A Fiery Gospel

Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "Battle Hymn of the Republic" has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song—humming the tune, reading the music for us—all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "The Battle Hymn of the Republic" has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself—her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities—that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "The Battle Hymn of the Republic," and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.

NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.

“They died to save their country and they only saved the world.” This line, the final one in G. K. Chesterton’s poem “The English Graves,” serves for Richard M. Gamble as an interpretive key to a peculiarly important moment in American history: the time of the First World War, when progressive Christian leaders in America transformed themselves from principled pacifists to crusading interventionists. The consequence of this momentous shift, says Gamble, was the triumph of the idea that America has been destined by divine Providence to bring salvation to the less enlightened nations of the world. In The War for Righteousness, Gamble reconstructs the inner world of the social gospel clergy, tracing the evolution of the clergy’s interventionist ideology from its roots in earlier efforts to promote a modern, activist Christianity. He shows how these clergy eventually came to see their task as world evangelization for the new creed of democracy and internationalism, and ultimately for the redemption of civilization itself through the agency of total war. World War I thus became a transcendent moment of fulfillment. In the eyes of the progressive clergy, the years from 1914 to 1918 presented an unprecedented opportunity to achieve their vision of a world transformed—the ancient dream of a universal and everlasting kingdom of peace, justice, and righteousness. American sacrifice was necessary not only to save the country, but to save the entire world. Vividly narrating how the progressive clergy played a surprising role in molding the public consensus in favor of total war, Gamble engages the broader question of religion’s role in shaping the modern American mind and the development, at the deepest levels, of the logic of messianic interventionism both at home and abroad. This timely book not only fills a significant gap in our collective memory of the Great War, it also helps demonstrate how and why that war heralded the advent of a different American self-understanding.

The baptism with the Spirit and fire has been a major area of study by theologians and has been pursued by the historical church seeking God’s holiness and power; yet its relationship to judgment has often been ignored. This book explores the Holy Spirit’s relationship with judgment in Luke-Acts through seven texts: Luke 3:16–17; 12:8–10; Acts 5:1–11; 7:51; 8:18–23; 13:9–11; 28:25–28. In these texts, the Holy Spirit is connected with fire, unforgiveness, deception, resistance, greed, blindness, or condemnation. In each instance, Luke’s presentation is examined to determine the Spirit’s role in the process of judgment. Through the Spirit, Jesus judges, cleanses, purges, and divides his people from the world. Luke portrays the Spirit as the executive power of Jesus’ reign as judge, exposing, opposing, and condemning those who reject the gospel.

Religion, race, and American history. America's Religious History is an up-to-date, narrative-based introduction to the unique role of faith in American history. Moving beyond present-day polemics to understand the challenges and nuances of our religious past, leading historian Thomas S. Kidd interweaves religious history and key events from the larger story of American history, including: The Great Awakening The American Revolution Slavery and the Civil War Civil rights and church-state controversy Immigration, religious diversity, and the culture wars Useful for both classroom and personal study, America's Religious History provides a balanced, authoritative assessment of how faith has shaped American life and politics.

It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.

Several unforgettable characters narrate this vivid debut novel that examines the roots of fundamentalism; the powerful sway of community; and cuts to the heart of the question of whether or not people change.

Why do white Protestants in America embrace a president who seems to violate their basic standards of morality? The answer, Andrew Whitehead and Samuel Perry argue, is "Christian nationalism," the belief that the United States is -- and should be -- a Christian nation. Knowing someone's stance on Christian nationalism, this book shows, tells us more about his or her political beliefs than race, religion, or political party. Drawing on national survey data and interviews with Americans across the political spectrum, Taking America Back for God illustrates the tremendous influence of Christian nationalism on debates about the most contentious issues dominating American public life.