A Genealogy Of Terror In Eighteenth Century France

In contemporary political discourse, it is common to denounce violent acts as “terroristic.” But this reflexive denunciation is a surprisingly recent development. In A Genealogy of Terror in Eighteenth-Century France, Ronald Schechter tells the story of the term’s evolution in Western thought, examining a neglected yet crucial chapter of our complicated romance with terror. For centuries prior to the French Revolution, the word “terror” had largely positive connotations. Subjects flattered monarchs with the label “terror of his enemies.” Lawyers invoked the “terror of the laws.” Theater critics praised tragedies that imparted terror and pity. By August 1794, however, terror had lost its positive valence. As revolutionaries sought to rid France of its enemies, terror became associated with surveillance committees, tribunals, and the guillotine. By unearthing the tradition that associated terror with justice, magnificence, and health, Schechter helps us understand how the revolutionary call to make terror the order of the day could inspire such fervent loyalty in the first place—even as the gratuitous violence of the revolution eventually transformed it into the dreadful term we would recognize today. Most important, perhaps, Schechter proposes that terror is not an import to Western civilization—as contemporary discourse often suggests—but rather a domestic product with a long and consequential tradition.

In the STUDIES IN EUROPEAN HISTORY series, this book examines the arguments, analyses the Terror's background and charts the history that lies between the fall of the Bastille and the work of the guillotine during the Terror. Aimed at history undergraduates studying eighteenth century French history.

This book traces changing attitudes towards secrecy in eighteenth-century France, and explores the cultural origins of ideas surrounding government transparency. The idea of keeping secrets, both on the part of individuals and on the part of governments, came to be viewed with more suspicion as the century progressed. By the eve of the French Revolution, writers voicing concerns about corruption saw secrecy as part and parcel of despotism, and this shift went hand in hand with the rise of the idea of transparency. The author argues that the emphasis placed on government transparency, especially the mania for transparency that dominated the French Revolution, resulted from the surprising connections and confluence of changing attitudes towards honour, religious movements, rising nationalism, literature, and police practices. Exploring religious ideas that associated secrecy with darkness and wickedness, and proto-nationalist discourse that equated foreignness with secrecy, this book demonstrates how cultural shifts in eighteenth-century France influenced its politics. Covering the period of intense fear during the French Revolution and the paranoia of the Reign of Terror, the book highlights the complex interplay of culture and politics and provides insights into our attitudes towards secrecy today.

How did the French Revolution’s ideals of liberty, equality, and fraternity descend into violence and terror? Timothy Tackett offers a new interpretation of this turning point in world history. Penetrating the mentality of Revolutionary elites on the eve of the Terror, he reveals how suspicion and mistrust escalated and helped propel their actions.

When Louis XVI was guillotined on January 21, 1793, vast networks of production that had provided splendor and sophistication to the royal court were severed. Although the king’s royal possessions—from drapery and tableware to clocks and furniture suites—were scattered and destroyed, many of the artists who made them found ways to survive. This book explores the fabrication, circulation, and survival of French luxury after the death of the king. Spanning the final years of the ancien régime from the 1790s to the first two decades of the nineteenth century, this richly illustrated book positions luxury within the turbulent politics of dispersal, disinheritance, and dispossession. Exploring exceptional works created from silver, silk, wood, and porcelain as well as unrealized architectural projects, Iris Moon presents new perspectives on the changing meanings of luxury in the revolutionary and Napoleonic periods, a time when artists were forced into hiding, exile, or emigration. Moon draws on her expertise as a curator to revise conventional accounts of the so-called Louis XVI style, arguing that it was only after the revolutionary auctions liquidated the king’s collections that their provenance accrued deeper cultural meanings as objects with both a royal imprimatur and a threatening reactionary potential. Lively and accessible, this thought-provoking study will be of interest to curators, art historians, scholars, and students of the decorative arts as well as specialists in the French Revolution.

At the heart of how history sees the French Revolution lies the enigma of the Terror. How did this archetypal revolution, founded on the principles of liberty and equality and the promotion of human rights, arrive at circumstances where it carried out the violent and terrible repression of its opponents? The guillotine, initially designed to be a ‘humane’ form of capital punishment, became a formidable instrument of political repression and left a deep imprint, not only on how we see the Revolution, but also on how France’s image has been depicted in the world. This book reconstructs the Terror in all its complexity. It shows that the popular view of a so-called ‘system of terror’ was retrospectively invented by the group of revolutionaries who overthrew Robespierre, as a way of trying to exonerate themselves from culpability. What we think of as ‘the Terror’ is best understood as an improvised and sometimes chaotic response to events, based on the urgent needs of a revolutionary government confronted by a succession of political and military crises. It was a government of ‘exception’ – a crisis government. Terror brings together a wealth of factual elements, along with recent thinking on the ideological, emotional and tactical dimensions of revolutionary politics, to throw new light on how the phenomenon of terror came to demonise the image and memory of the French Revolution. It will be essential reading for students and scholars of the French Revolution and for anyone concerned with the ways in which political conflict can descend into violence.

The French Revolution: A History in Documents explores the rapidly evolving political culture of the French Revolution through first-hand accounts of the revolutionary (and counterrevolutionary) actors themselves. It demonstrates how radical Enlightenment philosophy fused with a governmental crisis to create a moment of new political possibilities unlike any the world had previously seen. In so doing, the French and their allies generated a template for revolutionary possibility from which virtually all subsequent political movements – liberalism, abolitionism, socialism, anarchism, conservatism, feminism and human rights included – derived inspiration. As well as providing an invaluable general introduction, vital contextual notes and thematic bibliographies, Micah Alpaugh selects a fascinating range of pieces, drawing on Parisian, provincial, colonial, and even international voices. From Enlightened dissent to apologias for terror, from declarations of human rights to accounts of slave rebellions, from passionate arguments for democratization to the authoritarian pronouncements of Napoleonic rule, this book presents the French Revolution's evolution in all its awesome complexity. In addition to classic texts, Alpaugh includes many lesser-known sources, a number of which are translated into English here for the first time. This unique collection of 13 visual sources and over 90 documents, incorporating perspectives from across class, gender, race and nationality, provides you with insights into the fervent debates, pronouncements and proposals that spawned modern politics.