A Dead Man S Odyssey

This story is about a man who had finally reached the end of his rope with the Christian assault on his soul. It was an assault that came at him from all directions, burying him in theological contradictions. By this time in his life, he had given up on his faith and decided to walk away and let the chips fall where they may. He would lead his life one day at a time, and to hell with who was right and who was wrong. It wasn't going to be a pleasant experience coming his way in this middle world that he suddenly found himself in, but it would wind up being a turning point in his life—a turning point that would bring him back into the fold, for the Shepherd is a jealous caretaker and dreads the loss of a single member of his flock. All of his issues would not be resolved, but the events happening in this place beyond the grave would ultimately strengthen his faith and would serve as his shield against further attacks from the adversary. Follow him on his journey as he finds himself stranded somewhere between heaven and hell.

“Satire is her oxygen. . . . In her new oddball comedy, Dead Man’s Cell Phone, Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave.”—The Washington Post “Ruhl’s zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in.”—Variety “Sarah Ruhl is deliriously imaginative and fearless in her choice of subject matter. She is an original.”—Molly Smith, artistic director, Arena Stage An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man—with a lot of loose ends. So begins Dead Man’s Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur “Genius” Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead—and how that remembering changes us—it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl’s plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers’ Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.

When NPR contributor Scott Huler made one more attempt to get through James Joyce’s Ulysses, he had no idea it would launch an obsession with the book’s inspiration: the ancient Greek epic The Odyssey and the lonely homebound journey of its Everyman hero, Odysseus. No-Man’s Lands is Huler’s funny and touching exploration of the life lessons embedded within The Odyssey, a legendary tale of wandering and longing that could be read as a veritable guidebook for middle-aged men everywhere. At age forty-four, with his first child on the way, Huler felt an instant bond with Odysseus, who fought for some twenty years against formidable difficulties to return home to his beloved wife and son. In reading The Odyssey, Huler saw the chance to experience a great vicarious adventure as well as the opportunity to assess the man he had become and embrace the imminent arrival of both middle age and parenthood. But Huler realized that it wasn’t enough to simply read the words on the page—he needed to live Odysseus’s odyssey, to visit the exotic destinations that make Homer’s story so timeless. And so an ambitious pilgrimage was born . . . traveling the entire length of Odysseus’s two-decade journey. In six months. Huler doggedly retraced Odysseus’s every step, from the ancient ruins of Troy to his ultimate destination in Ithaca. On the way, he discovers the Cyclops’s Sicilian cave, visits the land of the dead in Italy, ponders the lotus from a Tunisian resort, and paddles a rented kayak between Scylla and Charybdis and lives to tell the tale. He writes of how and why the lessons of The Odyssey—the perils of ambition, the emptiness of glory, the value of love and family—continue to resonate so deeply with readers thousands of years later. And as he finally closes in on Odysseus’s final destination, he learns to fully appreciate what Homer has been saying all along: the greatest adventures of all are the ones that bring us home to those we love. Part travelogue, part memoir, and part critical reading of the greatest adventure epic ever written, No-Man’s Lands is an extraordinary description of two journeys—one ancient, one contemporary—and reveals what The Odyssey can teach us about being better bosses, better teachers, better parents, and better people.

Oxford Assess and Progress: Clinical Specialties is the ideal self-assessment tool for students looking to test their knowledge of the core clinical specialties. Fully cross-referenced to the ninth edition of the Oxford Handbook of Clinical Specialties, this compact volume contains hundreds of questions on a wide spectrum of conditions across the specialties. This new edition contains over 350 Single Best Answer and Extended Matching questions addressing core clinical topics and professional skills. Each answer is marked with a progression point to help the reader to track their progress and revise effectively. The authors offer detailed feedback on each question, directing the reader to relevant sections in the Oxford Handbook of Clinical Specialties and key evidence-based guidelines for further reading. The book also includes image-based questions. Written by practising clinicians and experts in medical assessment, this book is the ultimate revision resource for medical students in the fourth and fifth year, as well as any junior doctor looking to improve their knowledge of the core clinical specialties.

This story is about a man who had finally reached the end of his rope with the Christian assault on his soul. It was an assault that came at him from all directions, burying him in theological contradictions. By this time in his life, he had given up on his faith and decided to walk away and let the chips fall where they may. He would lead his life one day at a time, and to hell with who was right and who was wrong. It wasn’t going to be a pleasant experience coming his way in this middle world that he suddenly found himself in, but it would wind up being a turning point in his life—a turning point that would bring him back into the fold, for the Shepherd is a jealous caretaker and dreads the loss of a single member of his flock. All of his issues would not be resolved, but the events happening in this place beyond the grave would ultimately strengthen his faith and would serve as his shield against further attacks from the adversary. Follow him on his journey as he finds himself stranded somewhere between heaven and hell.

Jan Berry, leader of the music duo Jan & Dean from the late 1950s to mid-1960s, was an intense character who experienced more in his first 25 years than many do in a lifetime. As an architect of the West Coast sound, he was one of rock 'n' roll's original rebels--brilliant, charismatic, reckless, and flawed. As a songwriter, music arranger, and record producer for Nevin-Kirshner Associates and Screen Gems-Columbia Music, Berry was one of the pioneering self-produced artists of his era in Hollywood. He lived a dual life, reaching the top of the charts with Jan & Dean while transitioning from college student to medical student, until an automobile accident in 1966 changed his trajectory forever. Suffering from brain damage and partial paralysis, Jan spent the rest of his life trying to come back from Dead Man's Curve. His story is told here in-depth for the first time, based on extensive primary source documentation and supplemented by the stories and memories of Jan's family members, friends, music industry colleagues, and contemporaries. From the birth of rock to the bitter end, Berry's life story is thrilling, humorous, unsettling, and disturbing, yet ultimately uplifting.

Harsh lessons await two drug addicts, John and Jessica as they reluctantly join together on a psychedelic odyssey to help their friend Rodney, who has accidentally turned himself into a cockroach. They must search the sprawling desert wastelands that stretch between towering mega-cities and avoid or outsmart the cannibal death cults, devil worshipping rockstars and a television station that is trying to lobotomize its viewers.

This study of the changing relationships between burial rituals and social structure in Early Iron Age Greece will be required reading for all archaeologists working with burial evidence, in whatever period. This book differs from many topical studies of state formation in that unique and particular developments are given as much weight as those factors which are common to all early states. The ancient literary evidence and the relevant historical and anthropological comparisons are extensively drawn on in an attempt to explain the transition to the city-state, a development which was to have decisive effects for the subsequent development of European society.