A Feminist Companion To Tobit And Judith

A Feminist Companion to Tobit and Judith extends the work of the hugely influential and respected Feminist Companion series, which continues to set the standard for feminist approaches to the Hebrew Bible and related texts. In the present volume Athalya Brenner-Idan (with Helen Efthimiadis-Keith) draws together a range of scholarly commentators and addresses the core issues relating to feminist interpretations of the two texts at hand. The volume examines attitudes to gender, identities, exile, social mores, beliefs, clothing, food and drink, personal relationships, and biblical reception. The contributors are: Beverly Bow and George Nickelsburg, Athalya Brenner-Idan, Ora Brison, Helen Efthimiadis-Keith, Renate Egger-Wenzel, Beate Ego, Emma England, Jennifer Glancy, Jan Willem van Henten, Naomi Jacobs, Amy-Jill Levine, Pamela Milne, and Barbara Schmitz.

This volume focuses on the story of Judith as presented by composers, librettists and playwrights over four centuries. Helen Leneman analyzes numerous examples of music, librettos and the librettists' views of Judith – strongly influenced by societal attitudes of their time – and how these works in turn suggest unexpected ways of understanding biblical women and their stories. Music adds nuances, colors and emotions, becoming a subtext that suggests character and emotions. Leneman presents in-depth analyses of the librettos and music of 16 operas and oratorios based on the book of Judith that span 300 years (1694-1984), in addition to two influential plays that inspired several librettos in the nineteenth century. Exploring works by such varied composers as Vivaldi, Mozart, Parry, Honegger, Serov, Chadwick and von Reznicek, Leneman reveals the ways in which each adaptation expands, distils or reinterprets Judith's character and story. In this first ever extensive study of musical settings of the Book of Judith, Leneman enables the biblical heroine to transcend her source.

Judith tells the story of a beautiful Jewish woman who enters the tent of an invading general, gets him drunk, and then slices off his head, thus saving her village and Jerusalem. This short novella was somewhat surprisingly included in the early Christian versions of the Old Testament and has played an important role in the Western tradition ever since. This commentary provides a detailed analysis of the text's composition and its meaning in its original historical context, and thoroughly surveys the history of Judith scholarship. Lawrence M. Wills not only considers Judith's relation to earlier biblical texts--how the author played upon previous biblical motifs and interpreted important biblical passages--but also addresses the rise of Judith and other Jewish novellas in the context of ancient Near Eastern and Greek literature, as well as their relation to cross-cultural folk motifs. Because of the popularity of Judith in art and culture, this volume also addresses the book's history of interpretation in paintings, sculpture, music, drama, and literature. A number of images of artistic depictions of Judith are included and discussed in detail.

Blindness by bird excrement, seven husbands murdered by a love-sick demon, a father with the corpses of his sons-in-law interred in the backyard, and a magical fish. These farcical elements make the book of Tobit a striking work of humorous fiction in a long Jewish tradition of storytelling. But it is more than just an entertaining read. We might well laugh, but we cannot laugh too hard, for we also sympathize with the characters’ sincere struggles to understand God’s plan for their lives. This commentary considers the book of Tobit through a specifically feminist lens, discoursing on topics fundamental to the human experience in the story, such as grief, death, family relationships, belonging to a minority community, disability issues, and contending with why bad things happen to good people.

This volume in the prestigious Feminist Companions series edited by Athalya Brenner covers this fascinating figures of Esther, Judith, and Susanna.

This comprehensive, up-to-date introduction to the Old Testament apocryphal books summarizes their context, message, and significance. The first edition has been very well reviewed and widely adopted. It is the most substantial introduction to the Apocrypha available and has become a standard authority on the topic. The second edition has been substantially revised and updated throughout to reflect the latest scholarship. The book includes a foreword by James H. Charlesworth.

This volume brings together a lively set of papers from the first session of the Deuterocanonical and Cognate Literature program unit of the Society of Biblical Literature Annual Meeting in 2016. Together with a few later contributions, these essays explore a number of thematic and textual issues as they trace the reception history of the Book of Isaiah in Deuterocanonical and cognate literature.