A Computational Approach To Digital Chinese Painting And Calligraphy

"A Computational Approach to Digital Chinese Painting and Calligraphy" is a technical book on computer science and its applications in the arts. It focuses on Oriental digital arts, in particular Chinese arts and painting, offering a multi-disciplinary treatment from the angles of computer graphics, interactive techniques, human-computer interaction, and artificial intelligence. The book also discusses the unique difficulties and challenges of using the computer to produce Oriental arts, including research results by the authors and their lessons and engineering experiences behind these efforts. Songhua Xu is a computer scientist of Zhejiang University and Yale University, as well as an honorary researcher of the University of Hong Kong. Francis C.M. Lau is Professor at the University of Hong Kong where he leads the Systems Research Group in the Department of Computer Science. Yunhe Pan is Professor of Computer Science at Zhejiang University as well as Deputy President of Chinese Academy of Engineering.

The book presents findings, views and ideas on what exact problems of image processing, pattern recognition and generation can be efficiently solved by cellular automata architectures. This volume provides a convenient collection in this area, in which publications are otherwise widely scattered throughout the literature. The topics covered include image compression and resizing; skeletonization, erosion and dilation; convex hull computation, edge detection and segmentation; forgery detection and content based retrieval; and pattern generation. The book advances the theory of image processing, pattern recognition and generation as well as the design of efficient algorithms and hardware for parallel image processing and analysis. It is aimed at computer scientists, software programmers, electronic engineers, mathematicians and physicists, and at everyone who studies or develops cellular automaton algorithms and tools for image processing and analysis, or develops novel architectures and implementations of massive parallel computing devices. The book will provide attractive reading for a general audience because it has do-it-yourself appeal: all the computer experiments presented within it can be implemented with minimal knowledge of programming. The simplicity yet substantial functionality of the cellular automaton approach, and the transparency of the algorithms proposed, makes the text ideal supplementary reading for courses on image processing, parallel computing, automata theory and applications.

Comprehensive volume traces historical development of techniques and styles evolved by Chinese masters since the 14th century, analyzes aesthetic concepts, and provides information on materials, technical principles, and brush strokes.

Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.

This book gathers the proceedings of the 9th International Conference on Frontier Computing, held in Kyushu, Japan on July 9–12, 2019, and provides comprehensive coverage of the latest advances and trends in information technology, science and engineering. It addresses a number of broad themes, including communication networks, business intelligence and knowledge management, web intelligence, and related fields that inspire the development of information technology. The respective contributions cover a wide range of topics: database and data mining, networking and communications, web and internet of things, embedded systems, soft computing, social network analysis, security and privacy, optical communication, and ubiquitous/pervasive computing. Many of the papers outline promising future research directions, and the book will benefit students, researchers and professionals alike. Further, it offers a useful reference guide for newcomers to the field.

Over thousands of years, the art of Chinese paintings has been refined into an exquisitely developed system of visual representation. But until the publication of this volume, there was no single source that bridged the gap between the philosophical and imitative methods of instruction. Alison Stilwell Cameron, daughter of famed World War II General Joseph Stilwell, spent her early childhood and teenage years in China where she studied under two renowned Chinese artists — Yu Fei-am and Prince P'u Ju of the imperial family. Having achieved wide recognition for her mastery of Chinese painting, she distilled her knowledge in this book, providing step-by-step instruction for those with no art training at all. Starting with an explanation of the physical tools of the art, she describes the basic strokes and the creation of Chinese characters before moving on to demonstrate the use of these strokes to represent trees, flowers, rocks, boats, insects, birds, and other subjects. These elements are then combined to produce finished Chinese paintings, "the kind of pleasing and satisfying pictures that thousands of amateurs have been producing in China for centuries." Enhanced with hundreds of illustrations, including 36 in full color, this handsome volume also contains a chapter on the mounting process, a valuable bibliography, and an index. It is an invaluable guide to an art, which — once mastered — will not only delight viewing audiences but will bring satisfaction throughout the artist's lifetime.

This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measure the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers. It is a superb appreciation of beauty in the movement of strokes and in the patterns of structure--and an inspiration to amateurs as well as professionals interested in the decorative arts.