I Await The Devil S Coming Annotated Unexpurgated

“Mary MacLane comes off the page quivering with life. She is before her time ... Moving.” - London Times With her first book - written in 1901 in Butte, Montana at age nineteen - she was hailed as a marvel by the likes of H.L. Mencken, Clarence Darrow, and Harriet Monroe. She went on to become a pioneering newswoman, gambler extraordinaire, bon vivant, and a star of the silent screen. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, and upon her death in 1929 was eulogized as “an errant daughter of literature ... the first of the self-expressionists, and also the first of the Flappers,” as the creator of “that revolution in manners, that transvaluation of values in the female code of behavior known as the Roaring Twenties.” Too radical in style for 1902, its original publisher made countless changes to the author’s far-superior original - the same pacification reprinted by all other publishers. This annotated, unexpurgated affordable edition makes Mary Mac-Lane’s striking teenage debut - “the first of the blogs” - available in its unalterd, uncompromised form. “Mary MacLane’s first book was the first of the confessional diaries ever written in this nation, and it was a sensation.” - N.Y. Times editoral “Anyone who reads her will never forget her voice.” - Biographile “She reminds us of the power of personal narrative, honestly told.” - The Atlantic “In a pre-soundbite age she already knew how to draw blood in one direct sentence.” - The Awl “She had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.” - The New Yorker “One of the most fascinatingly self-involved personalities of the 20th century.” - The Age “A girl wonder.” - Harper’s “Confessional journalists have people like Mary MacLane to thank.” - Flavorwire “Her diaries ignited a national uproar, ushering in a new era for women’s voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.” - The Atlantic “Fiery frankness made her a pioneer.” - Time Out Chicago “Her poetry is one of extremes: lust for happiness, despair for life.” - Hairy Dog Review “Riveting.” - N.H. Public Radio “I Await The Devil’s Coming is a small masterpiece, full of camp and swagger.” - Parul Sehgal, NPR “Pioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.” - Boston Globe “A pioneering feminist - a sensation.” - Feminist Bookstore News “First of the self-expressionists, and the first of the Flappers.” - Chicagoan Check www.marymaclane.com for exclusive content, news, and previews.

“Mary MacLane comes off the page quivering with life. She is before her time ... Moving.” - London Times With her first book - written in 1901, at age nineteen - she was hailed as a marvel by the likes of H.L. Mencken, Clarence Darrow, and Harriet Monroe. She went on to become a pioneering newswoman, gambler extraordinaire, bon vivant, and a star of the silent screen. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, was puzzled over by Mark Twain, and upon her death in 1929 was eulogized as “an errant daughter of literature ... the first of the self-expressionists, and also the first of the Flappers,” as the creator of “that revolution in manners, that transvaluation of values in the female code of behavior known as the Roaring Twenties.” In this authoritative critical edition, the best of Mary MacLane returns to print. With the complete text of her striking first book (with all expurgated passages restored), a selection of her colorful newspaper feature articles, a full-length 1902 interview with the enigmatic author, detailed notes and bibliography, Tender Darkness: A Mary MacLane Sampler reacquaints the reading public with a literary genius who took on the establishment - and won. “Mary MacLane’s first book was the first of the confessional diaries ever written in this nation, and it was a sensation.” - N.Y. Times editoral “Anyone who reads her will never forget her voice.” - Biographile “She reminds us of the power of personal narrative, honestly told.” - The Atlantic “In a pre-soundbite age she already knew how to draw blood in one direct sentence.” - The Awl “She had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.” - The New Yorker “One of the most fascinatingly self-involved personalities of the 20th century.” - The Age “A girl wonder.” - Harper’s “Confessional journalists have people like Mary MacLane to thank.” - Flavorwire “Her diaries ignited a national uproar, ushering in a new era for women’s voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.” - The Atlantic “Fiery frankness made her a pioneer.” - Time Out Chicago “Her poetry is one of extremes: lust for happiness, despair for life.” - Hairy Dog Review “Riveting.” - N.H. Public Radio “I Await the Devil’s Coming is a small masterpiece, full of camp and swagger.” - Parul Sehgal, NPR “Pioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.” - Boston Globe “A pioneering feminist - a sensation.” - Feminist Bookstore News “First of the self-expressionists, and the first of the Flappers.” - Chicagoan Check marymaclane.com for exclusive content, news, and previews.

“Anyone who reads her will never forget her voice.” - Biographile She’s been called first in many things - the first blogger, the first New Woman, the first female proto-surrealist, the first screen writer/star to break the fourth wall and directly address her audience (in 1917’s ground-breaking "Men Who Have Made Love to Me"). In her final book, Mary MacLane is the first media icon to destroy the celebrity distance and expose her inmost doubts, her hopes, her conflicted sexual history, the inner worlds of a creative personality - all in visionary prose unlike anything before or since. With her first book - written in 1901 at age nineteen - she was hailed as a marvel by the likes of H.L. Mencken, Clarence Darrow, and Harriet Monroe. She went on to become a pioneering newswoman, gambler extraordinaire, and bon vivant, to influence Gertrude Stein, inspire F. Scott Fitzgerald, be puzzled over by Mark Twain, and upon her death in 1929 be eulogized as “an errant daughter of literature ... the first of the self-expressionists, and also the first of the Flappers,” as the creator of “that revolution in manners, that transvaluation of values in the female code of behavior known as the Roaring Twenties.” This edition - fully annotated, with an illuminating introduction by Michael R. Brown, foremost MacLane scholar in the world today - conveys the full complexity and potency of Mary MacLane’s final self-expression.

