A Fatal Glow

Sometimes even good luck can mean bad fortune. For Odessa Jones—reluctant psychic, part-time caterer, full-time realtor—an elegant affair turned deadly threatens her reputation, and her life . . . Recently widowed Odessa Jones is sure the exclusive catering job she’s scored from wealthy businessman Casey Osborne will propel her catering career into the big leagues. So when Dessa’s pesky second sight warns her that Osborne is bad news, she ignores it. She wishes she hadn’t when he drops dead at his brunch after sampling her homemade preserves. Osborne’s death is declared a homicide. Dessa and the friends who helped her cook are considered suspects . . . To clear her name and find the truth, Dessa delves into Casey Osborne’s life. Everyone from his sinister business partner to his tormented ex-wife has reason to kill him—and the opportunity to do it. With the help of her spirited aunt, loyal co-workers and mischievous cat Juniper, she desperately searches for answers. Until a second murder leads Dessa down a frightening path filled with insidious hidden agendas—and someone poised to change her life forever. Praise for A Glimmer of Death “There's crispness in Wesley’s plotting and sparkle in the supporting characters.” —Los Angeles Times “Wesley perfectly captures her protagonist’s emotions, including the lingering melancholy she feels for her late husband. . . . Readers will hope to see a lot more of kind, empathetic Odessa.” —Publishers Weekly

With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation. In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and—far more important—indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.

The Legend of the Mountain God and the River Goddess is a classic Vietnamese folktale, a celebration of Vietnamese culture and values. This story shows us that the truest form of courage lies in seeking harmony where there is discord. Hoa's journey is a reminder that even the humblest hearts have the power to bridge divides and heal age-old rifts, reaffirming that peace is not just a truce between mighty forces, but a legacy left for every generation to uphold. The Legend of the Mountain God and the River Goddess is a timeless tale that continues to inspire people of all ages to this day.