A Combat Reporter S Report

Presents a war correspondent's reports of heroic conduct during times of war.

Not since Ernie Pyle have the American people taken any reporter to their hearts as they have Marguerite Higgins—the photogenic young war correspondent for the New York Herald Tribune. This brilliant woman reporter, greatly admired by the fighting men, has dodged bullets with troops on the line, has asked neither favor nor privilege for herself, and has been commended publicly for bravery in helping grievously wounded men under fire. This is her up-front, personal report of the human side of the war. With the discerning eye of the expert reporter and the sympathy of a woman living through the agony of her countrymen, Miss Higgins tells the whole story of the bitter Korean campaign: young, green troops maturing in battle, Communist bullets kicking over the coffeepot at breakfast, the initial inadequacy of American arms, and the terrible price in men we are paying for unpreparedness. Miss Higgins also sketches brilliant thumbnail portraits of Generals MacArthur Walker, and Dean, and of many line and staff officers as well as GIs. In WAR IN KOREA she has written a tremendously compelling book that calls a spade a spade as it reveals the hell and heroism of an ordeal which compares to Valley Forge in the annals of American fighting men. Richly illustrated throughout with photographs by Carl Mydans of Life magazine and others.

This set of essays offers new insights into the journalistic process and the pressures American front-line reporters experienced covering World War II. Transmitting stories through cable or couriers remained expensive and often required the cooperation of foreign governments and the American armed forces. Initially, reporters from a neutral America documented the early victories by Nazi Germany and the Soviet invasion of Finland. Not all journalists strove for objectivity. During her time reporting from Ireland, Helen Kirkpatrick remained a fierce critic of that country’s neutrality. Once the United States joined the fight after the Japanese attack on Pearl Harbor, American journalists supported the struggle against the Axis powers, but this volume will show that reporters, even when members of the army sponsored newspaper, Stars and Stripes were not mere ciphers of the official line. African American reporters Roi Ottley and Ollie Stewart worked to bolster the morale of Black GIs and undermined the institutional racism endemic to the American war effort. Women front-line reporters are given their due in this volume examining the struggles to overcome gender bias by describing triumphs of Thérèse Mabel Bonney, Iris Carpenter, Lee Carson, and Anne Stringer. The line between public relations and journalism could be a fine one as reflected by the U.S. Marine Corps’ creating its own network of Marine correspondents who reported on the Pacific island campaigns and had their work published by American media outlets. Despite the pressures of censorship, the best American reporters strove for accuracy in reporting the facts even when dependent on official communiqués issued by the military. Many wartime reporters, even when covering major turning points, sought to embrace a reporting style that recorded the experiences of average soldiers. Often associated with Ernie Pyle and Bill Mauldin, the embrace of the human-interest story served as one of the enduring legacies of the conflict. Despite the importance of American war reporting in shaping perceptions of the war on the home front as well as shaping the historical narrative of the conflict, this work underscores how there is more to learn. Readers will gain from this work a new appreciation of the contribution of American journalists in writing the first version of history of the global struggle against Nazi Germany, imperial Japan, and fascist Italy.

This book takes a fresh look at the history of war reporting to understand how new technology, new ways of waging war and new media conditions are changing the role and work of today’s war correspondent. Focussing on the mechanics of war reporting and the logistical and institutional pressures on correspondents, the book further examines the role of war propaganda, accreditation and news management in shaping the evolution of the specialism. Previously neglected conflicts and correspondents are reclaimed and wars considered as key moments in the history of war reporting such as the Crimean War (1854-56) and the Great War (1914-18) are re-evaluated. The use of objectivity as the yardstick by which to assess the performance of war correspondents is questioned. The emphasis is instead placed on war as a messy business which confronts reporters and photographers with conditions that challenge the norms of professional practice. References to the ‘demise of the war correspondent’ have accompanied the growth of the specialism since the days of William Howard Russell, the so-called father of war reporting. This highlights the fragile nature of this sub-genre of journalism and emphasises that continuity as much as change characterises the work of the war correspondent. A thematically organised, historically rich introduction, this book is ideal for students of journalism, media and communication.

During what some have called the 'most televised war in history, ' did journalistic objectivity fall by the wayside? Were the experiences of embedded journalists in Iraq markedly different from reporters who went on their own? Reporting from the Front is a provocative look at media and the Iraq War-spanning issues from basic reporting and coverage to ethical dilemmas, personal safety, and training with the military. Featuring interviews with journalists such as Anne Garrels and Ivan Watson of NPR and Bob Schieffer and Byron Pitts of CBS, among others, Reporting from the Front offers personal insights from a wide range of correspondents, producers, editors, photojournalists, media managers, and military and defense officials about reporting on Iraq as well as on previous wars and other conflicts

"This volume presents a collection of 47 articles describing different aspects of U.S. Marine Corps participation in Operation Iraqi Freedom during 2003." ... [from Foreword].

The War Correspondent looks at the role of the war reporter today: the attractions and the risks of the job; the challenge of objectivity and impartiality in the war zone; the danger of journalistic independence being compromised by military control, censorship, and public relations; as well as the commercial and technological pressures of an intensely concentrated, competitive news media environment. This new edition substantially updates the original, ending with an extended section on the return of history and ideology to the reporting of international conflict, and interviews with prominent war and foreign correspondents including John Pilger, Robert Fisk, Mary Dvesky, and Alex Thomson.

The role of war correspondents is crucial to democracy and the publics discovery of the truth. Without them, the temptation to manipulate events with propaganda would be irresistible to politicians of all hues.It starts by examining how journalists have plied their trade over the years most particularly from the Crimean War onwards. Their impact on the conduct of war has been profound and the author, an experienced journalist, explains in his frank and readable manner how this influence has shaped the actions of politicians and military commanders. By the same token the media is a potentially valuable tool to those in authority and this two-way relationship is examined.Technical developments and 24 hour news have inevitably changed the nature of war reporting and their political masters ignore this at their peril and the author examines the key milestones on this road.Using his own and others experiences in recent conflicts, be they Korea, Falklands, Balkans, Iraq or Afghanistan, the author opens the readers eyes to an aspect of warfare that is all too often overlooked but can be crucial to the outcome. The publics attitude to the day-to-day conduct of war is becoming ever more significant and this fascinating book examines why.