“Anyone who reads her will never forget her voice.” - Biographile Mary MacLane (1881-1929) was the first of the modern media personalities: a pioneer in self-revelation, in defiance of established rules, in living on her own terms - and writing it in brilliant style. At age 19 she burst upon the world out of Butte, Montana with a journal of private thoughts and longings that incited national then international attention. In the books and newspaper articles that followed she evolved a completely new, individual voice decades ahead of its time. She influenced Gertrude Stein, inspired F. Scott Fitzgerald, and was hotly discussed by everyday people - and America’s biggest writers. Yet despite sparking film, stage, and music projects today - and being endlessly quoted on the Internet - the writer behind the writing has remained unknown until now. HUMAN DAYS: A MARY MACLANE READER features the complete texts of all her books (with expurgated passages restored), her colorful newspaper articles (much never before reprinted), an intriguing 1902 interview, the first viewing ever of her striking personal letters, illuminating introductions to each era in her life, and comprehensive notes that open the door to her influences and the age she came from and impacted so profoundly. A foreword from actress Bojana Novakovic provides a contemporary artist’s creative appreciation of the author’s still-powerful effect upon readers. “Mary MacLane comes off the page quivering with life. Moving.” - London Times “She reminds us of the power of personal narrative, honestly told.” - The Atlantic “In a pre-soundbite age she already knew how to draw blood in one direct sentence.” - The Awl “She had a short but fiery life of writing and misadventure, and her writing was a template for the confessional memoirs that have become ubiquitous.” - The New Yorker “One of the most fascinatingly self-involved personalities of the 20th century.” - The Age “A girl wonder.” - Harper’s “Confessional journalists have people like Mary MacLane to thank.” - Flavorwire “Her diaries ignited a national uproar, ushering in a new era for women’s voices. Her elegant, ambitious embrace of full-disclosure opened a door to what was possible for women.” - The Atlantic “Fiery frankness made her a pioneer.” - Time Out Chicago “Her poetry is one of extremes: lust for happiness, despair for life.” - Hairy Dog Review “Riveting.” - N.H. Public Radio “I Await The Devil’s Coming is a small masterpiece, full of camp and swagger.” - Parul Sehgal, NPR “Pioneering newswoman, later silent-screen star, considered the veritable spirit of the iconoclastic Twenties.” - Boston Globe “A pioneering feminist - a sensation.” - Feminist Bookstore News “First of the self-expressionists, and the first of the Flappers.” - Chicagoan Check www.marymaclane.com for exclusive content, news, and previews.

Reproduction of the original: The Story of Mary MacLane by Mary MacLane

A year in the life (1931-1932) of writer Anais Nin when she met Henry Miller and his wife June.

Tono-Bungay is a semiautobiographical novel written by H. G. Wells. It is narrated by George Ponderevo, who is persuaded to help develop the business of selling Tono-Bungay, a patent medicine created by his uncle Edward. George devotes seven years to organizing the production and manufacture of the product, even though he believes it is "a damned swindle".

When Field Marshall Hermann Goering, Deputy Führer and commander of the Luftwaffe, appeared before the Nuremburg Tribunal in 1946 to answer for his crimes, the world was watching. Much of Europe had directly suffered through the war that he and the Nazi system had brought to the continent, and now he would have to answer for his crimes. On the other hand, Germany was full of Nazis who had been defeated but did not feel any part of the guilt for those terrible events. Would Goering be able to stand up for them, and give them hope for the future? Goering proved to be intelligent and resourceful, a natural leader who dominated the other defendants at the trial and showed no self-doubt at all. The evidence he gave on his own behalf made the unthinkable seem reasonable, the normal reaction of a government and country under threat from outside forces. He denied all knowledge of war crimes, and the crimes against humanity that were now being uncovered. Only cross-examination by American and British prosecutors could force him to admit his complicity, but Goering was far too clever to be pinned down easily. Here, in the actual words spoken by the three adversaries, is the story of the American prosecutor Supreme Court Justice Robert Jackson and his British colleague Sir David Maxwell-Fyfe fighting to bring the true story of Goering’s crimes into the light. Using complete court transcripts, with commentaries on each session, this book allows the reader to follow the battle day by day. All three men, and especially Goering, jump from the pages in the words they used seventy years ago. This is Goering from a different angle, seen not through his deeds but as you might see him at a town hall meeting. He is talkative and charismatic, even when on trial for his life and with the ruins of the Third Reich around him. His trial is followed through to the end, and the book has an Epilogue from his fellow defendant Albert Speer. "This very readable book brings together the many strands of the Goering war crimes trial in a way that allows the interested but legally challenged reader to appreciate the hubris and depravity of the Reich's Deputy Führer. The reader is left with the impression that Goering, throughout his trial, believed in the righteousness of the Nazi Cause and was surprised and disappointed in the final outcome. Goering's testimony to the Tribunal is both chilling and a fitting final testimony to the Nazi era." ~ Charles Gillman-Wells