A Cultural History Of The Senses

Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times

In the 20th century, many aspects of life became 'a matter of perception' in the wake of the multiplication of media, stylistic experimentation, and the rise of multiculturalism. Life sped up as a result of new modes of transportation – automobiles and airplanes – and communication – telephones and personal computers – which emphasized the rapid movement of people and ideas. The proliferation of synthetic products and simulated experiences, from artificial flavors to video games, in turn, created heady virtual worlds of sensation. This progressive mediation and acceleration of sensation, along with the sensory and environmental pollution it often spawned, also sparked various countertrends, such as the 'back to nature' movement, the craft movement, slow food and alternative medicine. This volume shows how attending to the sensory dynamics of the modern age yields many fresh insights into the intertwined processes which gave the 20th century its particular feel of technological prowess and gaudy artificiality. A Cultural History of the Senses in the Modern Age presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.

The ancient world used the senses to express an enormous range of cultural meanings. Indeed the senses were functionally significant in all aspects of ancient life, often in ways that were complex and interconnected. Antiquity was also a period where the senses were experienced vividly: cities stank, statues were brightly painted and literature made full use of sensory imagery to create its effects. In a steeply hierarchical world, with vast differences between the landed wealthy, the poor and the slaves, the senses played a key role in establishing and maintaining boundaries between social groups; but the use of the senses in the ancient world was not static. New religions, such as Christianity, developed their own way of using the senses, acquiring unique forms of sensory-related symbolism in processes which were slow and often contested. The aim of this volume is to provide an overview of these structures and developments and to show how their study can yield a more nuanced understanding of the ancient world. A Cultural History of the Senses in Antiquity presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.

Understanding the senses is indispensable for comprehending the Middle Ages because both a theoretical and a practical involvement with the senses played a central role in the development of ideology and cultural practice in this period. For the long medieval millennium, the senses were not limited to the five we think of: speech, for example, was categorized among the senses of the mouth. And sight and hearing were not always the dominant senses: for the medical profession, taste was more decisive. Nor were the senses only passive receptors: they were understood to play an active role in the process of perception and were also a vital element in the formation of each individual's moral identity. From the development of specifically urban or commercial sensations to the sensory regimes of holiness, from the senses as indicators of social status revealed in food to the Scholastic analysis of perception, this volume demonstrates the importance of sensory experience and its manifold interpretations in the Middle Ages. A Cultural History of the Senses in the Middle Ages presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.

We know the Renaissance as a key period in the history of Europe. It saw the development of court and urban cultures, witnessed the first global voyages of discovery and gave rise to the Reformation and Counter Reformation. It also started with the 'invention' of oil painting, linear perspective and moveable type, all visual technologies. Does that mean, as has been suggested, that the Renaissance stands for the 'ascendancy of the eye'? If so, then what happened to the sensory extremes which the famous Dutch historian Johan Huizinga still perceived in the 15th century? Did they simply disappear? Or is there another history to be told, a history of a surprising continuity, not only of the sense of hearing but also of the 'lower' senses – those of taste, smell and touch? And was the Renaissance not first and foremost a time of deep sensory anxiety? This volume, assembling nine outstanding specialists, seeks to answer these questions while offering a lively and 'sensational' portrait of the period. A Cultural History of the Senses in the Renaissance presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.

What did the past sound like, taste like, smell like? How did it look and feel? How did people make sense of the world through their senses? These are questions which are increasingly capturing the interest of historians.A Cultural History of the Senses delves into the sensory foundations of Western civilization, taking a comprehensive period-by-period approach, which provides a broad understanding of the life of the senses from antiquity to the modern day. The volumes treat such topics as the sensory markers of gender and class, the aesthetic dimensions of material culture, religious sensibilities, the medical uses of the senses and their representation in art and literature. These investigations bring out the sensations and values which defined experience in a particular era and shaped the world view of the time. With contributions from such prominent scholars as Peter Burke, Alain Corbin, Anthony Wallace-Hadrill and Chris Woolgar,A Cultural History of the Senses sets the stage for a vital new way of understanding the past. A Cultural History of the Senses presents an authoritative survey from ancient times to the present. This set of six volumes explores the cultural life of the senses in the West over a span of 2500 years: 1. A Cultural History of the Senses in Antiquity, 500 BCE-500 CE 2. A Cultural History of the Senses in the Middle Ages, 500-1450 3. A Cultural History of the Senses in the Renaissance, 1450-1650 4. A Cultural History of the Senses in the Age of Enlightenment, 1650-1800 5. A Cultural History of the Senses in the Age of Empire, 1800-1920 6. A Cultural History of the Senses in the Modern Age, 1920-2000 Each volume discusses the same themes in its chapters: The Social Life of the Senses; Urban Sensations; The Senses in the Marketplace; The Senses in Religion; The Senses in Philosophy and Science; Medicine and the Senses; The Senses in Literature; Art and the Senses; and Sensory Media. This structure means that readers can either have a broad overview of a period or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on the senses in history.

Cover -- Title -- Copyright -- Contents -- List of Figures -- Introduction: Leaning In -- 1 Sound Studies Today: Where Are We Going? -- PART I Sound and Voice -- 2 "The World Wanderings of a Voice": Exhibiting the Cylinder Phonograph in Australasia -- 3 "Are You Sitting Comfortably?": The Changing Position of Storytellers on Early Australian Radio -- 4 Lindbergh's Voice -- 5 Noisy Classrooms and the "Quiet Corner": The Modern School, Sound and the Senses -- PART II Sound and Violence -- 6 Throwing Down the Gauntlet: Voice, Power and Sexual Violence in Penal New South Wales -- 7 Startling Reports: Gunfire as Social Soundscape in Early Colonial Australia -- 8 Sounds and Silence of War: Dresden and Paris during World War II -- 9 Hearing the 1965-66 Indonesian Anti-Communist Repression: Sensory History and Its Possibilities -- 10 "For a Few Seconds, Imagine": An Aural Experience of Six Days of Terror at the Stadium of Chile, 12-17 September 1973 -- PART III Sensory Memories -- 11 "Big Smoke Stacks": Competing Memories of the Sounds and Smells of Industrial Heritage -- 12 Intimate Strangers: Multisensorial Memories of Working in the Home -- 13 Botanical Memory: Materiality, Affect and Western Australian Plant Life -- 14 "If I Ever Hear It, It Takes Me Straight Back There": Music, Autobiographical Memory, Space and Place -- 15 Seeing in Black and White: Visualizing "Shadow Sisters" among Metaphors of Light and Dark -- Contributors -- Index

Jutte charts the development of our attitudes and relationships to our senses from antiquity through to the 20th century, creating a tapestry of different traditions, images, metaphors, and ideas that have survived through time.