A Collection Rediscovered

WINNER OF THE SAGA PRIZE 1997: a literary award for trailblazing new Black British novelists 'A quietly outstanding work of fiction . . . an exemplary novel' Bernardine Evaristo A shattering portrayal of family, guilt and unshakable bonds as a family's deepest secrets explosively unravel When Anita finally returns home to London after a long absence, everything has changed. Her father is dead, her mother is away, and she and her sister Beth are alone together for the first time in years. They share a house. They share a family. They share a past. Tentatively, they reach out to one another for connection, but the house echoes with words unspoken. Dazzling and heart-breaking, Bernard and the Cloth Monkey is a searing portrait of family, a rebellion against silence and a testament to the human capacity for survival. Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books depicting black Britain that remap the nation.

Known for their colour, dream images, their wit and playful imagination, the works of Paul Klee are among the most famous of modern art. This new volume presents a group of 130 oils, watercolours, drawings and prints representative of his career.

“Even-handed, up-to-date, and clearly written. . . . If you want to navigate between the Scylla and Charybdis of Neanderthal controversies, you’ll find no better guide.” —Brian Fagan, author of Cro-Magnon In recent years, the common perception of the Neanderthal has been transformed thanks to new discoveries and paradigm-shattering scientific innovations. It turns out that the Neanderthals’ behavior was surprisingly modern: they buried the dead, cared for the sick, hunted large animals in their prime, harvested seafood, and spoke. Meanwhile, advances in DNA technologies have forced a reassessment of the Neanderthals’ place in our own past. For hundreds of thousands of years, Neanderthals evolved in Europe very much in parallel to the Homo sapiens line evolving in Africa, and, when both species made their first forays into Asia, the Neanderthals may even have had the upper hand. Here, Dimitra Papagianni and Michael A. Morse look at the Neanderthals through the full dramatic arc of their existence—from their evolution in Europe to their expansion to Siberia, their subsequent extinction, and ultimately their revival in popular novels, cartoons, cult movies, and TV commercials.

A reader of the epyllion by Dracontius, the elegy by Maximianus, and the epigram by Luxorius should not expect that these works--and these new embodiments of the 'old' genres--will be wholly identical with their 'archetypes'. Were it so, it would mean that we read but second-rate versifiers, indeed. We may expect rather that thanks to the reading of Dracontius's epyllion, Maximianus's elegy, and Luxorius's epigram our understanding of these very genres may become fuller and deeper than if it was narrowed only to the study of the 'classical phase' of the Roman literature. Therefore, I have decided to employ in the title of my book the expression genres rediscovered. I have found it fair to emphasize that the poets whose works have been studied here merit appreciation for their creativity, and indeed courage, in reusing and reinterpreting the classical--and truly classic--literary heritage. In addition, I have found it similarly fair to stress that for the students of Latin literature the borderline between the 'classical' and the 'post-classical' is, and should be, flexible. It is not my intention of course to imply that aesthetic and poetological differences should be ignored or blurred. Quite the reverse, these differences are profound and multidimensional and as such must be properly understood and explained. The main issue is the fact that studies of Latin literature--or rather of literature in general - and especially generic studies require a proper, i.e. diachronic, perspective. A description of a certain genre based merely on its most important or generally known representative/representatives will always risk becoming incomplete and limited. In genology, one must be utterly prudent in defining the 'main' and the 'marginal', the 'relevant' and the 'negligible'. In this sense, an insight into a few genres practiced by some 'classical'--and classic--Roman poets from the perspective of their 'post-classical' followers may be, also for a genologist, an intriguing rediscovery.

Combining breathtaking landscape images with intriguing portraits of mountain athletes, Paul Zizka's remarkable new collection of photographs will astound mountain and photography enthusiasts alike. The Canadian Rockies are some of the most photographed mountains in the world, yet only a small portion of this phenomenal landscape ends up in the frame. It takes a passionate and adventurous photographer to venture away from the beaten track and deep into the wilderness or to push creative boundaries to reimagine the Rockies' iconic locations. For nearly a decade, Paul Zizka has dedicated himself to exploring the seldom visited corners of the Canadian Rockies and producing the most original and innovative photographs he can muster. As a photographer and adventurer, he is drawn to the extraordinary. His body of work is the result of both countless nights spent outdoors and demanding ascents of the Rockies' highest peaks. In his first book, Summits and Starlight (RMB, 2013), Zizka provided a unique collection of photos that highlighted the beauty and wildness of the Canadian Rockies landscape. The Canadian Rockies: Rediscovered provides a freshly curated selection featuring 200 of Zizka's best mountain photography and elevates the Canadian Rockies to new, unimaginable heights.

This commentary to Lenin’s landmark What is to be Done? (1902) provides hitherto unavailable contextual information about Lenin’s outlook and aims that undermines previous interpretations. It challenges established views about Marxism, ‘revolutionary Social Democracy’ and Bolshevism.