -- Japan -- Indonesia -- Eastern Europe -- Western Europe -- Latin America -- North America.

Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world’s major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple ‘sites’ within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Features of the Third Edition Over 3 hours of diverse musical examples. with a third audio CD of new musical examples Listening Guides analyze the various pieces of music with some presented in an interactive format online Biographical highlights of performers and ethnomusicologists updated and new ones added Numerous pedagogical aids, including "On Your Own Time" and "Explore More" sidebars, and "Questions to Consider" Popular music incorporated with the traditional Dynamic companion web site hosts new Interactive Listening Guides, plus many resources for student and instructor. Built to serve online courses. The CD set is available separately (ISBN 978-0-415-89402-9) or with its Value Pack and book (ISBN 978 0415- 80823-1). For eBook users, MP3 files for the accompanying audio files are available only with the Value Pack of eBook & MP3 files (ISBN 978-0-203-15298-0). Please find instructions on how to obtain the audio files in the contents section of the eBook.