A Companion To Late Medieval And Early Modern Augsburg

A Companion to Late Medieval and Early Modern Augsburg distills the extraordinary range and creativity of recent scholarship on one of the most significant cities of the Holy Roman Empire into a handbook format.

By examining the emotional practices central to political, social, and religious life in late sixteenth-century Augsburg, this book offers a new framework for analyzing religious coexistence in the generations following the Reformation.

The way merchants trade, think about business and represent commerce in art forms define merchant culture. The world between 1500 and 1800 encompassed different merchant cultures that stood alone and in contact with others. Culture, power relations and institutions framed similarities and differences and outlined the global outcome of these exchanges.

Women Reformers of Early Modern Europe provides an expansive view of women negotiating their faith, voice, and agency in the religious and cultural scene of the sixteenth-century reformations. Women from different geographic contexts (Germany, France, Spain, Italy, Holland, and Scandinavia) and from a broad spectrum of vocations and social standings are highlighted along with examples of their original writings in English translation (in some cases brand new). An international, interdisciplinary cohort of over thirty scholars provide cutting-edge scholarship on women, religion, and gender in the sixteenth-century reformation context. Chapters interpret historical sources relevant to the women in question and provide original material for a deeper understanding of each woman's specific negotiations about her faith and religious preferences, as well as about her specific options--as a woman. Most of the women in the book left a written record, providing a valuable window into women's spirituality and theology. Gender questions are engaged throughout the chapters that provide irrefutable evidence of women's essential roles in the reception and implementation of the Protestant confessions. An important voice comes from women who defended their right to profess Catholic faith. Thematic articles enhance the analysis of the roles, experiences, and contributions of individual women in different contexts and positions vis-à-vis reformation teachings. Women stand out as writers, theologians, historians, biblical interpreters, publishers, hymnwriters, rulers, pastoral care givers, defenders of justice, "heretics," rebels, midwives, mothers, and friends. The tone of the volume is scholarly but invites a broad spectrum of readers who have varying levels of background knowledge. It is especially suitable as a textbook or as a reference guide in different disciplines (reformation studies, church history, theological history, gender scholarship, early modern and sixteenth-century studies; and language studies).

While the economic involvement of early modern Germany in slavery and the slave trade is increasingly receiving attention, the direct participation of Germans in human trafficking remains a blind spot in historiography. This edited volume focuses on practices of enslavement taking place within German territories in the early modern period as well as on the people of African, Asian, and Native American descent caught up in them.

The Reception of John Chrysostom in Early Modern Europe explores when, how, why, and by whom one of the most influential Fathers of the Greek Church was translated and read during a particularly significant period in the reception of his works. This was the period between the first Neo-Latin translation of Chrysostom in 1417 and the final volume of Fronton du Duc’s Greek-Latin edition in 1624, years in which readers and translators from Renaissance Italy, the Byzantine Empire, and the Basel, Paris, and Rome of a newly-confessionalised Europe found in Chrysostom everything from a guide to Latin oratory, to a model interpreter of Paul. By drawing on evidence that ranges from Greek manuscripts to conciliar acts, this book contextualises the hundreds of translations and editions of Chrysostom that were produced in Europe between 1417 and 1624, while demonstrating the lasting impact of these works on scholarship about this Church Father today.

Music and Urban Life in Baroque Germany offers a new narrative of Baroque music, accessible to non-music specialists, in which Tanya Kevorkian defines the era in terms of social dynamics rather than style and genre development. Towns were crucial sites of music-making. Kevorkian explores how performance was integrated into and indispensable to everyday routines, celebrations such as weddings, and political culture. Training and funding likewise emerged from and were integrated into urban life. Ordinary artisans, students, and musical tower guards as well as powerful city councilors contributed to the production and reception of music. This book illuminates the processes at play in fascinating ways. Challenging ideas of "elite" and "popular" culture, Kevorkian examines five central and southern German towns—Augsburg, Munich, Erfurt, Gotha, and Leipzig—to reconstruct a vibrant urban musical culture held in common by townspeople of all ranks. Outdoor acoustic communication, often hovering between musical and nonmusical sound, was essential to the functioning of these towns. As Kevorkian shows, that sonic communication was linked to the music and musicians heard in homes, taverns, and churches. Early modern urban environments and dynamics produced both the giants of the Baroque era, such as Johann Sebastian Bach and Georg Philipp Telemann, and the music that townspeople heard daily. This book offers a significant rediscovery of a rich, unique, and understudied musical culture. Received a subvention award from the Margarita M. Hanson Fund and the Donna Cardamone Jackson Fund of the American Musicological Society.

Ingenuity in the Making explores the myriad ways in which ingenuity shaped the experience and conceptualization of materials and their manipulation in early modern Europe. Contributions range widely across the arts and sciences, examining objects and texts, professions and performances, concepts and practices. The book considers subjects such as spirited matter, the conceits of nature, and crafty devices, investigating the ways in which ingenuity acted in and upon the material world through skill and technique. Contributors ask how ingenuity informed the “maker’s knowledge” tradition, where the perilous borderline between the genius of invention and disingenuous fraud was drawn, charting the ambitions of material ingenuity in a rapidly globalizing world.