A Companion To Medieval And Early Modern Confraternities

A Companion to Medieval and Early Modern Confraternities presents confraternities as fundamentally important venues for the acquisition of spiritual riches, material wealth, and social capital in early modern Europe and Post-Conquest America.

Scholars have long recognized the significant role that confraternities, or lay brotherhoods, played in the religious life of medieval and early modern Catholicism. Taking a broad chronological and geographical approach, this collection of essays addresses the varied and fluid nature of confraternities and their relationship to wider society.

Space, Place, and Motion offers the first sustained comparative examination of the relationship between confraternal life and the spaces of the late medieval and early modern city.

20 Chapters by qualified and distinguished scholars offer a new and original view of the State of Milan from the mid 14th to the late 17th century, with themes ranging from society to politics, music to literature, the history of art to law, the church to the economy.

During the early modern period, the brotherhoods of Misericórdia were established not only in the overseas territories ruled by the Portuguese, but also beyond their empire, reaching as far as the Philippines and Japan. The twelve chapters of this book examine this expansion by discussing different dimensions of the Misericórdias, such as administration, politics, charitable practices, finances, and forms of discrimination related to social status, gender, and race. Filling a critical gap in anglophone scholarship on the Portuguese Misericórdias, this work's previous absence has been criticized by scholars who believe the Misericórdias are crucial to understanding the past and present of Portuguese communities, both at home and abroad. Contributors are: Inês Amorim, José Pedro Paiva, Lisbeth Rodrigues, Sara Pinto, Juan O. Mesquida, Rômulo Ehalt, Joana Balsa de Pinho, Andreia Durães, Maria Antónia Lopes, Luciana Gandelman, Isabel dos Guimarães Sá, and Renato Franco.

This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.

This volume brings together environmental and human perspectives, engages with both historians and scientists, and, being mindful that environments and disease recognize no boundaries, includes studies that touch on Europe, the wider Mediterranean world, Asia, Africa, and the Americas. Disease and the Environment in the Medieval and Early Modern Worlds explores the intertwined relationships between humans, the natural and manmade environments, and disease. Urgency gives us a sense that we need a longer view of human responses and interactions with the airs, waters, and places in which we live, and a greater understanding of the activities and attitudes that have led us to the present. Through a series of new research studies, two salient questions are explored: What are the deeper patterns in thinking about disease and the environment? What can we know about the environmental and ecological parameters of emergent human diseases over a longer period – aspects of disease that contemporary persons were not able to know or understand in the way that we do today? The broad chronological and geographical approach makes this volume perfect for students and scholars interested in the history of disease, environment, and landscape in the medieval and early modern worlds.

Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 presents new perspectives on the role music played in the physical, cultural, and civic spaces of Italian cities from the sixteenth to the nineteenth century. Across thirteen chapters, contributors explore the complex connections between sound and space within these urban contexts, demonstrating how music and sound were intimately connected to changing social and political practices. The volume offers a critical redefinition of the core concept of soundscape, considering musical practices through the lenses of territory, space, representation, and identity, in five parts: Soundscape, Phonosphere, and Urban History Urban Soundscapes across Time Urban Soundscapes and Acoustic Communities Urban Soundscapes in Literary Sources Reconstructing Urban Soundscapes in the Digital Era Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 reframes our understanding of Italian music history beyond models of patronage, investigating how sounds and musics have contributed to the construction of human identities and communities.