A Devil Comes To Town

A small village full of aspiring writers + The devil in the form of a hot-shot publisher = A refined and engaging literary fable on narcissism, vainglory and human weakness

The script accompaniment to Devil's Backbone: The Invisible Walls of Seven Mile, an electrifying full-cast audio production from the creative team at Kaiser & Tilly Publishing and the immense imagination of author George Caudill. Journey to the twisted town of Seven Mile, a small town located along the banks of California's winding Russian River, where the fishing is great and the wickedness is greater. A demonic curse is secretly unleashed upon Seven Mile after an evil devil cult leader moves his flock from Indiana to the tiny little town to hold an extraordinary and fascinating "church service". All in attendance become stricken with an evil affliction that leads to a brutal murder, a disgraceful prank, and the obsession of a game - setting off events that divide this once peaceful town and disrupt the lives of two generations. The Great Seven Mile Divide, as it comes to be known, splits the town into two parts - each separated by the cool current of the Russian River and kept apart by their boundless hatred for one another. On one side of the river live the RIVER RATS, and on the other, the BLUE CATS. Anyone who dares to cross the lonely Seven Mile Bridge to the other side suffers harsh and brutal punishment for their betrayal. Can the children of Seven Mile, who strive for peace, finally reunite the town? Or will their possessed parents, who are hell-bent on keeping Seven Mile divided, continue their torturous and tormenting ways?

“Mary MacLane comes off the page quivering with life. She is before her time ... Moving.” - London Times With her first book - written in 1901 in Butte, Montana at age nineteen - she was hailed as a marvel by the likes of H.L. Mencken, Clarence Darrow, and Harriet Monroe. She went on to become a pioneering newswoman, gambler extraordinaire, bon vivant, and a star of the silent screen. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, and upon her death in 1929 was eulogized as “an errant daughter of literature ... the first of the self-expressionists, and also the first of the Flappers,” as the creator of “that revolution in manners, that transvaluation of values in the female code of behavior known as the Roaring Twenties.” Too radical in style for 1902, its original publisher made countless changes to the author’s far-superior original - the same pacification reprinted by all other publishers. This annotated, unexpurgated affordable edition makes Mary Mac-Lane’s striking teenage debut - “the first of the blogs” - available in its unalterd, uncompromised form. “Mary MacLane’s first book was the first of the confessional diaries ever written in this nation, and it was a sensation.” - N.Y. Times editoral “Anyone who reads her will never forget her voice.” - Biographile “She reminds us of the power of personal narrative, honestly told.” - The Atlantic “In a pre-soundbite age she already knew how to draw blood in one direct sentence.” - The Awl “She had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.” - The New Yorker “One of the most fascinatingly self-involved personalities of the 20th century.” - The Age “A girl wonder.” - Harper’s “Confessional journalists have people like Mary MacLane to thank.” - Flavorwire “Her diaries ignited a national uproar, ushering in a new era for women’s voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.” - The Atlantic “Fiery frankness made her a pioneer.” - Time Out Chicago “Her poetry is one of extremes: lust for happiness, despair for life.” - Hairy Dog Review “Riveting.” - N.H. Public Radio “I Await The Devil’s Coming is a small masterpiece, full of camp and swagger.” - Parul Sehgal, NPR “Pioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.” - Boston Globe “A pioneering feminist - a sensation.” - Feminist Bookstore News “First of the self-expressionists, and the first of the Flappers.” - Chicagoan Check www.marymaclane.com for exclusive content, news, and previews.

Many will have heard of the ghostly white lady haunting Tavistock – the notorious Mary Howard, accused of murdering her four husbands. A few may know the true story of her lover, George Cutteford, a Plymouth 'cutty man' who became a Puritan lawyer. Cutteford was imprisoned in the horror of Lydford Gaol, persecuted by Mary's fourth husband - Sir Richard Grenville, the most notorious and sadistic royalist General of the Civil War. But fewer still will know the secrets George Cutteford died to protect - secrets that would destroy his own family; end Grenville’s career in shame; and make a boy with no name the richest landowner in Devon. Gathered from the varying historical accounts, and including primary material unearthed, hundreds of years ago, in an old fish market in London, comes this haunting true story of love, treachery and revenge in seventeenth-century Devon.

Austin’s famed South by Southwest is far more than a festival celebrating indie music. It’s also a big networking party that sparks the imagination of hip, creative types and galvanizes countless pilgrimages to the city. Festivals like SXSW are a lot of fun, but for city halls, media corporations, cultural institutions, and community groups, they’re also a vital part of a complex growth strategy. In Music/City, Jonathan R. Wynn immerses us in the world of festivals, giving readers a unique perspective on contemporary urban and cultural life. Wynn tracks the history of festivals in Newport, Nashville, and Austin, taking readers on-site to consider different festival agendas and styles of organization. It’s all here: from the musician looking to build her career to the mayor who wants to exploit a local cultural scene, from a resident’s frustration over corporate branding of his city to the music executive hoping to sell records. Music/City offers a sharp perspective on cities and cultural institutions in action and analyzes how governments mobilize massive organizational resources to become promotional machines. Wynn’s analysis culminates with an impassioned argument for temporary events, claiming that when done right, temporary occasions like festivals can serve as responsive, flexible, and adaptable products attuned to local places and communities.

A collection of Scottish Traveller folk tales about the Devil from “Scotland’s greatest modern-day storyteller” (The Guardian (UK)). Devil stories are always fascinating, entertaining, and disturbing. These twenty tales, re-told by one of Scotland’s master storytellers, are a fascinating insight into Traveller beliefs about evil, temptation, and suffering in which the Devil exists not to punish, but to outwit you in a contest of intelligence and knowledge. This collection is an expanded edition of Duncan Williamson’s bestselling May the Devil Walk Behind Ye!, originally published by Canongate. Praise for Jack and the Devil’s Purse “An important part of our heritage to be treasured and shared.” —Scottish Home and Country (UK) “Duncan is a first-class storyteller.” —Northern Times (UK) “Superbly handled, as you would expect from this acknowledged master of storytelling.” —The Scots Magazine (UK)