5 Easy Pieces

5 Easy Pieces features five contributions, originally published in Nature and Science, demonstrating the massive impacts of modern industrial fisheries on marine ecosystems. Initially published over an eight-year period, from 1995 to 2003, these articles illustrate a transition in scientific thought—from the initially-contested realization that the crisis of fisheries and their underlying ocean ecosystems was, in fact, global to its broad acceptance by mainstream scientific and public opinion. Daniel Pauly, a well-known fisheries expert who was a co-author of all five articles, presents each original article here and surrounds it with a rich array of contemporary comments, many of which led Pauly and his colleagues to further study. In addition, Pauly documents how popular media reported on the articles and their findings. By doing so, he demonstrates how science evolves. In one chapter, for example, the popular media pick up a contribution and use Pauly’s conclusions to contextualize current political disputes; in another, what might be seen as nitpicking by fellow scientists leads Pauly and his colleagues to strengthen their case that commercial fishing is endangering the global marine ecosystem. This structure also allows readers to see how scientists’ interactions with the popular media can shape the reception of their own, sometimes controversial, scientific studies. In an epilog, Pauly reflects on the ways that scientific consensus emerges from discussions both within and outside the scientific community.

"One Way Street - This darkly comic piece takes place in the back room of a Long Island coffee shop as three cops covertly cook up the "perfect crime."

A well-chosen collection of easier short pieces for piano by Mozart. Selected for their charm and diversity and suitable for all ages. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. Mozart composed more than 600 works, many acknowledged as pinnacles of symphonic, chamber, operatic, and choral music. He is among the most enduring and popular of classical composers, and his influence is felt throughout Western music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years"

A well-chosen collection of easier short pieces for piano by Bach. Selected for their charm and diversity and suitable for all ages.

A well-chosen collection of easier short pieces for piano by Haydn. Selected for their charm and diversity and suitable for all ages. Along with Mozart and Beethoven, Haydn is one of the most famous composers of the Classical period. He was wildly prolific, producing more than 100 symphonies, more than 60 string quartets, more than a dozen operas, and countless other works for piano, chamber groups, and symphonies alike.

The first edition of this book was published in Italian in 1989, about two years after the death of Ludovico Quaroni; this edition in English is addressed mainly to non-Italian scholars with an interest in modern architecture in Italy. Given the imperfect parallel between musical and literary composition, therefore, in this book an intimate intellectual atmosphere prevails, which reveals the author’s skill in creating a narrative and also in engaging in a type of critical writing that is rarely undertaken by architect-intellectuals. The five episodes in the book cover almost thirty years, from 1958 to 1987, which were years that remained deeply preserved in the author’s memory. The literary form of the pieces gives all of them a common structure: they are dialogues; usually consisting of brief exchanges of few words, spoken or written, between the author (Lucio Barbera) and Quaroni. In one of them – Charisma – the dialogue takes place between Quaroni and a larger chorus. In another – Elective Misunderstanding – we have a double dialogue at a distance, a trio, if we return to the musical metaphor, between Quaroni, Lodovico Barbiano di Belgiojoso and Barbera. The last piece is a longer conversation by Quaroni on himself; a taking stock and a valediction. On the frontispiece, Barbera gives a clear indication of his intentions: “For students of Architecture who are well-educated and for architects interested in getting to know better a Master of their trade”.

Richard P. Feynman (1918–1988) was widely recognized as the most creative physicist of the post–World War II period. His career was extraordinarily expansive. From his contributions to the development of the atomic bomb a Los Alamos during World War II to his work in quantum electrodynamics, for which he was awarded the Nobel Prize in 1965, Feynman was celebrated for his brilliant and irreverent approach to physics.It was Feynman's outrageous and scintillating method of teaching that earned him legendary status among students and professors of physics. From 1961–1963, Feynman, at the California Institute of Technology, delivered a series of lectures that revolutionized the teaching of physics around the world. Six Easy Pieces, taken from the famous Lectures on Physics, represents the most accessible material from this series. In these six chapters, Feynman introduces the general reader to the following topics: atoms, basic physics, the relationship of physics to other topics, energy, gravitation, and quantum force. With his dazzling and inimitable wit, Feynman presents each discussion without equations or technical jargon.Readers will remember how—using ice water and rubber—Feynman demonstrated with stunning simplicity to a nationally televised audience the physics of the 1986 Challenger disaster. It is precisely this ability—the clear and direct illustration of complex theories—that made Richard Feynman one of the most distinguished educators in the world. Filled with wonderful examples and clever illustrations, Six Easy Pieces is the ideal introduction to the fundamentals of physics by one of the most admired and accessible scientists of our time.

It was Feynman's outrageous and scintillating method of teaching that earned him legendary status among students and professors of physics. From 1961 to 1963, Feynman delivered a series of lectures at the California Institute of Technology that revolutionized the teaching of physics. In Six Not-So-Easy Pieces, taken from these famous lectures, Feynman delves into one of the most revolutionary discoveries in twentieth-century physics: Einstein's theory of relativity. The idea that the flow of time is not constant, that the mass of an object depends on its velocity, and that the speed of light is a constant no matter what the motion of the observer, at first seemed shocking to scientists and laymen alike. But as Feynman shows, these tricky ideas are not merely dry principles of physics, but things of beauty and elegance. No one—not even Einstein himself—explained these difficult, anti-intuitive concepts more clearly, or with more verve and gusto, than Richard Feynman. Filled with wonderful examples and clever illustrations, Six Not-So-Easy Pieces is the ideal introduction to fundamentals of physics by one of the most admired and accessible physicists of all times. “There is no better explanation for the scientifically literate layman.”—The Washington Post Book World