A Death In Brazil

Delving into Brazil's baroque past, Peter Robb writes about its history of slavery and the richly multicultural but disturbed society that was left in its wake when the practice was abolished in the late nineteenth century. Even today, Brazil is a nation of almost unimaginable distance between its wealthy and its poor, a place of extraordinary levels of crime and violence. It is also one of the most beautiful and seductive places on earth. Using the art, food and the books of its great nineteenth-century writer, Machado de Assis, Robb takes us on a journey into a world like Conrad's Nostromo. A world so absurdly dramatic, like the current president Lula's fight for power, that it could have come from one of the country's immensely popular TV soap operas, a world where resolution is often only provided by death. Like all the best travel writing, A Death in Brazil immerses you deep into the heart of a fascinating country.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

"...Tobin astutely looks at the varying possibilities that would have led to Gatti’s death. Such an approach intelligently and respectfully piques interest in a real-life mystery that has left Gatti’s fans and family in need of both solace and satisfactory answers."—Kirkus Reviews "[Tobin is] an intelligent writer and a thoughtful person, tender even, who writes with authority...I know he’s invited me to a place I’d not have accessed without him."—Bart Barry, 15rounds.com Arturo "Thunder" Gatti hung up his gloves in 2007, closing the book on a boxing career that bordered on the mythical. At long last, he seemed ready to leave the business of blood behind for a long, happy life outside the ring. His retirement was celebrated—boxing’s modern gladiator had earned his freedom. Two years later, he was gone—found dead in a hotel in Brazil under mysterious circumstances. He was only thirty-seven years old. Did he commit suicide? Or was he killed by his new wife? In Killed in Brazil?, Jimmy Tobin recounts the dramatic events surrounding Gatti's tragic demise and shines a light on what may have happened on that fateful night. Killed in Brazil is the fourth in the Hamilcar Noir series. Hamilcar Noir is "Hard-Hitting True Crime" that blends boxing and true crime, featuring riveting stories captured in high-quality prose, with cover art inspired by classic pulp novels.

This award-winning social history of death and funeral rites during the early decades of Brazil's independence from Portugal focuses on the Cemiterada movement in Salvador, capital of the province of Bahia. The book opens with a lively account of the popular riot that ensued when, in 1836, the government condemned the traditional burial of bodies inside Catholic church buildings and granted a private company a monopoly over burials. This episode is used by Reis to examine the customs of death and burial in Bahian society, explore the economic and religious conflicts behind the move for funerary reforms and the maintenance of traditional rituals of dying, and understand how people dealt with new concerns sparked by modernization and science. Viewing culture within its social context, he illuminates the commonalities and differences that shaped death and its rituals for rich and poor, men and women, slaves and masters, adults and children, foreigners and Brazilians. This translation makes the book, originally published in Brazil in 1993, available in English for the first time.

The powerful true-life story of a Brazilian boy who could have been a fisherman but instead became the biggest professional killer known to the world--soon to be a major motion picture. Julio Santana as seen through the eyes of acclaimed investigative reporter Klester Cavalcanti is not a monster--he is a loyal son, a family man, a devout Christian who is tormented by his conscience with every shot. But in a cruel and lawless area of Brazil, where every life has its price, respect for life is a luxury that he can't afford. Trained by his uncle, an assassin, and initiated in murder at 17 years of age, Santana proved to be a natural. Without moralizing about mass murderer, The Name of Death attempts to show how such a career can be not so very different from other ordinary working lives. The portrait that emerges in this riveting narrative, based on seven years of phone conversations between Cavalcanti and Santana, is not only that of a man but also that of a country. Describing in detail only a handful of the almost 500 murders Santana carried out, Cavalcanti reveals just how lawless much of the interior of Brazil has been for the past 50 years. The state, the police, and the security forces play almost no part in establishing the rule of law--except when they are suppressing the guerrilla threat of the early 1970s. Cavalcanti shows just how easy it is for a boy like Julio to take the law into his own hands, and what a wild place Brazil has been and in many ways continues to be. The Name of Death is being adapted into a major motion picture produced by Fernando Meirelles (director of City of God, Blindness, and The Constant Gardener) and Globo Filmes, for release in Brazil in July 2017 and distribution in the U.S. the following year.

"The book offers an interdisciplinary qualitative study of the history of policing in Brazil and its colonial underpinnings, providing theoretical accounts of the relationship between biopolitics, space, and race, and post-colonial/decolonial work on the state, violence, and the production of disposable political subjects. Focused empirically on contemporary (1985-2015) police killings and disappearances in favelas, particularly in Rio de Janeiro, the books argues that the invisibility of this phenomenon is the product of a colonial mindset - one that has persisted throughout Brazil's experience of both dictatorship and re-democratisation and is traceable to the legacies of the Portuguese empire and the plantation system implemented. Analysing the development of the police as a colonial mechanism of social control, Villenave shows how the "war on drugs" reproduces this same colonial logic and renders some, overwhelmingly black, lives disposable and thus vulnerable to unchecked police brutality and death. It will be of interest to students and scholars of international politics and also contributes to critical security studies, postcolonial and de-colonial thought, global politics, the politics of Latin America and political geography"--

As the Amazon burns, Fábio Zuker shares stories of resistance, self-determination, and kinship with the land. In 2007, a seven-ton minke whale was found stranded on the banks of the Tapajós River, hundreds of miles into the Amazon rainforest. For days, environmentalists, journalists, and locals followed the lost whale, hoping to guide her back to the ocean, but ultimately proved unable to save her. Ten years later, journalist Fábio Zuker travels to the state of Pará, to the town known as “the place where the whale appeared,” which developers are now eyeing for mining, timber, and soybean cultivation. In these essays, Zuker shares intimate stories of life in the rainforest and its surrounding cities during an age of raging wildfires, mass migration, populist politics, and increasing deforestation. As a group of Venezuelan migrants wait at a bus station in Manaus, looking for a place more stable than home, an elder in Alter do Chão becomes the first Indigenous person in Brazil to die from COVID-19 after years of fighting for the rights and recognition of the Borari people. The subjects Zuker interviews are often torn between ties with their ancestral territories and the push for capitalist gain; The Life and Death of a Minke Whale in the Amazon captures the friction between their worlds and the resilience of movements for autonomy, self-definition, and respect for the land that nourishes us.

A Nazi hunter uncovers a fugitive SS doctor’s terrifying plot to create a Fourth Reich in The Boys from Brazil, a riveting techno-thriller from the incomparable master of suspense, Ira Levin. Veteran Nazi hunter Yakov Liebermann finds himself entangled in a web of unimaginable horror when he is tipped off to a sinister conspiracy hatching in the depths of South America: a plan to establish a new, globe-spanning Fourth Reich. Why has Dr. Josef Mengele—Auschwitz’s fiendish “Angel of Death”—tasked a team of former SS men with the slaughter of ninety-four harmless, aging men across the globe? What hidden link binds these men together? What significance could they possibly hold for their pursuers? With the clock ticking, and the future of humanity hanging in the balance, can the ailing Liebermann take on a seemingly unstoppable enemy and alter the course of history? Adapted into the film starring Gregory Peck and Laurence Olivier, The Boys from Brazil is a gripping, thought-provoking thriller that explores the depths of human malevolence, and the eternal struggle between good and evil.