A Book About The Film Monty Python S Life Of Brian

As a follow-up to their first true feature film, Monty Python and the Holy Grail, the comic troupe next decided to tackle a “shadow” version of the Christ story. Shot in the Middle East and produced during Margaret Thatcher’s ascendant years, the film satirized—among other matters—authoritarianism and religious zealotry. Upon its release, Monty Python’s Life of Brian was both a critical and commercial success, and has been since hailed as one of the greatest comedies of all time. But the film also faced backlash from religious groups for its blasphemy, perceived or otherwise. In A Book about the Film Monty Python's Life of Brian: All of the References from Assyrians to Zeffirelli, Darl Larsen identifies and examines the plethora of cultural, historical, and topical allusions in the film. In this resource, Larsen delineates virtually every allusion and reference that appears in the film—from first-century Jerusalem through 1970s Great Britain. Organized chronologically by scene, the entries in this cultural history cover literary and metaphoric allusions, symbolisms, names, peoples, and places, as well as the many social, cultural, and historical elements that populate this film. By closely examining each scene, this book explores the Pythons’ comparisons of the Roman and British Empires and of Pilate and Margaret Thatcher. In addition, Larsen helps to situate Life of Brian in the “Jesus” re-examination of the postwar period, while also taking a close look at the terror groups of first-century Judea and the modern world. A Book about the Film Monty Python's Life of Brian will appeal to scholars of history, film, British culture, and pop culture, as well as to the many fans of this iconic group.

This book identifies the plethora of cultural, historical, and topical references in the film Monty Python's Life of Brian. The author cites and explains virtually every allusion--from first-century Jerusalem through 1970s Great Britain, from terror groups ancient to modern, from Pontius Pilate to Margaret Thatcher--that appears in the film.

This exhaustive reference identifies and explains the plethora of cultural, historical, and topical allusions in the film Monty Python and the Holy Grail, the first original film by the British comedy troupe.

On a Midnight Clear 2000 years ago, three wise men enter a manger where a babe is wrapped in swaddling clothes. It is an infant called Brian...and the three wise men are in the wrong manger. For the rest of his life, Brian (Graham Chapman) finds himself regarded as something of a Messiah, yet he's always in the shadow of this Other Guy from Galilee. Brian is witness to the Sermon of the Mount, but his seat is in such a bad location that he can't hear any of it ("Blessed are the cheesemakers?"). Ultimately he is brought before Pontius Pilate and sentenced to crucifixion, which takes place at that crowded, non-exclusive execution site a few blocks shy of Calvary. Rather than utter the Last Six Words, Brian leads his fellow crucifixees in a spirited rendition of a British music hall cheer-up song "Always Look On The Bright Side of Life." The whole Monty Python gang (Chapman, John Cleese, Michael Palin, Eric Idle, and Terry Gilliam) are on hand in multiple roles, playing such sacred characters as Stan Called Loretta, Deadly Dirk, Casts the First Stone, and Intensely Dull Youth; also showing up are Goon Show veteran Spike Milligan and a Liverpool musician named George Harrison.

This is the definitive, the official, the most lavish, the completely-different-to-anything-done-before Pythons' autobiography, reissued to coincide with the eagerly-anticipated live shows. Over forty years ago, a group of five Englishmen - and one wayward American - rewrote the rules of comedy. MONTY PYTHON'S FLYING CIRCUS, an unheralded, previously unseen half-hour show of sketches, hilarities, inanities and animations, first appeared on the BBC late one night in 1969. Its impact has been felt on the world ever since. From its humble beginnings, it blossomed into the most influential movement in modern comedy. THE PYTHONS' AUTOBIOGRAPHY BY THE PYTHONS is a unique look at arguably the most important comic team of the modern age, with 64 pages of photographs, many culled from the team's own personal collections, many more seen for the first time. This is the definitive word on all things Pythonesque.

NEW YORK TIMES BESTSELLER • From the ingenious comic performer, founding member of Monty Python, and creator of Spamalot (now back on Broadway!), comes an absurdly funny memoir of unparalleled wit and heartfelt candor—now featuring a new afterword. “A hilarious, charming book by this incredible, i̶n̶s̶u̶f̶f̶e̶r̶a̶b̶l̶e̶ interesting genius.”—Steve Martin We know him best for his unforgettable roles on Monty Python—from the Flying Circus to The Meaning of Life. Now, Eric Idle reflects on the meaning of his own life in this entertaining memoir that takes us on a remarkable journey from his childhood in an austere boarding school through his successful career in comedy, television, theater, and film. Coming of age as a writer and comedian during the Sixties and Seventies, Eric stumbled into the crossroads of the cultural revolution and found himself rubbing shoulders with the likes of George Harrison, David Bowie, and Robin Williams, all of whom became dear lifelong friends. With anecdotes sprinkled throughout involving other close friends and luminaries such as Mike Nichols, Mick Jagger, Steve Martin, Paul Simon, Lorne Michaels, and many more, as well as John Cleese and the Pythons themselves, Eric captures a time of tremendous creative output with equal parts hilarity and heart. In Always Look on the Bright Side of Life, named for the song he wrote for Life of Brian and which has since become the number one song played at funerals in the UK, he shares the highlights of his life and career with the kind of offbeat humor that has delighted audiences for five decades. 2019 marked the fiftieth anniversary of The Pythons, and Eric commemorated the occasion with this hilarious memoir chock full of behind-the-scenes stories from a high-flying life featuring everyone from Princess Leia to Queen Elizabeth.

Examining Monty Python's enduring status as an unconventional, anti-authoritarian comedy touchstone, this book reappraises Python's comedy output from the perspective of its 50 years of cultural circulation. Reconsidering the group's originality, impact and durability, a range of international scholars explores Python's influences, production contexts, frequently controversial themes, and the cult status and forms of fandom associated with Python in the present day. From television sketches, including The Funniest Joke in the World, Hell's Grannies, Dead Parrot and Confuse-a-Cat, to the films Monty Python and the Holy Grail, Life of Brian and The Meaning of Life, to songs from the albums and live shows, this book is a ground-breaking critical analysis of the Monty Python phenomenon.