A Brush With Death

ONE CHEEKY WINK AND LORD GREENGRASS WAS FLAT OUT ON THE GROUND, DELIRIOUSLY GASPING FOR LIFE, HIS EYES FLICKERING WITH A SPARKLE OF HOPE THAT THE SHADOW ON THE WALL HAD COME TO HELP... In the village of Spire, murder is afoot. Rich landowner Alexander, 9th Earl of Greengrass, is caught with his trousers down in the village graveyard before meeting a gruesome end. Luckily, Susie Mahl happens to be on hand. With her artist's eye for detail and her curious nature, she is soon on the scent of the murderer...

Winner of the Arthur Viseltear Award for Outstanding Book in the History of Public Health from the American Public Health AssociationSelected by Choice Magazine as an Outstanding Academic Title During the twentieth century, lead poisoning killed thousands of workers and children in the United States. Thousands who survived lead poisoning were left physically crippled or were robbed of mental faculties and years of life. In Brush with Death, social historian Christian Warren offers the first comprehensive history of lead poisoning in the United States. Focusing on lead paint and leaded gasoline, Warren distinguishes three primary modes of exposure—occupational, pediatric, and environmental. This threefold perspective permits a nuanced exploration of the regulatory mechanisms, medical technologies, and epidemiological tools that arose in response to lead poisoning. Today, many children undergo aggressive "deleading" treatments when their blood-lead levels are well below the average blood-lead levels found in urban children in the 1950s. Warren links the repeated redefinition of lead poisoning to changing attitudes toward health, safety, and risk. The same changes that transformed the social construction of lead poisoning also transformed medicine and health care, giving rise to modern environmentalism and fundamentally altered jurisprudence.

Pet portraitist Susie Mahl turns amateur sleuth when a ditzy American blonde is murdered in this second installment of the cozy crime fiction series for fans of The Crown and Downton Abbey.

In this memoir Morris Wyszogrod recounts his experiences from the time of the Nazi invasion of Poland to the liberation of the Theresienstadt concentration camp in 1945. He describes in detail the time he spent in the Warsaw Ghetto; his work as an artist for various Luftwaffe personnel at the Warsaw military airport; his experiences at the BudzynΠconcentration camp, where he was assigned to decorate the living quarters of the SS and to produce drawings at an orgiastic Oktoberfest; his removal to Plaszow, where he was put to work digging up mass graves and burning the bodies to eliminate the evidence of Nazi war crimes; his witnessing of the firebombing of Dresden in February 1945; and his subsequent liberation at Theresienstadt by the Red Army in May 1945. Just as an artist may register what she or he sees against a sensitive visual and moral template, so Wyszogrod doubly registered what he saw and felt, both in his drawings and in his memories.

When Penny Brannigan inherits a charming, old-fashioned cottage in the North Wales town of Llanelen, she soon realizes she has come into more than what real estate agents like to describe as a desirable period property: She's also acquired memories, mystery, and an unsolved, decades-old crime. As Penny sorts through the belongings of her benefactor, a deceased teacher, she comes upon a packet of letters from a promising young Liverpool artist, A. Jones, who was killed in an accident in 1970. An artist herself, Penny sets out to discover who killed this painter, and is helped by a small group of townsfolk, including her business partner, Victoria Hopkirk. While at a retrospective art exhibition in Liverpool, Penny recognizes what she believes to be a watercolor painted by Jones. But it is attributed to another artist, leading her to suspect that art theft was at the heart of the case, and that Jones's death was no accident. In her eagerly awaited sequel Duncan wonderfully revisits the bustling Welsh town and vibrant characters introduced in The Cold Light of Mourning. With its lyrical prose and tantalizing puzzle, A Brush with Death is a treat on many levels.

A quiet lakeside town in western New York state is the new home of Manhattan artist Chloe Abbington and the backdrop for murder in this series debut by Bailee Abbott. For Chloe Abbington, the transition from fine art painter in New York City to painting-event business owner in charming Whisper Cove is more than a little jarring. But when poison-pen journalist Fiona Gimble writes a viciously negative review of the newly opened Paint with a View, Chloe learns that critics are the same everywhere. And when she finds Fiona's body behind her shop with a painting knife in her neck, Chloe realizes that this picture-perfect town offers anything but peace and quiet. Suddenly, bustling Artisan Alley is a crime scene, and Chloe is the prime suspect. Her sister and business partner, Izzie, isn't much help--she's busy running the shop, and besides, she has secrets of her own. As shrewd Detective Barrett tries to paint her into a corner, Chloe soon finds that Fiona had plenty of enemies. The Whisper Cove Gazette columnist wielded her pen like a sword, slicing and dicing just about every shop owner in the lakeside town. With the help of her affectionate canine buddy, Max, Chloe sets out to prove that she's been framed for Fiona's murder. But she'd better learn the fine art of detection quickly, before the real killer paints the town red again. Otherwise, she may end up trading in her paint smock for an orange jumpsuit...or a green burial plot.

An extraordinary memoir--told entirely in near-death experiences--from one of Britain's bestselling novelists, as she reminds us that we are never closer to life than when we brush up against the possibility of death. I Am, I Am, I Am is Maggie O'Farrell's astonishing memoir of the near-death experiences that have punctuated and defined her life. The childhood illness that left her in the hospital for nearly a year, which she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. An encounter with a serial killer on a remote path. And, most terrifying of all, an ongoing, daily struggle to protect her daughter from a condition that leaves her unimaginably vulnerable to life's myriad dangers. Seventeen discrete encounters with Maggie at different ages, in different locations, reveal a whole life in a series of tense, visceral snapshots. In taut prose that vibrates with electricity and a restrained emotion, O'Farrell captures the perils running just beneath the surface, and illuminates the preciousness, beauty and mysteries of life itself.

In this searing meditation on the bonds of family and the allure of extremist faith, one of today’s most celebrated Christian writers recounts his unexpected journey from a strict fundamentalist upbringing to a life of compassion and grace—a revelatory memoir that “invites comparison to Hillbilly Elegy” (Publishers Weekly, starred review). “Searing, heartrending . . . This stunning tale reminds us that the only way to keep living is to ask God for the impossible: love, forgiveness, and hope.”—Kate Bowler, New York Times bestselling author of Everything Happens for a Reason Raised by an impoverished widow who earned room and board as a Bible teacher in 1950s Atlanta, Philip Yancey and his brother, Marshall, found ways to venture out beyond the confines of their eight-foot-wide trailer. But when Yancey was in college, he uncovered a shocking secret about his father’s death—a secret that began to illuminate the motivations that drove his mother to extreme, often hostile religious convictions and a belief that her sons had been ordained for a divine cause. Searching for answers, Yancey dives into his family origins, taking us on an evocative journey from the backwoods of the Bible Belt to the bustling streets of Philadelphia; from trailer parks to church sanctuaries; from family oddballs to fire-and-brimstone preachers and childhood awakenings through nature, music, and literature. In time, the weight of religious and family pressure sent both sons on opposite paths—one toward healing from the impact of what he calls a “toxic faith,” the other into a self-destructive spiral. Where the Light Fell is a gripping family narrative set against a turbulent time in post–World War II America, shaped by the collision of Southern fundamentalism with the mounting pressures of the civil rights movement and Sixties-era forces of social change. In piecing together his fragmented personal history and his search for redemption, Yancey gives testament to the enduring power of our hunger for truth and the possibility of faith rooted in grace instead of fear. “I truly believe this is the one book I was put on earth to write,” says Yancey. “So many of the strands from my childhood—racial hostility, political division, culture wars—have resurfaced in modern form. Looking back points me forward.”