A Fuller View

In a broad sense Design Science is the grammar of a language of images rather than of words. Modern communication techniques enable us to transmit and reconstitute images without the need of knowing a specific verbal sequential language such as the Morse code or Hungarian. International traffic signs use international image symbols which are not specific to any particular verbal language. An image language differs from a verbal one in that the latter uses a linear string of symbols, whereas the former is multidimensional. Architectural renderings commonly show projections onto three mutually perpendicular planes, or consist of cross sections at differ ent altitudes representing a stack of floor plans. Such renderings make it difficult to imagine buildings containing ramps and other features which disguise the separation between floors; consequently, they limit the creativity of the architect. Analogously, we tend to analyze natural structures as if nature had used similar stacked renderings, rather than, for instance, a system of packed spheres, with the result that we fail to perceive the system of organization determining the form of such structures.

Known as a Leonardo da Vinci of the twentieth century, engineer, designer, inventor, and futurist Dr. R. Buckminster Bucky Fuller had a keen awareness that we re all in this together. Understanding that humans don t have a clue about how to operate our fragile Spaceship Earth, Buckminster provided insightful design science solutions to our most challenging issues, including war, overpopulation, housing, increasing inflation, health care, the energy crisis, and much more. For all its genius, Fuller s legacy has yet to be fully discovered. Noted Fuller expert L. Steven Sieden together with Gary Zukav, John Robbins, Lynne Twist, Jean Houston, and many other notable individuals offer inspiring quotations and explanations that make Fuller's life more understandable and accessible. They preserve a voice that calls upon each of us to shift our intellectual and technological resources from creating weaponry to creating sustainability. Winner 2013 COVR award - Gold"

In his day, practicing English pastor Andrew Fuller (1754-1815) was also the most prominent Baptist theologian on either side of the Atlantic Ocean. He remained influential via his thoughtful writings up until the American Civil War. Since then, however, the emphasis on theological and doctrinal depth in Baptist preaching (and preaching generally) has been in decline. Now scholars are looking back at Fuller to provide an example of how pastors can relate doctrine to practice. He was not content to contribute to theological debate in print only; he also showed how the theological conclusions he had arrived at could be applied to local church ministry. This pastoral biography of Andrew Fuller, the second in B&H Publishing Group’s Studies in Baptist Life & Thought series, introduces a new preaching generation to his theological method, his soteriology, and how Fuller intentionally moved from doctrine to practice among the church.

First comprehensive study of this American original A cigar-chomping storyteller who signaled "Action!" by shooting a gun, Samuel Fuller has been lionized as one of the most distinctive writer/directors ever to emerge from Hollywood. In such films as The Steel Helmet, Pickup on South Street, Shock Corridor, and The Big Red One, Fuller gleefully challenged classical and generic norms—and often standards of good taste—in an effort to shock and arouse audiences. Tackling war, crime, race, and sexuality with a candor rare for any period, Fuller's maverick vision was tested by Hollywood's transition from the studio system to independent filmmaking. Now, in the first full account of all of the director's audaciously original work, author Lisa Dombrowski brings his career into new relief. The Films of Samuel Fuller features close analysis of Fuller's pictures and draws on previously untapped production and regulatory files, script notes, and interviews to explore how artistic, economic, and industrial factors impacted Fuller's career choices and shaped the expression of his personal aesthetic. Fans of Fuller and American cinema will welcome this in-depth study of a provocative director who embodied both the unique opportunities and challenges of postwar filmmaking.

Lon Fuller, one of the great American jurists of this century, is often remembered only for his stand on the morality of law in the Fuller-Hart debate. Rediscovering Fuller considers the full range of Fuller's writings, from his early engagement with legal fictions and his critique of legal positivism to his later work on implicit law and the art of institutional design. Contributors from the fields of both civil law and common law argue that Fuller's insights are highly relevant to contemporary concerns. The book contains essays by K. Winston, D. Dyzenhaus, P. Cliteur, F. Schauer ("Beyond the Fuller-Hart Debate"), P. Westerman, W. van der Burg, D. Luban ("Moralities of Law"), G. Postema, P. Teachout ("Implicit Law"), R. Macdonald, W. Witteveen, J. Allison, M. Hertogh, K. Soltan ("The Art of Institutional Design"), J. Allan, F. Mootz, J. Vining ("Law's Dialogue"), and a preface by Ph. Selznick. "At some point in the future, when we become more open to the moral relevance of social inquiry, more empirical in our study of philosophical issues, more capable of uniting moral and social theory, Lon Fuller's work will stand as a landmark. This volume will help show the way." —Ph. Selznick