A Bibliographic History Of The Book

"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.

Hugh Amory (1930-2001) was at once the most rigorous and the most methodologically sophisticated historian of the book in early America. Gathered here are his essays, articles, and lectures on the subject, two of them printed for the first time. An introduction by David D. Hall sets this work in context and indicates its significance; Hall has also provided headnotes for each of the essays. Amory used his training as a bibliographer to reexamine every major question about printing, bookmaking, and reading in early New England. Who owned Bibles, and in what formats? Did the colonial book trade consist of books imported from Europe or of local production? Can we go behind the iconic status of the Bay Psalm Book to recover its actual history? Was Michael Wigglesworth's Day of Doom really a bestseller? And why did an Indian gravesite contain a scrap of Psalm 98 in a medicine bundle buried with a young Pequot girl? In answering these and other questions, Amory writes broadly about the social and economic history of printing, bookselling and book ownership. At the heart of his work is a determination to connect the materialities of printed books with the workings of the book trades and, in turn, with how printed books were put to use. This is a collection of great methodological importance for anyone interested in literature and history who wants to make those same connections.

"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920

As millions of people have been exposed to computing through the tremendous growth of microcomputers, there has developed an increasing appreciation of the history of data processing, which dates back many decades before the arrival of the computer. Stretching back to at least the 1860s, such early technologies as adding machines, punch cards, and the office appliance industry are now being recognized for their place in the history of the information processing industry. This work brings together a comprehensive list of sources that offer a general introduction to the literature of the industry. Divided into nine chapters covering topics and historical periods, the bibliography provides an annotated list of published materials describing both the history of the industry and significant items of general interest. Each chapter is introduced with a short review of historically important issues and comments on the literature, and contains contemporary publications as well as more recent material. To give the work a continuing usefulness, ongoing publications, such as computer magazines, are highlighted. Entries are grouped under nearly 100 subheadings, covering such material as contemporary descriptions of hardware and software of the past, seminal technical papers, industry surveys, programming languages, significant individuals and companies, and the role of Japan and microcomputing. All citations are annotated with a brief summary of either the work's contents or its historical importance, while two indexes provide both subject references and author citations. This bibliography will be an important reference source for courses in the history of data processing and business history, and a useful addition to public, college, and university libraries.

John Rastell is most likely to be recognised today for his connection to Thomas More, whose son-in-law and friend he was. In A Bibliography of John Rastell E.J. Devereux shows that he was much more than this - a lawyer, explorer, humanist, trust servant of the crown, and, most importantly, printer of some sixty books.

Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--Pub. desc.

The most important survey volume to appear in almost fifty years, this collection provides a landmark in what has become the vast and vital field of bibliographic studies.