A Dissident Voice

"This collection of essays by Antonia Darder engages a variety of political questions rooted within the contentious terrain of culture and power in the United States. Divided into seven sections that focus on biculturalism, racism, culture and schooling, language rights, Latino issues, the politics of the body, and a public pedagogy of dissent, the essays forcefully speak to the multiple ways in which the dominant culture shapes and perpetuates widespread inequalities and social exclusions, at the expense of oppressed populations. Spanning twenty years, this timely collection not only provides deeply unique political insights on important theoretical and practical concerns, but also offers the reader a historical glimpse into the literary evolution of one of the foremost radical education scholars of our time. Along with the intellectual ingenuity of her scholarly arguments, Darder beautifully weaves each section together with her poems of dissent. A Dissident Voice should be read by every student, professor, administrator and educated reader interested in alternative voices in education."--Amazon.com.

In his fourth collection of poems, Mike Jenkins addresses issues of the greatest concern to us in the nineties. His subjects include South Africa, Chile, the Falklands War, Northern Ireland, economic dereliction, the environment and sexual oppression. The 'dissident voice' of the title belongs to anti-nuclear campaigner Hilda Murrell, who died in such mysterious circumstances. Mike Jenkins's poetry of issues is also a poetry of ordinary people. Often writing in character, he brings vividly to life the problems and dilemmas which face us daily. Through the rich imagery of these poems we come to see the human values and rights which we must exercise and defend in a civilised society. "... one of the wild men of poetry - a plugger, a pusher, a protester, a consummate rhymester, an agit-prop politiciser, a self-proclaimed Mr Oblong in a square hole" Peter Finch "Alive with imagery and insight: exhilarating to read" Morning Star A humorous and impassioned reader of his work, Mike Jenkins has performed at numerous and diverse venues, read on radio and TV, and is a previous winner of the John Tripp Award for Spoken Poetry. He is a former editor of Poetry Wales, and a founder of the Red Poets Society, which organises regular performances and publishes an annual magazine of radical poetry. Wanting to Belong, his collection of interlinked short stories about teenagers in a south Wales valley, was Arts Council of Wales Book of the Year 1998, and has been filmed by the BBC.

This volume brings together nine papers written by researchers from all over Europe working within the realms of political science, the humanities, theology and religion, as well as business, economics, and management. They offer unique perspectives to provide a truly multifaceted take on the topic of dissidence in the European context. This book has been organised into three sections: Part A – ‘Debating European Capitalism and Consumer Relations’, Part B – ‘Citizenship and the European Identity’, and Part C – ‘Europe: A Continent of Conspiracy and Control?’

One of the major modern poets of the Urdu language in the twentieth century, N.M. Ráshed lived and wrote at a time of tremendous upheaval both within and outside the Islamic world--the period between the two World Wars. Viewed as anarchic for his passionate defense of democracy and individualism, Ráshed was responsible for spearheading a modernist movement in Urdu literature. His many critics failed to see that his apparent religious heterodoxy was itself a version of faith, often reflected in his verse as an intense, if tragic, spiritual struggle expressed in earthly terms. Attacking a tradition while remaining within it, Ráshed turned the ghazal, primarily a love lyric and itself a subversive verse form, into a powerful weapon of protest. A composite picture of the world and works of Ráshed is presented here for the first time in English translation with poems drawn from various collections of his verse.

They stood firm on their convictions despite the odds. Some paid a heavy toll for their beliefs – deprivations, long prison terms, lonely lives in self-imposed exile. But they never broke. Some will say the unflinching attitude of these dissidents against what they perceived as coercive authority has been an exercise in futility. Yet other say the course of Singapore’s history might have been altered if their will had prevailed. Their stories need to be told. The first of it’s kind, this book will inform and educate. Rather than to glorify their tough stance, these memoirs are a record of human endurance. It exemplifies the extremes sacrifices some people will make in pursuit of their ideals. Written by veteran journalist and author Clement Mesenas, this book chronicles the lives of twenty of this country’s leading dissidents – including Lim Chin Siong, David Marshall and Ong Eng Guan, among many others. Clement Mesenas started his career in The Straits Times in 1968, cutting his teeth in journalism as a young crime reporter before moving on to the sub-editors desk and then to the field of magazine publishing. He was branch union chairman and secretary-general of the Singapore National Union of Journalists. He also co-founded the Asean Confederation of journalists. He left Singapore in 1979 to become managing editor of the Kuwait Times, where he worked for 10 years before moving to the Gulf News in Dubai, where he served 10 years as its deputy editor. He returned to Singapore in 2000 to join MediaCorp’s TODAY newspaper as one of its pioneering editors and retired in 2011. He now publishes a number of community publications and is working towards establishing a global network through digital media platforms.

This book examines the abolitionist and labor press, black power publications of the 1960s, the crusade against the barbarism of lynching, the women's movement, and antiwar journals. Streitmatter also discusses gay and lesbian publications, contemporary on-line journals, and counterculture papers like The Kudzu and The Berkeley Barb that flourished in the 1960s.

'Wayne's study offers an impressive range of readings and critical methodologies within a collection of exceptional coherence... Dissident Voices is consistently compulsive reading and a must for all students and specialists in the field of recent and contemporary television culture.' Professor Madeleine MacMurraugh-Kavanagh, University of ReadingTwo decades of institutional and structural changes in television broadcasting have both informed and reflected profound shifts in British culture. How have programme makers themselves approached the tensions and anxieties of the last twenty years?Dissident Voices examines the ways in which certain forms and genres have registered a period of cultural upheaval and to what extent they have developed a more reflexive and a more critical television culture. This collection covers a broad range of issues including class, gender and sexuality, the monarchy, identity and nationhood. It examines their representation in a variety of dramas and genres, including police procedurals, documentaries, game shows, sitcoms and satire. The contributors challenge the notion of television as a bland purveyor of the status quo, presenting it as a complex and potentially subversive medium. Television culture is portrayed here as still resistant to the total control of either markets or ideologies. In an age of political consensus, it is an important and popular site where anxiety about and dissent from current social trends frequently surface.

Dissident Voices challenges the view of television as bland purveyor of the status quo, arguing that it has developed a more reflective and critical culture.