30 Second Rock Music

30-Second Rock Music starts with 1950s rock'n'roll (and its roots) and explores blues and folk, progressive and heavy metal, punk, indie and alt rock, profiling extraordinary bands and musicians along the way. Featuring groups as diverse as Wilco, The Killers, Fleetwood Mac, Stevie Wonder and The White Stripes, this book promises rock fans the world tour of a lifetime, from Detroit to Tokyo and everywhere in between.

For its initiates, jazz is instinctive and engaging--the way that popular music should be. For non-aficionados, it can be slippery and difficult to grasp: without familiar forms or a hard-and-fast format, and largely ruled by improvisation, jazz leaves the novice baffled, not sure how to listen, and asking "how is it that they know what to play?" 30-Second Jazz explains, in easy, short riffs that keep you engaged, taking readers from the African-American roots of jazz all the way to today's global mix of musicians and styles. Along the way, it looks at the shape, style, and instruments of jazz, at key personalities and recordings in the jazz canon--and at what might be expected next from this most diverse of musical forms.

Finally! A hip, fun and culturally relevant series of music appreciation books, perfect for modern music-loving families who want to take advantage of this era of exploding musical access! Get a personal guided tour through an amazing historical back-catalog of music that was previously unavailable. We Rock!: A Fun Family Guide for Exploring Rock Music History is a guided tour through thrilling corners of the musical universe that should not be missed! This book highlights great songs in rock history, shares insights and stories on the artists, details the social and historical influences at play, and offers fun activities for families to do together. Detailed listening guides help music fans understand song structure, lyrics, and instrumentation. Related listening lists introduce readers to other exciting artists in similar genres. Set into 52 "music labs," these stories can be explored at will by individuals and families or used as a curriculum for community groups and educators. There really are no other books out there like this - that are music appreciation books for a general audience that focus on popular music - so pick up yours today and you will have your whole family singing along with We Rock.

Examining one of the earliest films made specifically for young audiences in US cinema, Rock around the Clock (1956), this book explores the exploitation production company that made the film and the ways it represented young people, especially in terms of their association with rock ’n’ roll music and culture. Providing new avenues of approaching the film, the book looks at how Rock around the Clock has attracted significant scholarly attention, despite its origins as a low-budget production made by master exploitation filmmaker Sam Katzman. It challenges accounts that see the film’s young people as juvenile delinquents, using instead the label ‘cultural rebels’ as a signifier of youth’s ability to resurrect a moribund music industry and rejuvenate a stale youth culture. This book also questions the nature of the label ‘exploitation’ as applied to the film by examining Columbia Pictures’ role as a resource provider for Katzman’s film, comparing Rock around the Clock to contemporaneous films with a youth focus that were produced in different industrial contexts and investigating its relationship to adaptation by asking whether the film is an example of a ‘postliterary’ adaptation. Rich on archival research and industrial and textual analysis, Rock around the Clock will interest both film studies and youth cultures scholars.

This book constitutes the refereed proceedings of the 8th International Workshop on Self-Organizing Maps, WSOM 2011, held in Espoo, Finland, in June 2011. The 36 revised full papers presented were carefully reviewed and selected from numerous submissions. The papers are organized in topical sections on plenaries; financial and societal applications; theory and methodology; applications of data mining and analysis; language processing and document analysis; and visualization and image processing.

Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.

Any and all songs are capable of being remixed. But not all remixes are treated equally. Rock This Way examines transformative musical works—cover songs, remixes, mash-ups, parodies, and soundalike songs—to discover what contemporary American culture sees as legitimate when it comes to making music that builds upon other songs. Through examples of how popular discussion talked about such songs between 2009 and 2018, Mel Stanfill uses a combination of discourse analysis and digital humanities methods to interrogate our broader understanding of transformative works and where they converge at the legal, economic, and cultural ownership levels. Rock This Way provides a new way of thinking about what it means to re-create and borrow music, how the racial identity of both the reusing artist and the reused artist matters, and the ways in which the law polices artists and their works. Ultimately, Stanfill demonstrates that the extent to which a work is seen as having new expression or meaning is contingent upon notions of creativity, legitimacy, and law, all of which are shaped by white supremacy.