A Collection Of Voyages And Travels Some Now First Printed From Original Manuscripts Others Now First Published In English In Six Volumes With A General Preface Giving An Account Of The Progress Of Navigation Of 6 Volume 1

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T097846 Compiled by Awnsham Churchill and John Churchill. With a four-page list of subscribers in vol.1. Vols. 5 and 6 are a reissue of 'A collection of voyages and travels, some now first printed from original manuscripts, others translated out of foreign lang London: printed by assignment from Messrs. Churchill. For John Walthoe; Tho. Wotton; Samuel Birt; Daniel Browne [and 3 others in London], 1732. 6v., plates: ill., maps; 2°

Part II of this edition reproduces The Tour of Africa, first published in 1821 by Catherine Hutton. Although framed as a first-person narrative, the three-volume work is in fact a compilation of existing travel accounts. Hutton’s Tour raises challenging questions about intertextuality in nineteenth-century women’s travel writing.

This collection explores the interpretation of historical fiction through fictional representations of the past in an Asian context. Emphasising the significance of region and locality, it explores local networks of political and cultural exchanges at the heart of an Asian polity. The book considers how imagined pasts converge and diverge in developed and developing nations, and examines the limitations of representation at a time when theories of world literature are shaping the way we interpret global histories and cultures. The collection calls attention to the importance of acknowledging local tensions—both within the historical and cultural make-up of a country, and within the Asian continent—in the interpretation of historical fiction. It emphasizes a broad-spectrum view that privileges the shared historical experiences of a group of countries in close proximity, and it also responds to the paradigm shift in Asian Studies. Discussing how local conditions shape and create expectations of how we read historical fiction and working with the theme of fictionality and locality, the volume provides an alternative framework for the study of world literature.

Does the way in which buildings are looked at, and made sense of, change over the course of time? How can we find out about this? By looking at a selection of travel writings spanning four centuries, Anne Hultzsch suggests that it is language, the description of architecture, which offers answers to such questions. The words authors use to transcribe what they see for the reader to re-imagine offer glimpses at modes of perception specific to one moment, place and person. Hultzsch constructs an intriguing patchwork of local and often fragmentary narratives discussing texts as diverse as the 17th-century diary of John Evelyn, Daniel Defoe's Robinson Crusoe (1719) and an 1855 art guide by Swiss art historian Jacob Burckhardt. Further authors considered include 17th-century collector John Bargrave, 18th-century novelist Tobias Smollett, poet Johann Wolfgang von Goethe, critic John Ruskin as well as the 20th-century architectural historian Nikolaus Pevsner. Anne Hultzsch teaches at the Bartlett School of Architecture, University College London.

"In 1979 A South African bibliography to the year 1925 (SABIB), compiled under the auspices of the South AFrican Library, was published in four volumes by Mansell of London. It was essentially a revision and continuation of Sidney Mendelssohn's South African bibliography (London, 1910), which recorded literature about South Africa from earliest times to 1909, regardless of place of publication. For the new bibliography the period was extended to 1925, but for practical reasons the scope was limited to the geographical area south of the Limpopo, and certain material, for example books in African languages, sheet music, maps and periodicals, was excluded."--Preface to Supplement.