A Drop Of Chinese Blood

James Church's Inspector O novels have been hailed as "crackling good" (The Washington Post) and "tremendously clever" (Tampa Tribune), while Church himself has been embraced by critics as "the equal of le Carré" (Publishers Weekly, starred). Now Church—a former Western intelligence officer who pulls back the curtain on the hidden world of North Korea in a way that no one else can—comes roaring back with a new novel introducing Inspector O's nephew, Major Bing, the long-suffering chief of the Chinese Ministry of State Security operations on the border with North Korea. The last place Bing expected to find the stunningly beautiful Madame Fang—a woman Headquarters wants closely watched—was on his front doorstep. Then, as suddenly as she shows up, Madame Fang mysteriously disappears across the river into North Korea, leaving in her wake both consternation and a highly sensitive assignment for Bing to bring back from the North a long missing Chinese security official. Concerned for his nephew's safety, O reluctantly helps him navigate an increasingly complex and deadly maze, one that leads down the twisted byways of O's homeland. In the tradition of Philip Kerr's Berlin Noir trilogy, and the Inspector Arkady Renko novels, A Drop of Chinese Blood presents an unfamiliar world, a perplexing universe where the rules are an enigma to the reader and even, sometimes, to Inspector O. Once again, James Church has crafted a story with beautifully spare prose and layered descriptions of a country and a people he knows by heart.

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Notes on contributors -- Acknowledgements -- Introduction: mixed race in Asia -- Part I China and Vietnam -- 1 'A class by themselves': battles over Eurasian schooling in late-nineteenth-century Shanghai -- 2 Mixing blood and race: representing Hunxue in contemporary China -- 3 Métis of Vietnam: an historical perspective on mixed-race children from the French colonial period -- Part II South Korea and Japan -- 4 Developing bilingualism in a largely monolingual society: Southeast Asian marriage migrants and multicultural families in South Korea -- 5 Haafu identity in Japan: half, mixed or double? -- 6 Claiming Japaneseness: recognition, privilege and status in Japanese-Filipino 'mixed' ethnic identity constructions -- Part III Malaysia and Singapore -- 7 Being 'mixed' in Malaysia: negotiating ethnic identity in a racialized context -- 8 Chinese, Indians and the grey space in between: strategies of identity work among Chindians in a plural society -- 9 'Our Chinese': the mixedness of Peranakan Chinese identities in Kelantan, Malaysia -- 10 Eurasian as multiracial: mixed race, gendered categories and identity in Singapore -- Part IV India and Indonesia -- 11 Is the Anglo-Indian'identity crisis' a myth? -- 12 Performing Britishness in a railway colony: production of Anglo-Indiansas a railway caste -- 13 Sometimes white, sometimes Asian: boundary-making among transnational mixed descent youth at an international school in Indonesia -- 14 Class, race and being Indo (Eurasian) in colonial and postcolonial Indonesia -- Afterword -- Index

This critical anthology draws on current theoretical movements to examine the breadth of Asian American literature from the earliest to the most recent writers. Covering fiction, essays, poetry, short stories, ethnography, and autobiography, Form and Transformation in Asian American Literature advances the development of a theoretically informed, historically and culturally specific methodology for studying this increasingly complex field. The essays in this anthology probe into hotly debated issues as well as understudied topics, including the relations between Asian American and other minority American writings.

The Color of Success tells of the astonishing transformation of Asians in the United States from the "yellow peril" to "model minorities"--peoples distinct from the white majority but lauded as well-assimilated, upwardly mobile, and exemplars of traditional family values--in the middle decades of the twentieth century. As Ellen Wu shows, liberals argued for the acceptance of these immigrant communities into the national fold, charging that the failure of America to live in accordance with its democratic ideals endangered the country's aspirations to world leadership. Weaving together myriad perspectives, Wu provides an unprecedented view of racial reform and the contradictions of national belonging in the civil rights era. She highlights the contests for power and authority within Japanese and Chinese America alongside the designs of those external to these populations, including government officials, social scientists, journalists, and others. And she demonstrates that the invention of the model minority took place in multiple arenas, such as battles over zoot suiters leaving wartime internment camps, the juvenile delinquency panic of the 1950s, Hawaii statehood, and the African American freedom movement. Together, these illuminate the impact of foreign relations on the domestic racial order and how the nation accepted Asians as legitimate citizens while continuing to perceive them as indelible outsiders. By charting the emergence of the model minority stereotype, The Color of Success reveals that this far-reaching, politically charged process continues to have profound implications for how Americans understand race, opportunity, and nationhood.

This book provides extensive information on craftsmen-built houses in China. Though some inroads have been made in studying this folk custom, this work represents the first comprehensive and systematic monograph. The book examines the topic at the two main levels of “history” and “theory”. Combining historical textual research, contemporary textual research, and field study, the book presents systematic information on the folk custom of craftsmen-built houses in China. At the level of theoretical research, it puts forward some original opinions on the major theoretical issues, such as the folk custom of religious belief, the boundary between superstition and religion, and the relationship between oral literature and ritual. The book provides a guide to help readers systematically understand the folk custom of craftsmen-built houses in China. Sharing valuable insights into Chinese architectural history, as well as religious studies, cultural anthropology, and folklore, it will appeal to researchers in the fields of folklore, cultural anthropology, and architecture and can also serve as a popular science book for understanding Chinese architectural culture.

This vividly rendered Civil War history presents “a lively guided tour of Washington during the 24 hours or so around Lincoln’s swearing-in” (Adam Goodheart, Washington Post). By March 4, 1865, the Civil War had left intractable wounds on the nation. Tens of thousands crowded Washington’s Capitol grounds that day to see Abraham Lincoln take the oath for a second term—and witness what was perhaps the greatest inaugural address in American history. Lincoln stunned the nation by arguing that both sides had been wrong, and that the war’s unimaginable horrors might have been God’s just verdict on the national sin of slavery. In Every Drop of Blood, Edward Achorn reveals the nation’s capital on that momentous day—with its mud, sewage, and saloons, its prostitutes, spies, reporters, social-climbing spouses and power-hungry politicians. Swirling around the complex figure of Lincoln, a host of characters are brought to life, from grievously wounded Union colonel Selden Connor to the embarrassingly drunk new vice president, Andrew Johnson, to poet-journalist Walt Whitman; from soldiers’ advocate Clara Barton and African American leader Frederick Douglass to conflicted actor John Wilkes Booth. In indelible scenes, Achorn captures the frenzy and division in the nation’s capital at this crucial moment in America’s history. His story offers new understanding of our great national crisis, and echoes down the decades to resonate in our own time.