A Celebration Of Pop Up And Movable Books

A comprehensive by-year listing of the Movable Book Society Meggendorfer Awards finalists, honorable mentions and winners, with full-color photographs of books and paper engineers.For twenty years, the Movable Book Society has honored those paper engineers who have designed the most outstanding movable or pop-up trade books. In the spirit of German paper engineer Lothar Meggendorfer (1847-1925), the Meggendorfer Awards represent innovation, ingenuity and unparalleled excellence in movable book creation. This guide is the official history of the award and includes:?Complete listing of all the biennial nominees, honorable mentions and winners?Four categories: best paper engineering for a trade publication, outstanding emerging paper engineer, best artists book, and lifetime achievement?Full-color photographs of prize-winning books and memorable inside spreads?Short bios and photographs of award recipients?Index of more than 100 paper engineers and book artists including Simon Arizpe, Andrew Baron, Marion Bataille, Anouck Boisrobert, David A. Carter, James Roger Diaz, Nicholas Danish, Corina Fletcher, Bruce Foster, Colette Fu, Sam Ita, Yoojin Kim, Ray Marshall, Courtney Watson McCarthy, Kees Moerbeek, David Pelham, Matthew Reinhart, Louis Rigaud, Robert Sabuda, Ken Wilson-Max, Yevgeniya Yeretskaya and Dorothy YulePop-up book lovers, bibliophiles, librarians, parents and young readers will find this guide an essential help in building a complete collection of contemporary, three-dimensional books.

Containing forty-eight chapters, The Routledge Companion to Picturebooks is the ultimate guide to picturebooks. It contains a detailed introduction, surveying the history and development of the field and emphasizing the international and cultural diversity of picturebooks. Divided into five key parts, this volume covers: Concepts and topics – from hybridity and ideology to metafiction and emotions; Genres – from baby books through to picturebooks for adults; Interfaces – their relations to other forms such as comics and visual media; Domains and theoretical approaches, including developmental psychology and cognitive studies; Adaptations. With ground-breaking contributions from leading and emerging scholars alike, this comprehensive volume is one of the first to focus solely on picturebook research. Its interdisciplinary approach makes it key for both scholars and students of literature, as well as education and media.

With over 30 inspirational projects detailing a range of 3-D papercraft card designs for any occasion, Pop-Up Cards has something for everyone.

Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.

A convincing explanation of why interactive or movable books should be included in the library collection that documents their value as motivational instructional tools—in all areas of the school curriculum, across many grade levels. Pop-up books possess universal appeal. Everyone from preschoolers to adults loves to see and tactilely experience the beautiful three-dimensional work of Robert Sabuda, David A. Carter, and other pop-up book creators. Sabuda himself was inspired to become a pop-up book artist after experiencing the 1972 classic pop-up The Adventures of Super Pickle. The effect of these movable books on young minds is uniquely powerful. Besides riveting children's attention, pop-up books can also help build motor skills, teach cause and effect, and develop spatial understanding of objects. Based on their direct experience and many presentations to teachers and librarians, the authors have provided template lesson plans with curriculum and standards links for using the best pop-up books currently available in the instructional program of the school. The book also includes profiles of the most notable authors, a history of the format, definitions of terms such as "flap book" and "paper engineer," and information on how to create movable books. Librarians will find the section regarding collection development with the format—how and where to acquire them, proper storage methods—and the annotated listing of the authors' 50 favorite pop-ups extremely helpful.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

?Paper Engineering: The Pop-up Book Structures of Vojtech Kubasta, Robert Sabuda and Andrew Binder? will be on exhibit January 16 through March 12 in the Bienes Center for the Literary Arts at the Main Library, 100 S. Andrews Ave., Fort Lauderdale.The free exhibition will showcase a sampling of about 50 titles by the three artists.A native of Czechoslovakia, Vojtech Kubasta studied architecture, designed puppet theater scenery, and worked as a book illustrator. In working with children?s books, he had a knack for creating complex pop-up effects folded from a single board, without elaborate gluing and assembly. Robert Sabuda is the creator of pop-up versions of classic children?s books including Alice?s Adventures in Wonderland, The Wonderful Wizard of Oz, and The Night Before Christmas. He also has used paper in other unusual ways, such as simulated handmade Egyptian papyrus for his book Tutankhamen?s Gift, and paper cut to resemble mosaics in Saint Valentine.Andrew Binder was a winner of the 2001 Florida Artists? Book Prize awarded by the Bienes Center and the Florida Center for the Book. He holds a master of fine arts degree from the University of Miami, and is the coordinator of applications and webmaster for Florida Atlantic University.

The second edition of Disney Stories: Getting to Digital will be of interest to lovers of Disney history and also to lovers of Hollywood history in general. The first edition was planned as a short history of the companies evolution from analog storytelling to a digital online presence that closed the chapter on early Disney films with the release of the groundbreaking Snow White. The purpose of the new edition is to bring to readers a more complete view of the analog-digital story by including three new chapters on film that cover key developments from the live-animation hybrids of the 1940s to CAPS and CGI in the 1990s and VR in the 2010s. It also includes in the discussion of cross-media storytelling the acquisition of the exceptional story property, Star Wars, and discusses how Disney has brought the epic into the Disney Master Narrative by creating Galaxy’s Edge in its US theme parks. Krystina Madej’s engaging portrayal of the long history of Disney’s love affair with storytelling and technology brings to life the larger focus of innovation in creating characters and stories that captivate an audience, and together with Newton Lee’s detailed experience of Disney during the crucial 1995-2005 era when digital innovation in online and games was at its height in the company, makes for a fast-paced captivating read. Disney Stories first edition explored the history of Disney, both analog and digital. It described in detail how Walt Disney used inventive and often ground-breaking approaches in the use of sound, color, depth, and the psychology of characters to move the animation genre from short visual gags to feature-length films with meaningful stories that engaged audience's hearts as well as tickled their funny bones. It showed Walt’s comprehensive approach to engaging the public across all media as he built the Disney Master Narrative by using products, books, comics, public engagements, fan groups such as the Mickey Mouse club, TV, and, of course, Disneyland, his theme park. Finally it showed how, after his passing, the company continued to embrace Walt’s enthusiasm for using new technology to engage audiences through their commitment to innovation in digital worlds. It describes in detail the innovative storybook CD-ROMs, their extensive online presence, the software they used and created for MMORGs such as Toontown, and the use of production methods such as agile methodology. This new edition provides insight on major developments in Disney films that moved them into the digital world.