A Commentary On Ovid Tristia

A detailed commentary on Tristia 2, Ovid's verse letter addressed from exile to the emperor Augustus. Jennifer Ingleheart provides an indispensable guide to all aspects of the poem - textual, literary, historical and political - while her introductioon explores, among other topics, its ironical and subversive aspects.

A major work of Latin literature, Tristia 2 is a verse letter addressed by the exiled poet Ovid to the man who banished him from Rome, the emperor Augustus. Ovid apologizes to Augustus for the misdemeanours that led to his banishment, but, more importantly, defends both his life and his poetry in light of the accusation that his earlier Ars amatoria (The Art of Love) had promoted adultery. Jennifer Ingleheart's commentary, the most up-to-date and comprehensive oneavailable, is an invaluable guide to all aspects of the poem - textual, literary, historical, and political - while her Introduction explores, among other topics, its ironical and subversive aspects.

Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).

From Homer to Sophocles and Greek Middle Comedy, and from Plato and Protagoras to Ovid, this volume features a panoramic and cross-generic overview of the diverse handling and ad hoc elaboration of the overarching literary notions of "time" and "space". The twenty-one contributions of this volume written by an international group of esteemed scholars provide an equal number of hermeneutic approaches to individual, distinct aspects of Greek and Latin literature. The volume is purposely designed not as a linear display of knowledge, but rather as an anthology of select paradigms that aim to demonstrate the multidimensional function and multifaceted role of the twin notions of "time" and "space" throughout ancient Greek and Latin literary texts. The volume opens with analyses of conspicuous cases from epic poetry, proceeds with examples from drama (tragedy and comedy), and concludes with diverse instances of chronotopes (empirical, imaginary, and even shifting ones), in various literary genres. The volume is of greatest relevance since it meets the cultural and theoretical trends of today’s Classics. It therefore will attract not only the interest of specialised Classicists but it is also intended for a wider general readership.

In AD 8 Ovid's brilliant career was abruptly ruined when the Emperor Augustus banished him, for reasons never satisfactorily explained, to Tomis (Constanta) on the Black Sea. The five books of Tristia (Sorrows) express his reaction to this savage and, as he clearly regarded it, unjust sentence. Though their ostensible theme is the misery and loneliness of exile, their real message, if they are read with the care they deserve, is one of affirmation. With a wit and irony that borders on defiance, Ovid repeatedly asserts the injustice of his sentence and of the preeminence of the eternal values of poetry over the ephemeral dictates of an earthly power. In technical skill and inventiveness these elegies rank with the Art of Love or the Fasti. For this new translation Alan Melville has reproduced, in rhyming stanzas, the virtuosity, wit, and elegance of the original.