A Distant Trumpet

Tells of a company of U.S. cavalry in Arizona in the 1880s, and their part in the wars against the Chiricahua Apaches.

Raoul Walsh (1887–1980) was known as one of Hollywood’s most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh’s generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh’s life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith’s The Birth of a Nation (1915). In the same year, under Griffith’s tutelage, Walsh began to direct on his own. Soon he left Griffith’s company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker “the one-eyed bandit.” During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.

The Routledge Companion to Native American Literature engages the multiple scenes of tension — historical, political, cultural, and aesthetic — that constitutes a problematic legacy in terms of community identity, ethnicity, gender and sexuality, language, and sovereignty in the study of Native American literature. This important and timely addition to the field provides context for issues that enter into Native American literary texts through allusions, references, and language use. The volume presents over forty essays by leading and emerging international scholars and analyses: regional, cultural, racial and sexual identities in Native American literature key historical moments from the earliest period of colonial contact to the present worldviews in relation to issues such as health, spirituality, animals, and physical environments traditions of cultural creation that are key to understanding the styles, allusions, and language of Native American Literature the impact of differing literary forms of Native American literature. This collection provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of the field. It supports academic study and also assists general readers who require a comprehensive yet manageable introduction to the contexts essential to approaching Native American Literature. It is essential reading for anyone interested in the past, present and future of this literary culture. Contributors: Joseph Bauerkemper, Susan Bernardin, Susan Berry Brill de Ramírez, Kirby Brown, David J. Carlson, Cari M. Carpenter, Eric Cheyfitz, Tova Cooper, Alicia Cox, Birgit Däwes, Janet Fiskio, Earl E. Fitz, John Gamber, Kathryn N. Gray, Sarah Henzi, Susannah Hopson, Hsinya Huang, Brian K. Hudson, Bruce E. Johansen, Judit Ágnes Kádár, Amelia V. Katanski, Susan Kollin, Chris LaLonde, A. Robert Lee, Iping Liang, Drew Lopenzina, Brandy Nālani McDougall, Deborah Madsen, Diveena Seshetta Marcus, Sabine N. Meyer, Carol Miller, David L. Moore, Birgit Brander Rasmussen, Mark Rifkin, Kenneth M. Roemer, Oliver Scheiding, Lee Schweninger, Stephanie A. Sellers, Kathryn W. Shanley, Leah Sneider, David Stirrup, Theodore C. Van Alst, Jr., Tammy Wahpeconiah

“My heart is bursting with homage as I / head off to a hostile eternity,” writes Jane Mayhall, now eighty-five, who wrote most of these poems in an urgent outpouring over the last few years. From the decades-outdated subway token in the bottom of her shoulder bag, which calls forth earlier days in New York City, to the violin her father practiced among the pantry’s jam jars in her Kentucky childhood, Mayhall plucks small treasures that bespeak her fierce devotion to life, with its clutter of memories and imperfections. In her tightly knotted, beautifully turned short poems, she elegizes a world not quite gone, and brings us into contact with some of her contemporaries, from Lincoln Kirstein to Theodore Roethke. Chief among her cherished memories is her long bohemian marriage, which she recalls in a series of ravishing love poems to her late husband. In lines saturated with feeling she describes how she accommodates her grief at losing him and, as throughout this exquisite volume, how we must continue to greet life, in all its gorgeous strangeness.

What do houses tell us about the people who built or remodeled them? Adobe carefully painted to make it look like brick says as much about Anglo culture and presence in New Mexico from 1850 to 1912 as does any political history of those years. This study of domestic architecture, though, is more than a regional one; it addresses issues basic to an understanding of how one culture transports its social mores, cultural values, and material goods to a frontier where they can take hold.

Madame Sousatzka is a gifted piano teacher who specializes in child prodigies and hosts her lessons in the dilapidated London home she shares with three other eccentrics: a 'countess' in retirement, a gay osteopath, and a 'woman-of-the-evening'. Madame Sousatzka's newest student is an astonishing talent, and in her hands, the new boy will blossom into musical genius. But the public cannot hear him yet: until his debut he belongs to Sousatzka and her bizarre hot- house tenants. One day he will be a great pianist - until that day he must play only for Sousatzka ... This moving and entertaining novel by Booker Prize-winning author Bernice Rubens was adapted into the 1988 film starring Shirley MacLaine. 'A story of delectable charm and wit. Passionate, comical, touchingly unaware of oddity, Madame Sousatzka is Ms Rubens' most engaging creation, inimitable and unforgettable.'-The Times

Flagstaff, Arizona, was originally settled in the 1870s as a railroad and lumber town on the southwestern edge of the Colorado Plateau, amid the ponderosa pines. Now most noted for its proximity to the Grand Canyon, the city offers a tantalizing combination of history and progress. Theodore Roosevelt, the Apollo astronauts, Walt Disney filmmakers, Navajo code talkers and Pluto-discoverer Clyde Tombaugh all feature in the area's fascinating past. Join authors Kevin Schindler and Michael Kitt as they relate the trials and triumphs that have given this town its charm, from the tumultuous days of the Wild West to the fast-paced twentieth century.

What if Clinton/Gore lost in 1992? Or won in 1992 and lost in 1996? This book is a look back at the importance of all the right moves made by Bill Clinton from the New Hampshire primary to the selection of Al Gore as his running mate to his handling of the Republican takeover of the House of Representatives in 1994-95.