A Fistful Of Drawings

In this gorgeous graphic memoir, Joe Ciardiello gracefully weaves together his Italian family history and the mythology of the American West while paying homage to the classic movie and TV Westerns. Featuring John Ford, John Wayne, Clint Eastwood, Sophia Loren, and many more, this book is a paean to Hollywood and a love letter to the Western.

Dope Rider is back in town! After a 30-year hiatus, Paul Kirchner brought back to life his iconic, bony stoner hero whose first adventures were a staple of the psychedelic counter-culture magazine High Times in the 1970s and 1980s. The new stories collected in this book were all created after 2015 and despite the years, Dope Rider has stayed essentially the same, still smoking his ever-present joint, getting high and chasing metaphysical dragons through whimsical realities in meticulously illustrated and colorful one-page adventures. Fans of the original Dope Rider comics will still find the bold graphical innovations, dubious puns and wild dreamscapes inspired by classical painting and western movies that were some of Dope Rider’s trademark. This time though, Kirchner draws from a much larger panel of influences, including modern pop – and pot – culture (lines and characters from Star Wars as well as references to Denver as the US weed capital can be found here and there) and a wider range of artistic references, from Alice in Wonderland to 2001: A Space Odyssey to Ed Roth’s Kustom Kulture. Native American culture and mythology, only hinted at in the classic adventures, is also much more present in the form of Chief, one of Dope Rider’s new sidekicks. Kirchner’s playful, tongue-in-cheek humor binds together all these influences into stories that mock both the mundane and the nonsensical alike. Paul Kirchner lives in Connecticut. He started his career in the 1970s as an assistant to Wally Wood. His original Dope Rider stories are collected among other early works in the book Awaiting the Collapse. He also created the bus, a surrealistic monthly strip published in Heavy Metal magazine from 1979 to 1985 and illustrated the graphic detective novel Murder by Remote Control written by Janwillem van de Wetering. Paul Kirchner went back to comics during the 2010s with the bus 2 in 2015 and Hieronymus & Bosch in 2018. He continues to insist he has never used drugs, not even for research purposes.

This book constitutes the proceedings of the 23rd International Symposium on Graph Drawing and Network Visualization, GD 2015, held in Los Angeles, Ca, USA, in September 2015. The 35 full papers presented together with 7 short papers and 8 posters in this volume were carefully reviewed and selected from 77 submissions. Graph Drawing is concerned with the geometric representation of graphs and constitutes the algorithmic core of Network Visualization. Graph Drawing and Network Visualization are motivated by applications where it is crucial to visually analyze and interact with relational datasets. Examples of such application areas include social sciences, Internet and Web computing, information systems, computational biology, networking, VLSI circuit design, and software engineering. This year the Steering Committee of GD decided to extend the name of the conference from the "International Symposium on Graph Drawing" to the "International Symposium on Graph Drawing and Network Visualization" in order to better emphasize the dual focus of the conference on combinatorial and algorithmic aspects as well as the design of network visualization systems and interfaces.

After a century of reinvention and, frequently, reinterpretation, Western movies continue to contribute to the cultural understanding of the United States. And Western archetypes remain as important emblems of the American experience, relating a complex and coded narrative about heroism and morality, masculinity and femininity, westward expansion and technological progress, and assimilation and settlement. In this collection of new essays, 21 contributors from around the globe examine the "cowboy cool" iconography of film and television Westerns--from bounty hunters in buckskin jackets to denizens of seedy saloons and lonely deserts, from Cecil B. DeMille and John Ford to Steve McQueen and Budd Boetticher, Jr.

"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.

This book constitutes revised selected papers from the 24th International Symposium on Graph Drawing and Network Visualization, GD 2016, held in Athens, Greece, in September 2016. The 45 papers presented in this volume were carefully reviewed and selected from 99 submissions. They were organized in topical sections named: large graphs and clutter avoidance; clustered graphs; planar graphs, layered and tree drawings; visibility representations; beyond planarity; crossing minimization and crossing numbers; topological graph theory; special graph embeddings; dynamic graphs, contest report.

Provides a series of lesson on foreshortening, surface, shading, shadow, density, contour, overlapping, and size, and suggests that daily practice is important for developing one's artistic skills.

When four friends decide to share the perfect dress ~~~ magic happens After Joe MacKinnon rear-ends Darby Walker's camper van, Darby needs a place to recover, and judging by what she sees in the MacKinnon household, they need her more. But Darby believes things happen for a reason... Soon there's life in the MacKinnons' ranch house where before there had only been sadness and dust bunnies; sunshine and laughter where there had only been silence and recrimination. Change can be good, but Darby's changes tend to be messy... with Joe on clean-up duty. Still, Joe discovers that under Darby's rainbow hair, sassy T-shirts and can-do attitude lives a tender soul. And a secret connection with Joe's past...