A Death In The Woods

The title story in this collection, 'Death in the Woods', first published in 1933, is widely regarded as a masterpiece. The narrator looks back at an incident in his childhood where an old woman dies in the cold - in life she was destined to feed those around her, after her death, he feeds from her too. The narrator, looking back, tries to organize his memories and create a meaning and beauty out of them. Rather than remembering an aged woman, he remembers a beautiful, "statuesque" and almost marble figure. The last story is about a dysfunctional family who experiences death in various ways - a potential physical death of a son and a rather more serious death that is not physical. It reflects on family relationships and how "enemies" among the family constantly occur, for example, a mother-daughter or father-son enmity. Sherwood Anderson (1876 – 1941) was an American novelist and short story writer, known for subjective and self-revealing works. Anderson published several short story collections, novels, memoirs, books of essays, and a book of poetry.

SMALL TOWN LIFE CAN BE MURDEROUS . . . 'This is the most cheerful book about murder I've ever read. If the writings of Agatha Christie and Peter Kay ever had a baby, I like to think it would read something like this' The Bookbag Fast-paced and funny, this is a must-read for all fans of a classic murder mystery - think The Vicar of Dibley meets Midsomer Murders meets MC Beaton’s Agatha Raisin meets Richard Osman's The Thursday Murder Club! Welcome to Castle Kidbury - a pretty town in a green West Country valley. It's home to all sorts of people, with all the stresses and joys of modern life, but with a town square and a proper butcher's. It also has, for our purposes, a rash of gory murders ... A dead body is found in the tacky 1970s splendour of the local Jolly Cook diner. Nailed to the plastic seating, on the formica table in front of it is a complimentary lollipop, the sort given to kids as they leave the cafe. Bodies begin to pile up. The police believe a serial killer is at work. While local sleuth Jess Castle chases this new villain, she also wrestles with her attraction to Mitch, a newcomer to Castle Kidbury. His can-do Aussie attitude, coupled with the pathos of a lone man bringing up a gaggle of barefoot kids, affects her deeply. Lawyer Rupert, who has always had a soft spot for Jess, doesn’t like it one bit. Fast-paced and funny, this is a must-read for all fans of a classic murder mystery - think The Vicar of Dibley meets Midsomer Murders meets MC Beaton’s Agatha Raisin meets Richard Osman's The Thursday Murder Club!

A grieving widow discovers a most unexpected form of healing—hunting for mushrooms. “Moving . . . Long tells the story of finding hope after despair lightly and artfully, with self-effacement and so much gentle good nature.”—The New York Times Long Litt Woon met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf’s unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner’s course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. The Way Through the Woods tells the story of parallel journeys: an inner one, through the landscape of mourning, and an outer one, into the fascinating realm of mushrooms—resilient, adaptable, and essential to nature’s cycle of death and rebirth. From idyllic Norwegian forests and urban flower beds to the sandy beaches of Corsica and New York’s Central Park, Woon uncovers an abundance of surprises often hidden in plain sight: salmon-pink Bloody Milk Caps, which ooze red liquid when cut; delectable morels, prized for their earthy yet delicate flavor; and bioluminescent mushrooms that light up the forest at night. Along the way, she discovers the warm fellowship of other mushroom obsessives, and finds that giving her full attention to the natural world transforms her, opening a way for her to survive Eiolf’s death, to see herself anew, and to reengage with life. Praise for The Way Through the Woods “In her search for new meaning in life after the death of her husband, Long Litt Woon undertook the study of mushrooms. What she found in the woods, and expresses with such tender joy in this heartfelt memoir, was nothing less than salvation.”—Eugenia Bone, author of Mycophilia and Microbia

Шервуд Андерсон (1876—1941) – американский писатель, чье творчество оказало влияние на развитие американской литературы в целом и творчество Эрнеста Хемингуэя и Уильяма Фолкнера в частности. Рассказы Андерсона возрождают традиции устного повествования: его фигуры рассказчиков, искренних в своем недоумении и попытках через проговаривание вновь пережить и понять поворотный момент в жизни, цепляют своим правдоподобием и уязвимостью.В сборник вошли восемь рассказов Андерсона, написанных в разные периоды жизни писателя: «An Awakening», «The Dumb Man», «I Want to Know Why», «The Other Woman», «Tire Egg», «I’m a Fool», «Death in tire Woods» и «Brother Death».Рассказы публикуются на английском языке без сокращений и адаптации.

Typescript and galley proof of Death in the woods.

In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.

Being a game warden in Maine is not just a job, it’s a way of life. This honest and entertaining book by a twenty-two-year veteran of the service tells the story of America’s oldest game warden service. The stories told cover the risks wardens face dealing with poachers, rogue wildlife, and the elements, as well as the drama that surrounds every search and rescue operation.

NEW YORK TIMES BESTSELLER • The remarkable true story of a man who lived alone in the woods of Maine for 27 years, making this dream a reality—not out of anger at the world, but simply because he preferred to live on his own. “A meditation on solitude, wildness and survival.” —The Wall Street Journal In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life—why did he leave? what did he learn?—as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.