72 Reasons For Saying Yes To Social Dance

Never feel bored, lonely, or out of shape again... Just say "YES" to social dance! Although the pandemic is not a good time to go out social dancing, it can be a great time to learn about it. ARE YOU and longing for a fun-filled and challenging activity to improve your health and social life? who just started taking couple dance classes and is feeling a little overwhelmed? who grabs every opportunity to learn more about your passion? eager to shift your mindset and enjoy the social aspect of partner dancing? who loves bringing joy to others through music and dance? If you answered "YES" to any one of these questions, then this book has been written Just For You! THIS INSPIRING BOOK WILL HELP YOU - Understand the essence & values of social partner dancing. - Learn about the benefits that this expressive and therapeutic art form has on your body, mind, and spirit. - Discover the origin and historical evolution of social dance. - Explore the world of salsa, bachata, kizomba, zouk, forro, tango, swing & ballroom. - Compare over 35 of the most popular partner dance styles and related music genres in the 21st century.. - Find the best partner dances for you depending on your physical needs and personal preferences. - Challenge common mainstream beliefs about social partner dance. - Get rid of any doubts, fears, concerns, misconceptions, or taboos, and just dance! THE BOOK INCLUDES ✓ A Mini Encyclopedia - covering five salsa styles, four bachata styles, five kizomba styles, four zouk styles, two forro styles, four tango styles, nine swing styles, various ballroom dancing categories, and more; as well as a timeline showing the history of social dance from the 16th to the 20th century with references to over 40 social dances. ✓ A Structured Framework - including eight comparison indicators (such as flexibility, proximity, sensuality) for selecting the most suitable partner dance styles for you. ✓ Inspiring Stories - addressing issues such as, "I need a dance partner," "I don't know how to dance," "I'm not beautiful enough to be a dancer," "Nobody will want to dance with me," "I'm too old now," "Dancing is not a manly thing," "My colleagues will laugh at me," "It's only for people looking to flirt and grind," "My boyfriend will be jealous!" ✓ Great Tips - for overcoming 15 self-limiting beliefs that will give you the motivation and encouragement you need to social dance and make the most of your experience. ✓ A 30-Day Challenge - to help you start or improve your experience as you take the next step on your social dance journey. "Yes To Social Dance" comes with a FREE set of video compilations to help you visualize the styles described! This book summarizes first-hand experience and research that can save you a lot of time and energy. Don' wait. Read the book and boost your knowledge today!

Dance has been connected to the practices and ideologies that have shaped notions of a Nordic region for more than a century and it is ingrained into the culture and society of the region. This book investigates different dance phenomena that have either engaged with or dismantled notions of Nordicness. Looking to the motion of dancers and dance forms between different locations, organizations and networks of individuals, its authors discuss social dancing, as well as historical processes associated with collaborations in folk dance and theatre dance. They consider how similarities and differences between the Nordic countries may be discerned, for instance in patterns of reception at the arrival of dance forms from outside the Nordic countries - and vice versa, how dance from the Nordic countries is received in other parts of the world, as seen for example in the Nordic Cool Festival at the Kennedy Centre in 2013. The book opens a rare window into Nordic culture seen through the prism of dance. While it grants the reader new insights into the critical role of dance in the formation and imagining of a region, it also raises questions about the interplay between dance practices and politics.

The greatest virtuoso career in history - that of Franz Liszt - has been told in countless biographies. But what does that career look like when viewed from the perspective of European cultural history? In this study Dana Gooley examines the world of discussion, journalism, and controversy that surrounded the virtuoso Liszt, and reconstructs the multiple symbolic identities that he fulfilled for his enthusiastic audiences. Gooley's work is based on extensive research into contemporary periodicals - well-known and obscure journals and newspapers - as well as letters, memoirs, receipts and other documents that shed light on Liszt's concertising activities. Emphasising the virtuoso's contradictions, the author shows Liszt being constructed as a model aristocrat and a model bourgeois, as a German nationalist and a Hungarian nationalist, as a sensitive romantic artist and a military dictator, as a greedy entrepreneur and as a leading force for humanitarian charity.

This book discusses social welfare activities in Zambia in the pre-colonial, colonial and post-colonial periods. It explains how indigenous social welfare initiatives in colonial Zambia, culminated in the Federation of Welfare Societies. The former became the first nationalist party in this era known as the Northern Rhodesia Congress (NRC), with Godwin Mbikusita Lewanika as its leader. The book also elucidates how the first African government, which was headed by Kenneth Kaunda, attained positive human development indictors in Zambia in the 1960s. Nonetheless, this was at the expense of Barotseland as Kaunda's government had deliberately underdeveloped Barotseland after independence, whilst harassing and imprisoning Barotse activists for decades. After 1991, successive governments continued to apply Kaunda's methods. The book contends that Zambia in its present form is an illegal state, because the Barotseland Agreement was abrogated by Kaunda in 1969. This treaty was meant to amalgamate the former British Protectorates of Barotseland and Northern Rhodesia to form Zambia in 1964.

Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque—bodies sharing weight, velocity, and turning power without guaranteed outcomes—is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.

Fringe Benefits, an award-winning theatre company, collaborates with schools and communities to create plays that promote constructive dialogue about diversity and discrimination issues. Staging Social Justice is a groundbreaking collection of essays about Fringe Benefits’ script-devising methodology and their collaborations in the United States, Australia, Canada and the United Kingdom. The anthology also vividly describes the transformative impact of these creative initiatives on participants and audiences. By reflecting on their experiences working on these projects, the contributing writers—artists, activists and scholars—provide the readerwith tools and inspiration to create their own theatre for social change. “Contributors to this big-hearted collection share Fringe Benefits’ play devising process, and a compelling array of methods for measuring impact, approaches to aesthetics (with humor high on the list), coalition and community building, reflections on safe space, and acknowledgement of the diverse roles needed to apply theatre to social justice goals. The book beautifully bears witness to both how generative Fringe Benefits’ collaborations have been for participants and to the potential of engaged art in multidisciplinary ecosystems more broadly.”—Jan Cohen-Cruz, editor of Public: A Journal of Imagining America

Drawing on avant garde and classical Japanese dance traditions, the Alishina Method offers a systematized approach to Butoh dance training for the first time in its history. With practical instruction and fully illustrated exercises, this book teaches readers: · basic body training and expression exercises · exercises to cultivate Qi (energy) and to aid improvisation · about katas (forms) and how to develop your own · the importance of voice, sound and music in Butoh · to collaborate and be in harmony with others · techniques to manipulate time and space · how to develop the imagination and refine the senses to enrich performance. This authentic approach to Japanese dance will be compelling reading for anyone interested in contemporary dance, performance arts, Japanese culture or personal development techniques.